Quipu by Gonzalez Moix Arquitectura. Featured in the Biennial's Central exhibition. Image Courtesy of Bienal Internacional de Arquitectura de Buenos Aires
The Buenos Aires International Architecture Biennial marks 40 years of history this year, across 20 editions. As one of the most important architecture gatherings in Latin America, it will celebrate this anniversary with an edition featuring around 100 architecture firms, 15 exhibitions, 50 conferences, 40 international guests, and representatives from more than 55 cities worldwide, in a free, open program running for five weeks. From September 22 and throughout October, as part of Buenos Aires' Design and Architecture Month, conferences will be held, exhibitions will open, installations will be inaugurated, and activities will take place at specific points around the city. Under the theme HABITAR (INHABIT), the Biennial will also host a six-day forum with 2026 Pritzker Prize winner Smiljan Radić, culminating in the presentation of this edition's awards.
In broad terms, a structure is a testament to its time. An architectural project's proposal and material scale often exceed the lifespan of a single human being, becoming, in this way, part of a historical narrative. This cross-cutting characteristic is particularly evident in specific project typologies: memorial sites, cemeteries, museums, and even educational and community centers. Lately, this value has extended not only to buildings but also to construction techniques, ancestral forms and geometries, and to nature itself. This historical value and its symbolic connotation are represented in this selection of five buildings designed by ArchDaily readers, still unbuilt, in Kosovo, Canada, China, Egypt, and Bangladesh.
This week's stories share a common thread: the value of looking beyond established frameworks. Two French-Moroccan architects reflected on what architecture can learn from Moroccan culture and local knowledge, while the United Nations General Assembly voted to promote world map projections that more accurately represent the relative size of continents- a symbolic shift that challenges centuries of Eurocentric geographical representation, with direct implications for how we understand Africa and the Global South. A similar spirit of questioning convention runs through this week's featured projects, from city governments repurposing abandoned buildings for circular construction to the German Pavilion for the upcoming Venice Architecture Biennale addressing social isolation and democratic coexistence. On the Radar this week, we cover three recently announced projects: a new multifunctional sports complex in Hilversum that brings together sport, education, and community life around a continuous interior circuit; a low-density residential district in Yerevan where landscape restoration preceded construction; and a landscaped public plaza commissioned by the Las Vegas Raiders to replace underutilized parking lots adjacent to Allegiant Stadium.
The Praemium Imperiale is a global arts prize that recognizes exceptional achievements in architecture, painting, sculpture, music, and theater or film. The award has been presented annually since 1988 by the Japan Art Association, with one postponement in 2020 due to the COVID-19 pandemic. Previous laureates include Portuguese architect Eduardo Souto de Moura, Japanese architect and humanitarian Shigeru Ban, and Burkinabé-German architect Francis Kéré, recognized by the association as professionals "who transcend national and ethnic boundaries, embodying the culture and arts of our time." This year, the laureate in the architecture category is Polish-American architect Daniel Libeskind, co-founder of Studio Libeskind, known for the design of the Jewish Museum in Berlin and the World Trade Center Master Plan in New York City.
During the last week of August, the New York City government announced a new project for the MADE Bush Terminal in Sunset Park, Brooklyn. It involves the transformation of the old industrial building into a center for the recovery, storage, sorting, and redistribution of construction materials during a one-year pilot program. The initiative echoes a wave of similar circular construction hubs recently launched or announced across Europe: a converted warehouse in Brussels, an industrial site adaptation in East London's Royal Docks, and a cross-border network supported by CirCoFin spanning Munich, Copenhagen, Lisbon, and Scotland, each repurposing industrial buildings and infrastructure to support the reuse of construction materials.
The German Federal Ministry for Housing, Urban Development and Building has appointed Kawahara Krause Architects, Andres Lepik, and Olga Cobuscean as curators for the German Pavilion at the 20th International Architecture Exhibition — La Biennale di Venezia 2027. The exhibition is titled "CONVIVERE — A Repertoire of Living Together" and turns visitors' attention to the in-between spaces of housing: the threshold, the stairwell, the courtyard, the space in front of the door. The curatorial argument starts from a diagnosis of today's growing social isolation, political polarization, and increasing pressure to build more and faster, and uses these spaces, where everyday coexistence begins, to ask how architecture can contribute to the foundations of democracy.
