The Urban Space Intervention Competition was created to establish a tradition of developing innovative ideas on contemporary themes through temporary installations in the city of Tuxtla Gutiérrez, Mexico, as part of the Provincia Festival in April 2018.
The initiative aims to offer local residents, domestic visitors, and foreign tourists opportunities for new experiences and ways of viewing and reflecting on their daily surroundings. It also challenges designers to move beyond purely formal and aesthetic concerns, prompting them to address urban social realities and consider how the city itself can help achieve the program's objectives.
After receiving more than 70 submissions from various Argentine universities and cities, our editorial team selected 10 of them, focusing on projects that demonstrated critical thinking regarding contemporary issues, formal execution, and representation. The selection not only highlights projects that delivered the best possible architecture through simple design tailored to their context, program, and users, but also those showing significant attention to human scale, mediation, transition, and new ways of approaching urban architecture.
Discover our 10 highlighted projects below.
THE NEIGHBORHOOD AS A CULTURAL CENTER: Alejandro Asens - Victoria Carbonin - Juan Cardozo Sánchez - Italo Parietti
On Wednesday, November 21, the winners of the XXI Pan-American Architecture Biennial of Quito (BAQ2018) were announced in Ecuador.
Divided into six participation categories, the juries selected a series of projects and publications that stand out as meaningful contributions to their respective fields, offering relevant lessons for our discipline. The following are the winners in Category A (Architectural Design), Category B (Urban Design and Landscape Architecture), Category C (Social Habitat and Development), and Category D (Architectural Rehabilitation).
Alô, alô, W/Brasil… Alô, alô, W/Brasil… / Jacarezinho! Avião! Jacarezinho! Avião! / Cuidado com o disco voador / Tira essa escada daí / Essa escada é pra ficar aqui fora / Eu vou chamar o síndico / Tim Maia! Tim Maia! Tim Maia! Tim Maia!
Upon entering one of these modern gated communities, designed with the latest urban planning engineering, one experiences a calming sense of having finally found order and security. We quickly realize that this is a way of life in which precariousness, risk, and uncertainty have seemingly been abolished. The space is homogeneous, governed by specific stylistic rules. Inside, locations are well-distributed, and positions are comfortably occupied. Security forces feel genuinely present, albeit private. The streets are well-paved and signposted, despite a slight excess of signs dictating directions and rules of use. The houses display their inevitable front lawns, without fences. Everything else is functional, managed, and clean. The image of this island of serenity captures the illusions of the average Brazilian consumer dream: a region insulated from the rest of the world, where one can freely cultivate a sense of community among equals. It offers a return to nature, a worry-free life, abundant in leisure and the company of peers—a shared destiny manifesting in countless variations: vertical, horizontal, residential, commercial, private, and even public.
"This semester you can do whatever you want; the only condition is that the final project must be built at full scale." This is how the seventh-level studio taught by the award-winning firm Al Borde begins at the Universidad Tecnológica Indoamérica (UTI) in Ambato, Ecuador.
More than 60 built projects have emerged from this studio, including Nido del Quilico, a project developed in 2016 by Darío Cárdenas, Jonathan Proaño, and Daniel Sandoval. The following text is adapted from a post-studio interview conducted by the Al Borde team with Darío Cárdenas.
CEMEX has announced the Mexican winners of the 2018 CEMEX Building Award across its various categories, including Affordable Housing, Residential Housing, Building, Collective Space, and Infrastructure. This year's winners include projects from across Mexico, with each entry evaluated on comprehensive sustainability, architectural solution, structural solution, and construction process. Read on to discover the winning projects of this edition.
Eleven years ago, ArchDaily was born with a mission in mind: to democratize architectural information around the world and empower our readers to foster inclusive discussions that positively transform our cities. By providing inspiration, knowledge, and tools to the architects currently facing the challenge of designing the future, we hope to help improve the quality of life of those who inhabit our world's urban centers.
At the ArchDaily Mexico offices, August 3rd is a special day:
On December 20, the final curatorial review for the first edition of the National Essay and Research Competition, Arquitectura Escrita 2017, took place at the national headquarters of the Colegio de Arquitectos de Chile.
Organized by Grupo Arquitectura Caliente and co-organized by Ediciones ARQ, the competition awarded the 20 best essays out of 87 submissions in the undergraduate and graduate categories, representing 18 architecture schools across 9 different Chilean cities.
