3D Architecture: The Latest Architecture and News

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The Dutch city of Eindhoven is to host the world’s first commercial housing project based on 3D-concrete printing, with the first of five planned houses due to start construction this year. The units were developed by a collaborative team including local firm Houben & Van Mierlo Architecten, and the Eindhoven University of Technology. The pods will be purchased and let out by a real estate company upon completion.

The first house will be a single-floor, three-room house measuring 1000 square feet (95 square meters), to be followed by four multi-story units. The irregular shape of the buildings is based on “erratic blocks in the green landscape,” made possible due to the flexibility of form permitted by 3D-printing.

Massachusetts’ Bentley University Arena together with Architectural Resources Cambridge (ARC) have earned the LEED Platinum certification and was named the most environmentally sustainable arena in the United States. The 76,000 square foot arena emphasizes the university’s commitment to sustainability, energy efficiency, and goal to reach carbon neutrality by the year 2030. Bentley Unversity also offers a major in Sustainability Science and a program that will reduce more than 270 tons of material waste per year. This arena hosts several university events such as concerts, alumni events, career fairs, and is home to its NCAA Division I hockey team.

New details have been released of Renzo Piano Building Workshop’s first residential building in the United States; a landmark luxury condominium scheme on Miami’s North Beach. Designed in collaboration with interior architects Rena Dumas Architecture Intérieure (RDAI) and landscape firm West 8, the 66-unit scheme seeks to embrace both the ocean and adjacent 35-acre park, with a fluid design to “blur the line between imagination and craftsmanship.”

The architectural concept behind the scheme, titled “Eighty Seven Park,” was to create a “coastal sanctuary” floating above the lush landscape of North Shore Park. Though simple in form and motif, Piano’s design prioritizes an intricate attention to detail; “the belief in perfecting every element of its design and construction.”

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Skidmore, Owings & Merrill (SOM) has unveiled images of its proposed 54-story mixed-use tower in Hangzhou, China. Standing at a height of 945 feet (288 meters), the "Hangzhou Wangchao Center" seeks to act as a gateway to the eastern Chinese city’s newly-planned Qianjang Century Town district. With 1.3 million square feet (125,000 square meters) of office, hotel, and retail space, the scheme represents the ambitions of Hangzhou to become a global destination, spurred by its hosting of the Asian Games in 2022.

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Since the concept of driverless cars first became a serious prospect, a lot of attention has been given to the possibility of their malfunction—if an autonomous vehicle damages property or even harms a human, who is at fault? And, given a worst-case scenario, how should a vehicle's software choose between whose lives it prioritizes, the passenger or the pedestrian? This last question even became the basis for the Moral Machine, an online platform created by the MIT Media Lab that essentially crowdsources public opinion on different variations of the classic trolley problem thought experiment.

However, all of these questions had been considered largely theoretical until last night when, as The New York Times reports, a woman was struck and killed by an autonomous vehicle in Tempe, Arizona. As a major component of many predictions of futuristic "smart cities," the development and testing of autonomous vehicles hold huge implications for urbanism (ArchDaily has previously covered predictions of major change by car manufacturers and researchers) meaning that this fatal event could have a ripple effect on the development of cities.

London-based Rogers Stirk Harbour + Partners has released the first images of their 1.4-million-square-foot (130,000-square-meter) commercial tower for Toronto, Canada. Having won an international competition for the design of “The HUB” in 2017, the RSHP scheme has progressed with the potential to become a dominant fixture on the Toronto skyline.

Last week, Boise City Council unanimously approved world-renowned Safdie Architects to lead the local design team for the new cultural and civic center in downtown Boise. The center will expand the main library and bring it into the 21st century as well as becoming the new home for Boise Department of Arts & History that will house a performing arts venue for 400 capacity, gallery, and retail space.

A portfolio is the standard way for architects to show their work  and their style, process and brand. Over the last decade, portfolios have evolved from paper to digital, primarily because it is more time and cost efficient to maintain a digital portfolio and keep it up-to-date.

Within the realm of digital portfolios, choices can range between an app, a PDF, to a web-hosted portfolio. Architects usually choose to use JPEGs as the main element of the portfolio and may add text or other digital media like video or audio.

However, with the increasing use of new technologies like Virtual Reality to present architectural work - there is a strong case for creating and maintaining an immersive VR portfolio of your work to differentiate your brand in front of your audience and embrace newer technologies.

The Architectural League of New York has announced the recipients of its 2018 Emerging Voices awards, spotlighting individuals and firms “with distinct design voices and the potential to influence the disciplines of architecture, landscape design, and urbanism.”