The Suzhou Museum of Contemporary Art is now officially open to the public on the shores of Jinji Lake in Suzhou, China. The 60,000 m² building was designed by BIG – Bjarke Ingels Group, ARTS Group, VIA.inc, and SHUISHI for the Suzhou Industrial Park Culture, Sports and Tourism Bureau. The project is designed as a village of 12 pavilions beneath a continuous, ribbon-like roof, with a covered corridor that traces a path through the landscape as a network of exhibition spaces. The layout is inspired by the tradition of Suzhou's UNESCO-listed gardens. The project opens after a series of preview exhibitions, including the firm's Materialism exhibition, which remains on view. The building complex is set to become a new venue for contemporary art, design, and public life, marking BIG's first completed art museum.
On 1 September 2026, the Balearic Social Housing Model was announced as the recipient of the 2026 OBEL Award. The focus of this award's cycle was "Systems' Hack," calling on architecture to critically engage with the systems that underpin contemporary society and to examine how these interconnected networks might be reconfigured in response to accelerating global challenges. The Balearic Social Housing Model, created by economist and independent consultant Cris Ballester and architect and civil servant Carles Oliver, is a six-point approach to public housing developed between 2019 and 2023, providing additional value and comfort to traditional affordable housing by bringing procurement, architecture, materials, energy, tenure, public capacity and learning together as responses to current social, environmental and economic challenges. In this interview with ArchDaily, the model's creators discuss its origins, ambitions, and material challenges in making social housing a desirable place to live.
Amid growing economic, political, and climatic instability, the 2026 OBEL Award highlights the need for architectural approaches that rethink both existing and emerging infrastructures. The title for this edition is "Systems' Hack," where "systems" are understood as interrelated mechanisms governed by shared rules and "hacking" is framed as a strategic intervention that seeks to alter how these mechanisms operate. Within this framework, the OBEL Foundation has announced the Balearic Social Housing Model as the winner of this year's award, while also announcing a new cycle in 2027 under the same topic. The Balearic Social Housing Model is recognized for "transforming the role of social housing administration in the Balearic Islands between 2019 and 2023," proposing new approaches in response to an acute housing shortage and a critically limited public rental housing stock in Spain.
An exhibition tracing the vision behind Herzog & de Meuron's ten selected projects in China will open on September 12, 2026, at the M+ Museum in Hong Kong. The exhibition marks the museum's fifth anniversary; since opening, M+ has built its collection around visual art, design and architecture, moving image, and Hong Kong visual culture from the twentieth and twenty-first centuries. The museum building, designed by Herzog & de Meuron between 2012 and 2021, is located in the city's West Kowloon Cultural District (WestK), a cultural hub spanning forty hectares alongside Victoria Harbour. "Herzog & de Meuron: In Focus" is curated by Ikko Yokoyama and Iris Ng and reviews projects dating from 2002 to 2021, including Tai Kwun in Hong Kong (2006–2018) and the National Stadium in Beijing (2002–2008).
A lower section of a Himalayan glacier collapsed on Wednesday, August 26, creating an ice and rock avalanche down the Lhende River valley that triggered severe flash floods on the Nepal-Tibet border. The floods destroyed entire villages, with at least 350 confirmed dead and more than 1,300 people still missing. Characterized by their sudden and violent nature, flash floods occur within the first six hours after heavy rainfall or another floodwater source. In this case, the event has been attributed to a glacier collapse higher in the Himalayas, linked, in some scenarios, to a heat wave in the area. The speed of the movement is also distinctive of this type of flood, whose path of destruction in this case follows the Trishuli River basin in Nepal. According to the International Federation of Red Cross, the most affected areas are the Nepalese Rasuwa and Nuwakot districts. A more detailed assessment is expected in the coming days as floodwaters recede; in the meantime, it is already possible to outline some of the evidence from a territorial point of view.