The competition was directed by Gabriela García de Cortázar, with a jury committee made up of 30 prominent academics and professionals.
Below is the research essay by Pontificia Universidad Católica student Francisco Cardemil, winner in the Undergraduate Category.
Haven't submitted your entry for the Instituto Tomie Ohtake AkzoNobel Architecture Prize yet? There is still time! Registration has been extended to April 27! Take advantage of this last chance to participate in one of Brazil's most prestigious architecture awards.
The Instituto Tomie Ohtake and AkzoNobel continue to map contemporary architectural production, highlighting, for the fifth consecutive year, significant built projects within the current Brazilian landscape. Urban integration, commitment to the site and sustainability, as well as design and construction innovation, are the core criteria guiding the 5th Instituto Tomie Ohtake AkzoNobel Architecture Prize.
Every Sunday morning, 120 kilometers of Bogotá are transformed into an extensive cycling circuit. This is La Ciclovía, a cultural and recreational initiative in which some of the Colombian capital's streets are designated as wide bike paths, allowing both residents and tourists to travel across Bogotá by bicycle.
In a radio interview broadcast by RCN, architect Jaime Ortiz recalls the origins of the ciclovía in the 1970s, when it emerged as a proposal developed alongside other architects to open up major avenues as cycling spaces every Sunday.
Experts have various visions for the future of architecture, but one thing is certain: it must evolve alongside technology, with a primary focus on efficiency. Digital architecture, for example, is already a reality, as is the use of virtual reality in architecture. As a result, competition among professionals and firms is forcing a shift in how they approach the market.
Those who only know how to work individually will be left behind. There is no room for vanity—the new era must be collaborative.
Barcelona is an ideal city, boasting a surprisingly rich cultural scene, vibrant neighborhoods full of life, miles of beaches, and an idyllic year-round climate. Yet, without a doubt, it is its architecture that stands as a must-see for visitors and residents alike. The Sagrada Família, Park Güell, and Casa Milà are some of the most famous architectural landmarks and, consequently, the most visited by the tourists arriving daily in this magnificent city.
While there is growing interest in exploring the architecture that lies beyond the city's major icons and symbols, many tourists still bypass—or are simply unaware of—brilliant contemporary works such as Jordi Badia's Can Framis Museum, or the recent restoration of Sala Beckett by architects Flores & Prats, which received a jury mention in the 2017 Spanish Architecture Awards.
Over the last twenty years, the world has never been so connected. At the turn of the century, the digital realm seems to have invaded analogue layers, redefining standards, lifestyles, interactions, and the way we connect and use spaces. This social redefinition is strongly attributed to Generation Z—the cohort born during the transition from the 20th to the 21st century, between the 1990s and 2010s. But do you know the defining characteristics of this group?
Following two weeks of enthusiastic voting, ArchDaily readers have narrowed down more than 300 nominees to the top 10 finalists of the year.
During the nomination phase, we witnessed how this award highlights the collective progress and evolving boundaries of architecture. These shortlisted projects represent the most inspiring, impactful, and resonant works chosen by our readers.
The finalists showcase a diverse spectrum of practice, spanning established industry leaders alongside emerging boutique firms with highly distinct design voices. Collectively, these projects also highlight architecture's profound capacity to improve our built environment.
Jorge and Andrés Kálnay began a journey back in 1920. By that time, Argentina had already built most of its public buildings, Alejandro Bustillo was traveling through Europe, Mario Palanti was erecting his colossal Barolo Palace, and Le Corbusier would have to wait nine years before setting foot in Buenos Aires.
Little did the architect brothers imagine, when they boarded a ship bound for the United States, that they would end up in the waters of the Río de la Plata, shaping part of Buenos Aires's current architectural memory.
As the end of the year approaches, we would like to thank you all once again for making 2018 our best year yet. Thanks to your continuous support and our close connection with our readers, we now reach far more architects around the world, inspiring them to create better urban environments.
