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“A hundred times have I thought New York is a catastrophe, and fifty times: It is a beautiful catastrophe.” Le Corbusier. This architecture city guide celebrates Modernism in one of the world's greatest cities: New York. We embark on an architectural journey through nearly a century of innovative, revolutionary architecture: from early 20th century, revivalist Beaux-Arts; to machine-age Art Deco of the Inter-War period; to the elegant functionalism of the International Style; to the raw, exposed Brutalism characteristic of the Post-War years; and, finally, to the splendid forms of organic architecture. From world-renowned landmarks to undiscovered jewels, we invite you to explore the 2,028 blocks that make Manhattan an architectural mecca for citizens around the world.

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It is common to find the concept of Created Land (Solo Criado) in Master Plans (PD) and Land Subdivision, Use, and Occupation Laws (LPUOS). This concept enables the implementation of certain urban planning instruments, such as the Onerous Grant of the Right to Build (OODC) and the Transfer of Development Rights (TDR). But what exactly is Created Land?

“Architecture is embedded storytelling,” wrote Marco Frascari. Emphasizing the reciprocity between architecture and narrative throughout his career, this Italian architect, theorist, and educator saw stories as the key to creating a “nontrivial”—and therefore transcendent—architecture. It is from his ideas, writings, teachings, and studies that the reflection inspiring this text arises.

The TAC! Urban Architecture Festival is an initiative led by the General Directorate for Urban Agenda and Architecture of the Ministry of Transport, Mobility, and Urban Agenda (MITMA), in collaboration with the Arquia Foundation. It is aimed at young architects to design and build a temporary pavilion that will host exhibitions, meetings, and activities.

Fortunately, architecture has the power to solve numerous issues of the modern world and how we live in it, and there are infinite ways of doing so. However, not all architecture is effective in providing solutions while also being sensitive and thought-provoking. With a portfolio that is getting richer every year, SO–IL, an architecture practice based in New York City, has proven that buildings can actually do this and much more.

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HA-HA, in partnership with BIK Bouw and Wooncompas Housing, will develop four social housing blocks for the community of Ridderkerk, near Rotterdam, Netherlands. The project uses materials from the existing social housing estate, built in the 1950s, and employs an innovative modular-timber system to create sustainable human-centered housing. The old buildings are planned to be disassembled and their components reused and integrated into the new development, which will increase the number of affordable units by 13%.

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Since 2011, the Aromeiazero Institute has been promoting the "Bike Parada não Rola" (A Stationary Bike Doesn't Roll) campaign. The initiative partners with residential building managers to identify abandoned bicycles in condominium bike racks. 

Far from the US state of Tennessee, the Memphis movement emerged in Milan in the 1980s and revolutionized design. Its gaudy colors, exaggerated patterns and conflicting prints were intended to overturn the minimalism status quo of the time, also contradicting the functionalist design postulated by the Bauhaus with its purely aesthetic and ornamental forms.

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In the 1960s, Jane Jacobs criticized modernist urban planning from the perspective of the integrated city. She believes that the purpose of urban renovation is to establish a better-integrated relationship between urban space and urban function by repairing the gap between them. Rather than "beautify" the urban environment.

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This article was originally published on Common Edge.

There are few more powerful questions than “Where are you from?” People feel intensely connected to cities as places and to other people who feel that same kind of connection. In other words, we tend to understand and experience places in a very personal way.

Yet to understand place—indeed, to understand human settlements in general—it’s important to recognize that places are not created by accident. They are created on purpose to further a political or economic agenda. Better cities emerge when the people who shape them think more broadly and consciously about the places they are creating. 

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Featured Interviewee: Zhu Ping, Founder of DUStudio
Design Union Studio (DUStudio)’s approach lies in integrating resources across the entire design supply chain. Rather than merely delivering design expertise, the firm helps clients coordinate other disciplines to ensure that top-tier teams are engaged at every stage to realize the project's core concept—essentially designing with a client-side mindset. Fusing spatial design, commercial curation, and multimedia installations creates a closed-loop process. By connecting and seamlessly integrating every phase of design, they deliver the most successful projects.

Google has just announced that the company plans to occupy the famous postmodernist icon, the Thompson Center, by 2026 after major renovations works. The building that was under threat of demolition for a while will be renovated by JRTC Holdings LLC and Jahn's architecture studio to meet Google’s needs for its flexible hybrid workforce and to accommodate the tech giant’s 1,800 employees in Chicago.

Hangar architecture is a relatively new building type. Ever since the Wright brothers stored and repaired their aircraft in a wooden hangar constructed in 1902, designers and builders have continued to rethink what these structures can be. Beyond actual airports and terminals, hangars are unique in that they're purpose-built to hold an aircraft or spacecraft. Today, how can this building type be challenged and reimagined?