Research is a structured and active process of analyzing, testing, interpreting, and solving, ultimately leading to knowledge that can be considered disruptive. The creative process behind research is an invitation to the imagination: to seek answers, solutions, and alternatives to the reality we know. To go beyond theory, the exercise moves away from books and computers and into spaces designed specifically to foster experimentation. In these six unbuilt projects, laboratories, workshops, observatories, gardens, auditoriums, and exhibition spaces are arranged as fertile ground for the imagination. These spaces must support collaborative work and creativity, so that curious minds and skeptics alike can find paths toward alternative futures.
This week's news focused on how architecture engages with what already exists and communicates beyond the building itself. Several stories explored restoration and reuse, from the renewal of a historic university hall to the preservation of an artist's exhibition spaces and the incorporation of reclaimed materials into new construction. Elsewhere, architecture continued to serve as both subject and setting for exhibition, with new museum and cultural venue announcements examining architecture's broader social, technological, and ecological contexts. On the radar, three projects to watch: in Berlin, sauerbruch hutton has won the competition to extend the Federal Ministry of Defense's headquarters at the Bendlerblock; in Santa Barbara, SOM and Mithun have unveiled designs for a major new student housing complex at UC Santa Barbara; and, addressing a different kind of construction altogether, Paulo Tavares' practice Autonoma has launched Documental, an open-source platform that lets journalists, researchers, and civil organizations turn data, images, and satellite imagery into geolocated digital stories in defense of human and environmental rights.
City Tower One is a 358-meter-tall (1,175 ft.) tower in Dubai designed by Pelli Clarke & Partners. The 93-story mixed-use skyscraper completed construction and launched for leasing in June 2026. The building is located in the Trade Centre First neighborhood, on a site connecting Sheikh Zayed Road to Al Badaa Road along Eleventh Street, and includes 608 residential units across from Hazel Wong's Emirates Towers and Killa Design's Museum of the Future. The building's presence in Dubai's skyline and everyday urban life was recently captured by local photographer Ahmad Alnaji, founder of SARAB Art Production and a contributor to the visual identity of landmark buildings across the region, including projects by architecture practices such as Foster + Partners, UNStudio and Killa Design.
Powerhouse Parramatta, a new museum and cultural institution on the banks of the Parramatta River in Western Sydney, Australia, will open to the public on Saturday, November 7, 2026. The 30,000-square-meter building has been designed by Franco-Japanese firm Moreau Kusunoki as lead designer, with Australian firm Genton as local architect and Arup as engineer. Moreau Kusunoki won the design competition for the project in 2019, with completion initially planned for 2025. Powerhouse Parramatta is the first state cultural organization located in Western Sydney, a region whose population includes communities from more than 170 countries. At opening, the museum will present five exhibitions.
Construction is advancing on Gothenburg Grand Central, a new station building and prominent western entrance designed by Reiulf Ramstad Arkitekter. The project is part of the West Link (Västlänken) commuter rail project at Gothenburg Central Station, consisting of 8 kilometers of railway, including three new stations: Centralen, Haga, and Korsvägen. The new route is projected to increase capacity during peak hours and reduce travel times for commuter and regional trains, connecting directly to the existing central station and the Nils Ericson Terminal. The new station is scheduled to open alongside Västlänken's Centralen underground station in December 2026, with office tenants moving in during 2027, and the rest of the tunnel planned to be ready for traffic by December 2030.
The construction of the William and Charlotte Bloomberg Public Science Common, the new venue at Boston's Museum of Science, one of the United States' oldest science institutions, is nearing completion. The 929 m² (10,000-square-foot) building, designed by William Rawn Associates, Architects, Inc., is expected to open to the public on October 10, 2026, followed by a celebratory event on October 28. The new glazed civic venue overlooks the Charles River with views of the Boston skyline, and features movable walls and retractable seating to shift between functions and programs. The space is designed to support public dialogue around the sciences, using immersive media, production, and livestreaming technology to reach audiences beyond the city.
