Award-winning architect Nicolas Valencia is the former Head of Editorial at ArchDaily, leading a global editorial team ---- @nicolasvalencia.cl | nicolasvalencia.cl | hellonicolasvalencia@gmail.com
Chilean architect Cecilia Puga will take over as director of the Chilean Museum of Pre-Columbian Art, one of the most visited in Santiago. The news was announced by her predecessor, anthropologist Carlos Aldunate del Solar, in a recent interview with Chilean magazine Sábado, where he announced his resignation after four decades at the helm of the institution. "Obviously, a younger person with more energy should take over," Aldunate commented in the interview.
Does it make sense to design green parks in desert cities such as Casablanca, Dubai, or Lima? Ostensibly it does because they contribute freshness and greenness to the urban environment. In exchange, however, they disrupt native local ecosystems, incur high maintenance bills, and begin a constant struggle to ensure water availability.
This article is based on a lecture given by Chilean artist and architect Alfredo Jaar at the 20th Architecture and Urbanism Biennale in Valparaiso, Chile, on October 26, 2017.
It's June of 1980. Alfredo Jaar, a recent dropout of the University of Chile's architecture program, walks through the center of Santiago carrying two large signs. He grabs a spot in the shade next to a kiosk and intercepts passers-by to ask them his questions. In the midst of a military dictatorship, Jaar wants the people to vote, but not for the constitutional plebiscite or in the democratic elections. He doesn't even have paper or pencil for them to vote with. There's no line to mark on. His campaign centers on a mint--white and round--like a casino raffle ball.
Jaar's questions are loaded ones. "Are you happy?" (¿Es usted feliz?) he asks. "How many people in Chile do you think are happy?" "How many people in the world?"
The Fundació Mies van der Rohe and Creative Europe have announced the four winners of the Young Talent Architecture Award YTAA 2020 and of the Asia Edition of the YTAA 2020
Established in 2016, the YTAA “supports the talent of recently graduated architects, urban planners, and landscape architects who will be responsible for transforming our environment in the future." The third edition of the Young Talent Architecture Award counted with 382 graduation projects that competed to win the YTAA 2020, featuring 478 students of 155 schools registered from 36 different European countries including Brazil, Chile, and Mexico participating as guest countries.
The Fundació Mies van der Rohe and Creative Europe have announced the 9 finalist projects competing to win the Asian Edition of Young Talent Architecture Award 2020 (YTAA 2020). Established in 2016, the YTAA “supports the talent of recently graduated Architects, Urban Planners and Landscape Architects who will be responsible for transforming our environment in the future."
The Fundació Mies van der Rohe and Creative Europe have announced the 12 finalist projects competing to win the Young Talent Architecture Award 2020 (YTAA 2020) and the 9 finalist projects competing to win the Asian Edition of YTAA 2020. Established in 2016, the YTAA “supports the talent of recently graduated Architects, Urban Planners and Landscape Architects who will be responsible for transforming our environment in the future."
Situated at the foot of 45 hills along the Chilean coast, Valparaíso was a key port in the South Pacific during the 20th century before the construction of the Panama Canal. Thanks to its rapid industrial and commercial growth, the port underwent an urban transformation, attracting thousands of foreigners and cementing its reputation as a bustling South American cosmopolis rich in society, culture, and architecture.
Described by The Guardian as a "Berlin by the seaside", Valparaiso's historic downtown was declared a World Heritage Site by UNESCO in 2003 and the city's cultural and architectural wealth make it a must-see for tourists and architecture aficionados alike.
In this article, we present a guide written by one of the city's many enthusiasts that will give a complete and in-depth look at the port's many treasures. The guide is written as if for a walking tour, starting in Plaza Sotomayor, the city's main square. The route can be divided into two days, with the first part ending at the Palacio Baburizza and the second beginning with the Valparaiso Cultural Park. Take a tip from the experts--if you get lost, don't trust an app to find your way. Ask a local!
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The Best Architecture Masters (BAM) platform presented the third edition of its ranking of the best postgraduate architecture programs in the world.
Based on a list of different postgraduate study programs from the best architecture schools selected in the QS Ranking by Subjects – Architecture / Built Environment, these were evaluated by 11 educational-performance indicators and 41 sub-indicators in relation to the teaching approach, the opportunities they offer, and the programs themselves.