WATG Urban's first prize design for The Freeform Home Design Challenge in 2016 is now moving one step closer to becoming a reality. Since winning the competition, WATG's Chicago office has been developing the winning design, dubbed Curve Appeal, alongside Branch Technology. Curve Appeal is now undergoing the "wall section testing, research and development phase" with an anticipated goal of breaking ground later this year. This revolutionary project could change the way we construct complex, freeform structures.

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Despite 3 years of community input and redesign, BIG’s plans for the new Smithsonian Institution Campus Master Plan in Washington, D.C., has been met with skepticism from the Commission of Fine Arts, one of the two federal agencies charged with approving the plan.

The curators of the U.S. Pavilion exhibition at the 2018 Venice Biennale have revealed five film and video works that will be featured within their Dimensions of Citizenship exhibition at next year’s Venice Biennale.

Entitled “Transit Screening Lounge,” the collection of videos will explore narrative, speculative and impressionistic perspectives on the spatial conditions of citizenship.

This article was originally published by The Architect's Newspaper as "Rockin’ guitar-shaped Florida hotel celebrates construction milestone."

Hoteliers and musicians smashed guitars in Hollywood, Florida to celebrate a construction milestone at the Seminole Hard Rock Hotel & Casino, a $1.5 billion entertainment complex featuring a mega guitar-shaped hotel.

The 450-foot-tall hotel will boast more than 600 rooms, around half of the complex’s total, plus a 41,000-square-foot spa and a few restaurants. At the tower’s base, guests can swim underneath waterfalls in plunge pools, relax in private cabanas, and partake in water sports in a giant artificial lake. Right now, the existing Seminole Hard Rock Hollywood hotel has almost 500 rooms, as well as a casino, meeting space, restaurants, and a lagoon pool.

The curatorial team for the U.S. Pavilion at the 2018 Venice Architecture Biennale have announced the seven designers who will create the pavilion’s main exhibitions. Consisting of architects, landscape architects, artists and designers, the group will produce responses to the theme of Dimensions of Citizenship, exploring “the meaning of citizenship as a cluster of rights and responsibilities at the intersection of legal, political, economic, and societal affiliations.”

The seven exhibitors include:

The U.S. State Department has announced the individuals and institutions that will serve as curators and commissioners of the United States Pavilion at the 2018 Venice Architecture Biennale.

Selecting through an open competition and recommendations from the Federal Advisory Committee on International Exhibitions, the exhibition will be led by co-commissioners The School of the Art Institute of Chicago (SAIC) and the University of Chicago and curators Niall Atkinson, Associate Professor of Architectural History at the University of Chicago; Ann Lui, Assistant Professor at SAIC and co-founder of Chicago-based architecture practice Future Firm; and Mimi Zeiger, a critic, editor, curator, and educator based in Los Angeles.

Under the theme of Dimensions of Citizenship, the exhibition will explore “the meaning of citizenship as a cluster of rights and responsibilities at the intersection of legal, political, economic, and societal affiliations.”

Cloistered by a protective shell of stone, the Beinecke Rare Book and Manuscript Library is one of the world’s foremost collections of rare manuscripts. Opened in 1963, the library is renowned for its translucent marble façade and the world-renowned glass book tower sheltered within – a dramatic arrangement resulting from the particular requirements of a repository for literary artifacts. This unique design, very much in the Modernist lineage but in contrast to the revivalist styles of the rest of Yale’s campus, has only become appreciated thanks to the passage of time; the same bold choices which are now celebrated were once seen as a cause for contempt and outrage.

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Few buildings in history can claim as infamous a legacy as that of the Pruitt-Igoe Housing Project of St. Louis, Missouri. Built during the height of Modernism this nominally innovative collection of residential towers was meant to stand as a triumph of rational architectural design over the ills of poverty and urban blight; instead, two decades of turmoil preceded the final, unceremonious destruction of the entire complex in 1973. The fall of Pruitt-Igoe ultimately came to signify not only the failure of one public housing project, but arguably the death knell of the entire Modernist era of design.

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This article was originally published by The Architect's Newspaper in their April 2017 issue and on their website titled "As the American Dream dies, we must rethink our suburbs, homes, and communities." It is part of a series of articles that mark the AIA National Convention in Orlando that took place at the end of April.

Americans define themselves through work; it builds character, or so we believe. The American Dream is premised on individual achievement, with the promise that our labor will be rewarded and measured by the things we collect and consume. For many, the sine qua non of the dream, our greatest collectible, is the single-family house. Of all our products, it is the one we most rely upon to represent our aspirations and achievements.