This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Through August 31, 2023, CAU Brasil will accept proposals for papers on the theme of Education, Professional Scope, and Practice. The goal is to discuss ideas that answer the question: What kind of architect do we need and what kind of architect do we want? Selected papers will be presented during CAU's 2nd National Seminar on Education, Professional Scope, and Practice. The free, hybrid event is organized by the Education and Training Commission of the Council of Architecture and Urbanism of Brazil (CEF-CAU/BR) and is scheduled to take place from September 18 to 20 in Brasília.

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The firm gru.a, established in Rio de Janeiro in 2013 by Caio Calafate and Pedro Varella, has developed small-scale projects and installations, focusing particularly on the intersection of art, architecture, and infrastructure. Notable works include the installation La playa y el Tiempo and the Abrigo Alto and Academia shelters.

On Monday, August 14, the Di Tella Architecture Prize—organized by the School of Architecture and Urban Studies (EAEU) at Universidad Torcuato Di Tella (UTDT) through its Center for Contemporary Architecture Studies (CEAC), and funded by a donation from the Instituto Di Tella—was awarded to this emerging practice.

While studying and traveling through cities around the world, one of the most striking urban scenes I witnessed was a square in Tokyo filled with uniformed children playing during their school recess. The square had only a low fence, yet a diverse range of people (like myself) could mingle and interact among the children. Childhood independence in Japan is world-renowned and was recently depicted in the Netflix series "Old Enough," where children under six run errands outside the home alone, without their parents. While these might be ordinary scenes for a Tokyo resident, for someone with a different urban reference point, the question "how is this possible?" immediately arises, so far removed is it from the reality of most of our large cities.

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A technique used for centuries, particularly in hot, dry climates, limewashing can be applied to both interior and exterior walls. Beyond its affordability, this rustic finish offers numerous benefits that extend far beyond aesthetics: its light tone and striking texture create a compelling contrast between the building and its surroundings. Learn more about its advantages and how to apply this finish below.

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On August 24, Romano Guerra Editora will release the book Arquitetura e escrita: relatos do ofício, which brings together twenty-four interviews with Brazilian and international architectural historians and critics from various theoretical and professional backgrounds, academic disciplines, and generations. Mostly previously unpublished, the interviews were conducted both in response to local interest in the subjects and to reflect the global momentum of theoretical and historiographical debates in the field over recent decades.

Throughout history, schools and prisons have shared the same spatial principles, as they were built to discipline and direct their inhabitants and users. However, in recent years, new visions have finally begun to emerge regarding how we should teach within an increasingly less hierarchical and pyramidal system, and how spaces intended to foster the creation and exchange of knowledge should be designed. Simultaneously, educational buildings in Colombia have become increasingly regulated, bringing their design to a level of specialization comparable only to hospital architecture.

In recent years, population density in Santiago de Chile has gained significant prominence as an urban and architectural topic, as well as an economic, political, social, and environmental one. Its vast impact—both positive and negative—has generated conflicting viewpoints among experts, prompting us to ask: should we densify Santiago?

The contemporary understanding of neuroarchitecture has sparked a renewed focus on inclusive design, emphasizing the creation of environments that respect and respond to people's specific needs. Against this backdrop, the architectural design approach for individuals on the autism spectrum has gained prominence.

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The latest edition of the long-standing magazine from the Association of Architecture Offices (AOA) covers the evolution, regeneration, and recovery of cities, along with the need to challenge the paradigms that have been mandatory in planning and that must be reconsidered to significantly improve the quality of life in neighborhoods, towns, and cities. This was stated by the magazine's director, Yves Besançon, while unveiling the contents of issue #48 at an event that brought together associates, professionals, and partners at Espacio AOA.

Color is fundamental to the dynamics and daily rhythm of urban life, but its impact goes far beyond appearance and aesthetics, especially for people with visual impairments. For this segment of the population, color plays an even more significant, yet often underestimated, role in shaping and improving the accessibility of public spaces. Architecture plays an important role in this inclusion, which involves the conscious choice of colors that have the power to improve urban accessibility and create a more welcoming environment for people of all abilities.

Pointed arches, ribbed vaults, stained glass, finials, rose windows, and intricate decorative details. These are some of the elements that define Gothic architecture, a movement that emerged and flourished in Europe from the 10th to the 15th centuries. In Brazil, these features were adopted much later, within a revivalist context known as Neo-Gothic. This historical revival is primarily reflected in grand churches and select historic buildings. While the tropical nation does not boast as many works as the European continent, architecture expressing these ideals can be found from north to south. 

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One of the leading names in Brazilian photography, Hans Gunter Flieg (1923) worked in the fields of industry, advertising, and architecture. His images document the country's industrial development and verticalization, particularly in the city of São Paulo, starting in the 1940s. Through highly technically sophisticated photographs, he documented industrial facilities, machinery, buildings, and objects, challenging the boundaries between the objectivity of documentary photography and formal rigor.

The film Volume II: Inhabiting the Territory is part of the project From the Periphery, which comprises a trilogy of documentaries exploring various themes related to contemporary Latin American architecture.

This second installment is an audiovisual essay focusing on the academic practice of the Talca School of Architecture and its relationship with the inhabitant, the landscape, and the materiality of Chile's Central Valley through the experience of the Taller de Obras. Specifically, the narrative is set during the 2006 edition of the course, held in the town of Curtiduría under the theme of vulnerability as the workshop's central axis.

The job market in architecture and urbanism is highly competitive. High demand for innovative, sustainable, and aesthetically pleasing projects drives intense competition. Moreover, technological shifts and rising client expectations demand constant adaptation. What are the obstacles, opportunities, methods, and "tools and tricks of the trade" required to enter the "jungle" of entrepreneurship? Drawing from the guests' experiences, this special episode offers an open and lively conversation on the subject.

Fertile Futures is the title of Portugal's official representation at the 18th International Architecture Exhibition - La Biennale di Venezia 2023. Curated by Andreia Garcia alongside deputy curators Ana Neiva and Diogo Aguiar, the project aims to address water resource issues in seven Portuguese hydrogeographies and encourage reflection on building a sustainable, equitable, and fertile future. To this end, seven design teams — Corpo Atelier, Dulcineia Santos Studio, Guida Marques, Ilhéu Atelier, Pedrêz, Ponto Atelier, and Space Transcribers — were invited to reimagine distinct possibilities for these territories.

In an effort to expand access to the content exhibited in Venice, we present here the texts and images from the Portuguese pavilion, as well as photographs of the exhibition space. ArchDaily would like to thank the curatorial and communication team of Fertile Futures, who generously provided the material for this publication.

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