América Economía magazine has published its most recent ranking of Chilean universities, just a few months ahead of the upcoming 2019 higher education admission process. In addition to the general evaluation—in which the Universidad de Chile remains in first place for the fourth consecutive year—the publication features the specific ranking of the 16 "most in-demand or highly regarded and prestigious" programs in Chile, including Architecture.

With our commitment to providing the most comprehensive information for university applicants, in this article we share the ranking of the best universities to study Architecture in Chile. This list includes technical data on average admission scores, faculty specialization levels, annual tuition costs and variations, and first-year post-graduation employability rates, among other key metrics.

The impact of the Santiago Metro's new lines, recognition for a new metropolitan park in the capital, and the final design for the Barón Pier in Valparaíso. Indeed, a week dedicated to major metropolitan projects is the focus of this edition of La ciudad chilena en la prensa, the ArchDaily column where we cover what is happening in Chile's major cities.

Colombian architect Konrad Brunner passed away this Tuesday, September 25, in Bogotá. Grandson of the historic urban planner Karl Brunner, Konrad was born on November 17, 1950, in the Colombian capital and graduated from the Universidad de los Andes in 1974.

Brunner founded his own architecture firm in 1978, a practice noted for projects such as the Plaza de Jubileo at Compensar, the master plan for the Ciudadela El Recreo (alongside Germán Samper and Gustavo Perry), the Arroyoviejo and El Vigía residential buildings, and the Casa Vélez. Additionally, the architect balanced his private practice with teaching at the Universidad de los Andes starting in the 1980s.

After analyzing 94 projects by undergraduate students from 20 architecture schools across 8 regions in Chile, the jury of the 2018 Arquitectura Caliente Competition has announced the winning projects of its latest edition.

These projects span the entire country and encompass diverse typologies, ranging from urban planning to student housing, as well as landscape designs and structural emergency initiatives.

Below, we present the award-winning third-year projects:

On December 20, the final curating process for the first edition of the National Essay and Research Competition, Arquitectura Escrita 2017, took place at the national headquarters of the Colegio de Arquitectos de Chile.

Organized by Grupo Arquitectura Caliente and co-organized by Ediciones ARQ, the competition awarded the 20 best articles among the 87 proposals submitted in the undergraduate and graduate categories, representing 18 architecture schools across 9 different Chilean cities.

The competition was directed by Gabriela García de Cortázar and featured a jury of 30 prominent academics and professionals who formed the Evaluation Committee. All the articles will be published digitally soon and compiled into a book available for pre-order at this link.

The winners in each category are presented below.

The team led by architect and University of Chile academic Claudia Torres has documented a series of industrial ruins in rural areas throughout Chile for the project “From Noise to Silence: Valuing Industrial Ruins in Rural Areas,” a research initiative funded by Fondart 2017.

On this occasion, the project team —Claudia Torres, Sandro Maino, Ricardo Labra, Valentina Soto, and Laura Gallardo— share the story of the mechanized pier of Caldera, a symbol of the iron ore mining boom in Chile.

In the 1950s, small- and medium-scale copper mining went through a period of depression, giving rise to iron mining, which grew exponentially in the Atacama and Coquimbo regions. Many of the copper and saltpeter miners left unemployed by the crisis were absorbed by the flourishing iron mining industry.

The opening of new muffin shops and cereal bars in Madrid is more than just anecdotal. For Iñaki Domínguez (b. 1981), who holds a degree in Philosophy and a PhD in Cultural Anthropology, this reveals the urban impact of a mass phenomenon known in Spain as moderneo (the trendsetter scene) and its most recent, caricatured incarnation: hipsters.

With Madrid's Malasaña neighborhood as a backdrop, Domínguez delivers an intense, absorbing, and remarkably fresh essay in Sociología del Moderneo (Melusina, 2017). He analyzes this subculture through sociological theory, pop culture references, and his own experience in Madrid's underground scene among punks, indies, ravers, and grunges.

The radical social and economic transformation that turned Malasaña into a neighborhood of cupcakes, hipster barbershops, and cereal bars will likely sound familiar to Latin American readers: La Magdalena in Bogotá, Barranco in Lima, and Barrio Italia in Santiago. "These are global identities shaped by the internet and mass media," Domínguez explains in this Skype conversation with ArchDaily.

Alongside the activities and lectures held over three consecutive days at the Lux Theater in Guatemala City's historic center, the Guatemala Architecture Biennale (BAG) presented the winning works and projects of the Danta Awards on Wednesday, May 30, and Thursday, May 31.

For this edition, the organization proposed that architecture "is approached as a commitment to the public and private spheres and the power to negotiate individual or collective change to build dreams and aspirations, and even to express utopian ideals." Within this context, the jury evaluated more than 100 submitted projects from across Guatemala and the rest of Central America, recognizing parks, collective housing, gymnasiums, and renovations, among other typologies, that address the vision outlined by BAG 2018.

All winning projects in the professional category will be registered and sponsored to participate in the XXI Pan-American Architecture Biennale of Quito 2018, where they will be exhibited alongside projects from across the Americas and evaluated by the Biennale's jury.

In this edition of International Women's Day, we have joined forces with the Colombian print publication de-Arq (Universidad de Los Andes) to explore the work of five contemporary Colombian architects. These practitioners represent distinct, complementary approaches within our discipline: design, research, teaching, and experimentation.

Today, we feature Ana Elvira Vélez, an architect from the Architectural Association School of Architecture, who has distinguished herself through her extensive career in social housing in Colombia. "I have designed and built more than 2,000 low-rise collective housing units in Medellín and the Antioquia region, both privately and publicly," Vélez says. "Each project defines a new neighborhood through a sequence of spaces that reinterpret our region's ways of living," she adds.