The Estonian Centre for Architecture has announced “Edible. Or, the Architecture of Metabolism” as the topic for the next Tallinn Architecture Biennale 2022 (TAB 2022), while the selected head curators are architects Lydia Kallipoliti and Areti Markopoulou in collaboration with co-curator Ivan Sergejev.
With the submission of "Reparation: Architecture of Action and Everyday Experiences," Chilean architect Emilio Marín will curate the Chilean exhibit at this year's Biennale of Venice, as announced by a spokesperson for the Ministry of Culture, Art, and Heritage.
This article was originally published on Common Edge.
Since the outbreak of Covid-19, I, like most of the world, have spent the last few months quarantined at home, perturbed and uncertain about the ramifications of it all. I will spare you my predictions for the Post-Pandemic Future of the African City (there’s presently no shortage of those), but instead, I want to offer up some observations about our current situation. As an African, my perspective is both unique to our continent and universal to everyone. It is, afterall, a global pandemic.
Three years ago, in the wake of the release of his book Theories and History of the Modern City ("Teorías e Historia de la Ciudad Contemporánea", 2016, Editorial Gustavo Gili), we sat down with the author, Carlos García Vázquez, to discuss this complex and "uncertain creature' that is the modern city, focusing on the three categories that define cities today: Metropolis, Megalopolis, and Metapolis.
Based on an analysis of those "who have traditionally led the way in the planning of spaces" (sociologists, historians, and architects), the book illustrates the social, economic, and political forces that, in service to their own agendas, drive the planning, transformation, exploitation, and development of cities. In 120 years, urban centers have transformed from places where "people died from the city" to bastions of personal development and economic prosperity; however, the question remains —have cities really triumphed?
"Yes", says García Vásquez, "but we have paid dearly for it."
For the past 14 years, ArchDaily has been committed to delivering inspiring content. Our curators select the best architecture projects from around the world —from renowned firms to emerging practices— to join the world's biggest curated architecture library, while our editors cover the world’s major challenges and avant-garde ideas that are shaping the built environment, reporting from influential as well as emerging events.
When we talk about public space, we often imagine a park with happy, relaxed people on a sunny day. In actuality, this is a very restricted approach. A young woman does not cross a deserted street at dawn in the same way as a white man wearing a suit or as an immigrant who may not be welcomed by local citizens. Have you ever felt discriminated while visiting a public space?
In this edition of Editors’ Talk, editors from Los Angeles, São Paulo, Argentina, and Uruguay share their views on defining public spaces for everyone
We are hiring! ArchDaily's Content Team is constantly working for our readers from all over the world in a platform that operates in four languages —Spanish, English, Portuguese and Chinese Mandarin. Our main goal is to ensure that the most important discussions about architecture and the city reach the maximum possible global audience.
As a part of the XV Taller Social Latinoamericano architectural conference that took place in Puno, Peru, we visited the Iruito Tupi zone in Huancané province alongside Francisco Mariscal, Director of the Puno Cultural Center. For the conference, Mariscal gave a presentation on the history of putucos, pre-Columbian houses made with a mixture of earth and grass.
History has the habit of repeating itself; using the same script, just with different names, figures, and places. Some 10,000 years ago, the Altiplano and the Titicaca lake basin, wedged between modern day Peru and Bolivia, became home to hunters and gatherers who subsisted on the herds of llamas and vicuñas as well as the bounty of birds and fish.
While developing a master plan for Medellin's urban lighting system, EPM, Medellin's public utility company, analyzed the Colombian city's infrastructure and nocturnal lighting system by superimposing a map of the system over a map of the city. What they found was an urban landscape blotted by "islands" of darkness.
Much to the surprise of the utilities company, the dark spots were actually 144 water tanks that were initially built on the city's outskirts; however, thanks to the progressive expansion of Medellin's city limits, the tanks now found themselves completely surrounded by the informal settlements of the Aburra Valley. Even worse, they had become focal points for violence and insecurity in neighborhoods devoid of public spaces and basic infrastructure.
According to architect and academic Frank Locker, in architectural education, we keep repeating the same formula from the 20th-century: teachers transmitting a rigid and basic knowledge that gives students, no matter their motivation, interests, or abilities, little to no direction. In this way, says Locker, we are replicating, literally, prisons, with no room for an integral, flexible, and versatile education.
"What do you think of when you're in a space with closed doors and a hallway where you can't enter without permission or a bell that tells you when you can enter and leave?" asks Locker.