Aerial view of Blast Furnace No. 3. Image Courtesy of CCTN Design
Recently, CCTN Design released renderings of the renovation scheme for the Shougang No. 3 Blast Furnace Museum. The architects have carefully preserved the iconic blast furnace of the original Shougang steel plant, including core industrial structures such as the main body of the No. 3 blast furnace, the hot blast stoves, the gravity dust catcher, and the dry dust collector. By opening up the original main control room that previously blocked the furnace on the west side, the design establishes a clear dialogue between the No. 3 blast furnace complex, the Xiuqi Lake to the west, and Shijingshan Mountain. Below, the design approach for the industrial heritage revitalization of the Shougang Museum is explained through three dialectical relationships.
https://www.archdaily.com/1114565/cctn-design-unveils-renovation-scheme-for-the-shougang-no-3-blast-furnace-museum-set-for-completion-in-2019韩爽 - HAN Shuang
This week concluded the series of meetings and conferences convened by the Venice Biennale to introduce Freespace, curated by artistic directors Yvonne Farrell and Shelley McNamara. Venice, Paris, Berlin, and New York. The Irish architects presented the list of 71 participants making up the curatorial proposal, which features five Latin American participants: Elemental (Chile), Rozana Montiel Estudio de Arquitectura (Mexico), Barclay & Crousse (Peru), Carla Juaçaba (Brazil), and Paulo Mendes da Rocha (Brazil).
Since 2016, we have joined forces with Spotify, the world's largest music streaming platform. Since then, we have created our own playlists for those moments in every architect's life. At the same time, we have invited architects from Latin America and Spain to share the music that inspires them, or even better, the sounds that have shaped their careers.
Representacion, David Gouverneur. Image Cortesía de David Gouverneur
By 2050, an estimated 89% of Latin America's population will live in urban areas. This "need" to live in urban centers has brought about a growing inequality, manifested in a lack of access to basic services and homeownership.
In this context, Venezuelan-American David Gouverneur, a professor in the Department of Landscape Architecture and Regional Planning at the University of Pennsylvania in Philadelphia, uses his book Diseño de nuevos asentamientos informales (Design of New Informal Settlements) to call for greater awareness of the need to address and study informality in our cities, recognizing it as an unavoidable reality.
Andrés Arochi directed a video that portrays dancing bodies experiencing the space of the Luis Barragán House and Studio, a site in Mexico City famous for the introspective quality of its gardens and the characteristic mysticism of the Mexican architect. Regarding the video Dancing through the Architecture of Luis Barragán, Arochi comments:
This is not the first time that iconic works of architecture have served as a stage for dancing bodies; there is seemingly an intrinsic connection between these two art forms. Exercises like this remind us that architecture is not merely an assembly of concrete, steel, and glass ready to shelter its users, but rather a series of actions harboring a collection of breaths, moments, and movements that give meaning to a place, as Spanish philosopher Marina Garcés writes:
We interviewed Gabriela Etchegaray (curator) and Jorge Ambrosi (exhibition designer) about the participation of the Mexican Pavilion in the 16th International Architecture Exhibition at the Venice Biennale. They describe the geographical, imaginary, and cultural weight of Mexican architecture; responding to the theme of Freespace—proposed by the Biennale's Artistic Directors, Irish architects Yvonne Farrell and Shelley McNamara—this pavilion grounds the connections expressed in the interaction with the intangible and the incorporation of cultural heritage into architecture.
The Ruin Experience project, developed by architect Sergio Navarro García, proposes an intervention in the ruined buildings scattered across the countryside of Lorca, Murcia (Spain), where the local population gradually abandoned these robust houses to move to the city. The project offers an alternative approach to intervention, engaging directly with the environment and leveraging its resources to create sensory complexes where people interact with nature through architecture.
El Mesillo, the site selected for the intervention, is a unique, hidden enclave in the municipality of Lorca, defined by a direct and deep-seated relationship between its inhabitants and nature through agriculture. Historically, this bond was even closer, giving rise to the creation and use of entirely natural creams and treatments. Water, soil, air, sun, essential oils, homemade lotions and concoctions, fruits, vegetables, and, of course, a proper siesta, served as home remedies for minor ailments and daily stress.
After at least five years of study, the time comes for architecture and urbanism students to complete their final graduation projects—often referred to as TCC, TFG, or Final Projects. In choosing their topics, students highlight civic, urban, or theoretical projects that are of great importance in sparking a debate about the future of our cities, the built environment, urban infrastructure, mobility, and many other fundamental issues shaping how we inhabit space.
Completing these projects requires a major effort in data collection, research, and design development to address complex challenges. Since they are not always recognized as they deserve, we launch an annual call to showcase the best work by students from Portuguese-speaking countries, helping them reach a wider audience and inspire the general public with new ideas.
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