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In late November, we published the winners of the second call for Colombian graduation projects—also known as undergraduate theses—for which we received 70 submissions from 14 cities and 29 universities. Ultimately, nine projects advanced through three rounds of evaluation, standing out for addressing pressing issues, conducting in-depth research, and raising challenges in both urban and rural contexts, just as in 2016.

Here, we take an in-depth look at Sustainable Rural Settlement Model in Yopal, Casanare, a proposal selected for the 2017 edition of Archiprix International and developed by Daniel Vanegas and Tatiana Cantor, both graduates of the Universidad Piloto de Colombia.

The project Casa sobre las rocas by the Chilean firm Schwember García-Huidobro Arquitectos has been recognized at the German Design Award 2019. The accolade, awarded in Germany by the Ministry of Technology, "identifies and presents unique design trends," according to the organization.

Built in a forest in the town of Cunco, Chile, Casa sobre las rocas received a Special Mention in the Architectural Design Communication category of the competition. The project is a second home that prioritizes communal areas, featuring a Y-shaped floor plan designed to optimize views and natural light.

There are now more than 350 Colombian projects published on ArchDaily. To celebrate this milestone, we have curated a selection that highlights the invaluable role of architectural models in conceptualizing, designing, and constructing contemporary Colombian architecture.

Far from the photorealism now achieved by 3D rendering specialists, the physical model endures as a critical tool for conceptual, spatial, structural, and constructive exploration, as showcased in the following selection:

On the shores of Lake Titicaca, nearly 250 students from 15 countries kicked off TSL Puno 2018 in Peru, marking the 15th edition of the Latin American Social Workshop, led by the Latin American Coordinator of Architecture Students (CLEA) and the Peruvian Organization of Architecture Students (OPEA).

Continuing a tradition that began in 2002, architecture students from across Latin America are joining forces with public and private entities, architecture collectives, workshop leaders, faculty, and members of civil society to conceptualize, design, and build public amenities across the Spanish-speaking world.

Spanish photographer Fernando Alda explores the construction of the Pacific Center building in Panama, designed by local firm Ventura Arquitectos, in his most recent photo essay. Titled "An Aesthetics of Disappearance," Alda's work was exhibited in the Panamanian firm's pavilion during the inaugural Expo Modii 2018 in Panama City.

Scaffolding, energy dissipators, shoring, electrical installations, and safety netting define the temporary spaces that make up this photo essay. These compositions center on spaces rendered invisible while awaiting the real spaces. "In Pacific Center," writes architect Silvia Escamilla, "he freezes this temporal lapse and the ephemeral elements that inhabit it, those that go unnoticed by us, granting them a new aesthetic value."

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It is another freezing night in Chucuito, and in the restaurant where all the participants of the XV TSL Puno are dining, Jhony Chaves—better known as "El Gato"—tells us stories about impossible places, like Cerro de Pasco, a Peruvian mining settlement even higher, colder, and harsher than Chucuito. He then recalls a village lost in the Peruvian jungle that can only be reached by boat, where the mosquitoes seem as large as birds. Next, he jumps to describing Andean villages that flood and freeze almost year-round, until the weather finally gives a few months of respite to the families who live there simply in houses made of mud.

As El Gato goes through his inventory of Peruvian towns, it is impossible not to think of the magical realism of Macondo. Is all of this real? Indeed, it fits perfectly that this is also a concept coined decades ago, before García Márquez, by a European, for whom his own continent's nature had been entirely domesticated. Of course, Latin America remains a landscape, and our great victory is that we manage to live within it, despite nature and its disasters. Thus, the villages El Gato evokes bring a certain comfort to our shared table, even as the cold and altitude threaten to take their toll on us. "It could be worse," we think before spooning the steaming soup in front of us.

How, then, can we intervene and propose public space in rural, predominantly Aymara settlements like Chucuito, where nature constantly reminds us that it is the main protagonist?

Renowned for his work with guadua bamboo, Colombian architect Simón Vélez will build his first steel project in Bogotá, according to the local newspaper La República.

The project, named La Primera, is a residential building in the La Candelaria neighborhood of the Colombian capital, and will feature 60 one- and two-bedroom apartments. Joining Vélez on the project are the firm A Korn Arquitectos, the construction company Kandelaria, and Geografía Urbana as urban planning consultant.

Today, Wednesday, November 21, the winners of the 2018 Gold Medal competition were announced as part of the XXI Pan-American Architecture Biennial of Ecuador (BAQ2018) in Quito.

The jury for the 2018 Gold Medal competition, comprising Astrid Petzold (Venezuela/Mexico), Ana Milovan (Uruguay), and Lucas Fehr (Brazil), determined the winning projects of the contest, which honors the best student work produced at Ecuadorian schools and departments of architecture between November 2016 and October 2018.

Designed by Ángel Arroyo Aguilar, the Muelle del Cochayuyo project was selected as one of the 10 winners in the Thesis Projects category of the 2018 Concurso Arquitectura Caliente (CAC 2018), a Chilean competition organized by Grupo Arquitectura Caliente and funded by the Ministry of Cultures, Arts, and Heritage.

My intention was never to reinvent the wheel, but rather to bring it to this remote place.

It has been 453 days since I arrived on these shores, where I was initially not welcome, seeking to immerse myself in the traditions and ways of inhabiting unfamiliar territories. I discovered incredible people and landscapes steeped in craft, and I set out to change the constraints under which the local inhabitants lived.