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Dutch architecture firm Mecanoo has unveiled the design of what will soon become the tallest high-rise ensemble in the city of The Hague, in the Netherlands. Dubbed "The Grace", the project consists of two towers, one at 150 meters high and the other at 180 meters, becoming the tallest high-rise ensemble in the city. The residential project comes as a response to the growing demand for affordable housing, as well as fostering an enhanced sense of community.

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The Saudi Arabian government has released visuals of a 170-kilometer-long skyscraper as part of the NEOM project. Announced by crown prince Mohammed bin Salman, The Line is a reimagined urban development linking the coast of the Red Sea to the mountains and upper valleys of northwest Saudi Arabia. The compact structure, 200 meters wide, represents a social and economic experiment. The city aims to be zero-carbon, through the elimination of carbon-intensive infrastructures like cars and roads, and will operate on 100% renewable energy, including the operations of its industries.

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The European Prize for Urban Public Space is a biennial, honorary competition organised by the Centre of Contemporary Culture of Barcelona (CCCB), which, following its exhibition "The Reconquest of Europe" in 1999, decided to create a permanent observatory of European cities. The prize has been awarded since 2000, recognising the best interventions for the creation, transformation and recovery of public spaces in Europe.

According to a recent survey by spirits industry market analysis firm IWSR, 54% of online buyers of alcohol in the U.S. made their first purchase during the pandemic. Most consumers decided to ‘treat themselves’ to more expensive spirit brands than usual, many opting for the higher shelf bottles in order to finally master the art of home-made cocktails – elaborate, to-be-sipped drinks worthy of the bigger investment. IWSR says that those habits are sticking. Along with them comes the need for an aesthetic plan of attack concerning the display of said pricey bottles: home bar architecture. 

"Lima La Impostergable" (Lima, Unpostponable) is an initiative by the Lima Regional Chapter of the College of Architects of Peru. It aims to establish a roadmap for priority issues to be addressed by the 2023–2026 municipal administration of Metropolitan Lima and Callao, built through a platform of citizen engagement.

Every city is a complex environment, bringing together people, cultures, architecture, commerce, and even nature. While experiencing a city, a lot of attention is given to its appearance, but appearance is not everything. The theory of sensory design aims to go beyond vision and explore the richness of the built environment through textures, smells, and sounds. For city officials and planners, a lot of attention generally goes towards how a city looks and sounds, but in terms of smell, the focus is mainly on managing waste or cleaning unsanitary areas. Yet the sense of smell, so often overlooked, is strongly linked to the creation of emotional memories. It contributes to our understanding of the world; it reveals otherwise hidden cultural practices, and it rounds up the experience of an environment.

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The Alexander Team and metaverse real estate development firm Everyrealm, have announced the launch of "The Row", a private, members-only metaverse real estate community featuring architecture designed by world-renowned artists. The Row will be launched on the metaverse world-building platform Mona, and will feature limited-edition series of 30 3D architectural landmarks, each sold as a 1-of-1 non-fungible token (NFT) designed by artists including Daniel Arsham, Misha Kahn, Andrés Reisinger, Alexis Christodoulou, Six N. Five, and Hard.

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Japan-based architectural office Kengo Kuma and Associates has unveiled the design for what will become the studio’s first residential tower in the United States. Located on the oceanfront of Miami Beach, the 18-story structure will accommodate private condominiums for hospitality brand Aman. The project is adjacent to the Versailles building, a 1940s Art Deco hotel currently under restoration by architect Jean-Michel Gathy. The Art Deco architecture of Miami’s Faena district has a unique rhythm, which, according to the architect, was translated into the geometry of the new building through its vertical and horizontal lines.

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As cities are increasingly vertical, buildings have been finding ways to take advantage of what roofs can bring to urban life. Through halls for parties, restaurants, swimming pools, and other programs, contemporary architecture has gained access to sunlight, natural ventilation and also to the horizon due to the occupation of the rooftops, making them attractive for both residential and commercial projects. However, the interest in appreciating the city from this point of view is not the result of verticalization alone, nor is it a merely technical alternative.

In June 2020, the statue of 17^th-century slave trader Edward Colston was toppled in the southwestern city of Bristol in England. Before this, the statue sat on a plinth in a prominent public park, before being hauled into Bristol Harbour by Black Lives Matter protestors. This act has led to a long-overdue reckoning in the UK and other Western nations, a reckoning that has necessitated a deeper analysis of monuments that line cities, and how deeply imperialism can be interlinked with parts of the built environment. The ever-green question is, what do we do with these buildings?

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The world is facing an Urban Century. The world’s population is collapsing into city centers as manufacturing and agriculture need fewer humans because technology replaces the human hand with machines. The world's urban population has grown from 751 million in 1950 to 4.46 billion in 2021 and will grow to 6.68 billion by 2050.

While architects and designers want to define and control the future of our cities, the immediate reality of New York City, now, is a lesson in what may be our future. It’s response can be seen by the advent of The Tower the fabric of Manhattan.