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At the Bruder Klaus Field Chapel, designed by Peter Zumthor, the construction process involved the direct participation of residents from the small Swiss village of Mechernich. Using an internal formwork made of vertically placed wooden logs, concrete was prepared in small batches and poured manually, day after day, forming layers marked by subtle variations in the mix and application. At the end of the process, the wooden structure was reduced to ashes, leaving the chapel's interior impregnated with traces of fire and revealing a dark, tactile surface. The result was a quiet and deeply meaningful space, where collective action, time, and material transformation became part of the architecture. Centered on locally available resources and manual techniques, this construction method highlights how the choice of materials and building system can shape the experience of a space, reveal the time invested, and embed the culture of a place into the very matter of architecture. In doing so, it offers an example of how construction itself can become a regenerative act, restoring meaning, connecting communities, and honoring material cycles.

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Thatching is a traditional building technique that has been reinterpreted in different ways in contemporary projects, allowing its value to continue to endure over time. As well as being a culturally and historically valuable technique, given its presence in humanity for centuries, it also has a number of other constructive advantages, such as its great environmental value, as it is an accessible renewable material.

The technique consists of grouping, intertwining, and overlapping dry vegetation, creating light surfaces with excellent thermal and sound insulation and which are cheap and relatively simple to build. In addition, flexibility is one of the technique's most prominent features, and it is particularly popular in roofing applications. 

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In partnership with the European Cultural Center (ECC), ArchDaily has launched its inaugural exhibition as part of the seventh iteration of Time Space Existence, an architectural showcase occurring concurrently with the 19th Venice Architecture Biennale. Open from May 10 to November 23, 2025, in various locations throughout Venice, this edition centers on the theme of "Repair, Regenerate, and Reuse," promoting innovative and sustainable approaches in architecture. ArchDaily's contribution is located at Palazzo Mora, complementing other venues like Palazzo Bembo, Marinaressa Gardens, and Palazzo Michiel.

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Videos

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The Global Award for Sustainable Architecture, created in 2006 by architect and scholar Jana Revedin, annually recognizes five architects—or offices—from around the world whose practices are grounded in the principles of sustainable development, participatory design, and a community-oriented approach. This recognition aligns with the global urgency surrounding today's pressing issues—the ecological and climate crises, as well as social, cultural, and economic challenges. Acknowledging architecture's critical role in shaping the built environment, the award seeks to highlight the work of creators who address these challenges with innovative and creative solutions.

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The 2025 iteration of the Time Space Existence exhibition is set to attract audiences from May 10 to November 23. Organized by the European Cultural Centre (ECC) in Venice's renowned venues—Palazzo Bembo, Palazzo Mora, and Marinaressa Gardens—this seventh edition brings together a diverse cohort of 207 architects, designers, artists, and researchers from over 52 countries. All contributions are curated under the theme of "Repair, Regenerate, and Reuse" as an exploration of architecture's capacity to engage with critical environmental, social, and cultural challenges. Highlights of the Special Projects section include ArchDaily's inaugural exhibition, presenting six architecture offices previously recognized as Best New Practices as emerging voices in the field of architectural innovations.

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ArchDaily, in collaboration with the European Cultural Center (ECC), is curating its first-ever exhibition as part of the seventh edition of Time Space Existence, the biennial architecture exhibition held alongside the 19th Venice Architecture Biennale. Running from 10 May to 23 November 2025, this edition invites practitioners to explore the themes of Repair, Regenerate, and Reuse, emphasizing innovative and sustainable approaches to the built environment. ArchDaily's contribution will be presented in a dedicated space at Palazzo Mora, complementing other exhibition venues including Palazzo Bembo, Marinaressa Gardens, and Palazzo Michiel.

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When designing spaces for viewing, architecture enters into a dialogue with the territory in an effort to understand the landscape and the enjoyment of reality, whether natural or built. Through an invitation to contemplate our surroundings, several architecture professionals in Latin America embark on the challenge of constructing structures that interact with nature, reinterpret certain building typologies, or become part of the learning and teaching of architecture for future generations. The wide variety of landscapes and cultures present in the Latin American context reflects the endless opportunities where architecture holds the potential to foster dialogue between the observer and the observed while drawing from the region’s deep connection with local flora, fauna, and other species.

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The Latin American territory encompasses a vast diversity of climates, atmospheres, and temperatures across its entire expanse. Amid forested landscapes, jungles, or coastal settings, many architects choose to design cabins immersed in natural surroundings, seeking to foster a deeper connection with nature by distancing themselves from the city. While experimenting with different materials and local techniques enhances a stronger bond with the site's traditions and creates a distinct architectural identity for each region, the integration of technological innovations and new construction materials can offer greater resilience to climate change, improve short- and long-term maintenance, optimize construction timelines, and address other key considerations.

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Annually, ArchDaily's curatorial team undertakes a rigorous selection process to identify exemplary projects in Latin American residential architecture. The goal is to share these works of architecture with our audience and highlight and promote good practices within contemporary architecture. This meticulous effort focuses on identifying projects that stand out for their design and their positive impact on the environment, innovative use of materials and techniques, and ability to address current needs.

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From December 2 to 6, the XIII Ibero-American Biennial of Architecture and Urbanism (BIAU) will be held in Lima, Peru, under the theme CLIMATE: Actions for Good Living. Since 1998, the BIAU, promoted by the government of Spain through the Ministry of Housing and Urban Agenda (MIVAU), in collaboration with the Higher Council of the Colleges of Architects of Spain and with the support of the ARQUIA Foundation, aims to disseminate good practices in architecture and urbanism in Ibero-America, fostering a space for discussion around contemporary challenges shared between Spain and Latin America. Weaving bridges of knowledge between both continents, the BIAU opens its doors once again, now in Lima.

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Marie Combette and Daniel Moreno Flores founded La Cabina de la Curiosidad in 2019, a studio focused on architecture and territory based in Quito, Ecuador. Their architectural approach is based on extensive fieldwork, with an urban and territorial perspective that prioritizes the use of available resources, water management, and recycling. They use drawing and mapping as essential tools to materialize their ideas and transform them into spaces. The name of the studio evokes a "trunk" turned into a cabin full of curiosities that invite exploration of various possibilities. This trunk is nourished by everyday experiences, derived from simple interactions with the city or the environment, which triggers a creative process continually fed by experimentation and daily discovery, unafraid of the unknown.

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The Mies Crown Hall Americas Prize (MCHAP) has announced the winner of the fifth MCHAP.emerge award: the Community Production Center Las Tejedoras in Guayas, Ecuador, designed by Natura Futura architect José Fernando Gómez and architect Juan Carlos Bamba. The project offers a hub for local women artisans, providing them with spaces to learn, create, and showcase their textile creations. The winner announcement was made at the Conference on Critical Practice held at Mies van der Rohe's S. R. Crown Hall, an inaugural event that brought together the four MCHAP.emerge finalists to open up conversations about the future of the architecture profession across the Americas.

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Reflecting on the past is often viewed as nostalgia or, from a more critical standpoint, as a sign of regression. However, looking back can offer valuable insights into a society that sometimes appears overly focused—if not obsessed—with the future and technology. In architecture, this reflection allows us to reconnect with our roots and appreciate the knowledge accumulated over generations. It invites us to explore how our ancestors designed durable structures adapted to their environment. Refined through centuries of observation, experimentation, and likely even errors, these systems demonstrate a profound understanding of local materials and building techniques.