As 2023 begins, looking back at 2022 reveals a year of profound shifts, challenges, and boundary-pushing opportunities for architectural practices worldwide. Navigating these new unknowns, we have compiled our interviews from the past year with a diverse range of firms and practitioners. This retrospective explores how legacy firms with over two decades of practice continue to thrive, how the profession is adapting to technological frontiers like the metaverse and artificial intelligence, the challenges material experts are tackling, and how a new generation of architects is shaping the future of the discipline. Read on for our annual roundup of conversations.

I suspect many readers here experience the same, shall we say, “predicament” as I do: as soon as we step outside our “bubble,” advocating for urban design principles that seem obvious to us — such as eliminating fences and walls, and promoting public access, visual permeability, mixed-use zoning, and active frontages — inevitably runs into the same obstacle: the lack of public safety.

This article by Carmen Espegel was originally published in the 16th issue of revista rita under the title "Alegato pedagógico en Talca" (A Pedagogical Plea in Talca). The following text explores the unique approach to teaching design studios at the School of Architecture of the University of Talca (Chile), where territory, materiality, and the social sphere converge in a constructive thought and action carried out by students in their own homes, aiming to critically reformulate how we dwell.

The Centro de Estudios Superiores de Diseño de Monterrey (CEDIM) presented "Cámara Clara," an installation that seeks to dialogue with the sun within the semi-arid landscape of the northern city of Monterrey, Mexico. This ephemeral installation, created by CEDIM students, does not fight against the sun, as architecture so often does, but rather celebrates its presence and orbital rhythms, allowing viewers to contemplate it through its skin from a precise central vantage point within the structure.

Each person needs about 110 liters of water to meet their daily consumption and hygiene needs. However, in Brazil, daily consumption can exceed 200 liters per person, according to Sabesp. Due to high water pressure in apartment buildings, this consumption can be even higher. Furthermore, the country loses about 40% of all treated water captured, according to 2022 data from Instituto Trata Brasil. Nonetheless, at least within the home, this waste of clean water can be mitigated through a few simple changes.

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What does 2023 hold for development and the environment?

The end of 2022 certainly left us in an interesting—yet troubling—position. A three-year-old pandemic proved far from over, sickening millions and straining economies. Global inflation reached 9%, its highest level since 2008. Russia's invasion of Ukraine forced millions of people to flee their homes, triggering cascading effects in food and energy systems worldwide. Meanwhile, the impacts of climate change—from catastrophic flooding in Pakistan to scorching heatwaves in India and severe droughts in Africa—compounded these threats.

Whether establishing greater fluidity between spaces, integrating distinct elements of an architectural design, or creating a more playful atmosphere, suspended structures in residential projects yield a wide range of spatial experiences.

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You are likely familiar with the story of a man who received a divine command to build an ark to shelter his family and animals of every species, saving them from a great deluge. This flood narrative, known as the story of "Noah's Ark," is found not only in the Bible but also in the Quran and many other cultures—with the Sumerian "Epic of Ziusudra" being the oldest known flood myth, dating back to 2000 BCE. These examples show that the forces of nature, by taking center stage in religious teachings, were already recurring concerns that inspired both fear and respect in early civilizations.

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An interdisciplinary group of professors, mostly from UNAM, founded the Permanent Seminar on Ephemeral Architecture in January 2019, aiming to formalize the work carried out on the subject since 2010. Now, drawing on the reflections and papers presented at the colloquium "Ephemeral Architecture: Reflections on the Mutability of Built Space"—held at the UNAM Faculty of Architecture—the eponymous publication has been released and is available for free download at this link.

Located in Argentina, approximately 56 km (35 miles) southeast of the Autonomous City of Buenos Aires, stands the city of La Plata, founded on November 19, 1882, as the capital of the Province of Buenos Aires. As the product of the country's most ambitious urban and architectural undertaking, La Plata was conceived as a forward-looking city—one of the first in the world designed in accordance with the new principles of urban hygiene and rational construction generated by 19th-century scientific advancements. Furthermore, the city was showcased at the 1889 Paris Exposition Universelle, the grand exhibition celebrating the centennial of the French Revolution.

Designated by the United Nations (UN), June 17 was established as the World Day to Combat Desertification and Drought, a date that serves to raise awareness about these phenomena while promoting initiatives to address them. Broadly speaking, desertification refers to the process of land degradation in arid regions, caused primarily by human activities and climatic variations. This phenomenon leads to the loss of vegetation cover, soil erosion, and reduced agricultural productivity, among other negative consequences. Drought, on the other hand, is a prolonged period of abnormally low rainfall resulting in water scarcity, which can have severe impacts on ecosystems, agriculture, and human livelihoods.

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The concept of the circular economy is increasingly prominent in discussions on architecture and urbanism—especially as cities are home to around 55% of the world's population and continue to grow. The goal of circularity is to reduce the environmental impact of current production and consumption models through the efficient use of material resources and waste reduction. But how can this idea actually be implemented in cities?

Burnout Syndrome, or professional exhaustion syndrome, is an emotional disorder characterized by extreme exhaustion, stress, and physical depletion resulting from demanding work environments that entail intense competition or high levels of responsibility. Particularly during and after the pandemic—essentially our current reality—burnout rates have surged. Yet, the topic remains under-discussed. Given the significant role of spatial design in the lives of employees, how can neuroarchitecture support quality of life and help mitigate burnout?

How can we construct buildings using less water? The construction process consumes a vast amount of water resources, and it is time to consider how to reduce this environmental impact.

Indeed, an architect's primary responsibility is to protect the health, safety, and welfare of the public, which includes a diverse population with varying degrees of physical and intellectual abilities.

Neurodiversity refers to this intellectual and cognitive variability, encompassing a mix of neurotypical and neurodivergent individuals. Those who are "divergent" are typically recognized as having differences in communication, learning, or behavior. Consequently, an architect's goal is not to design a building exclusively for either neurotypical or neurodivergent populations, but rather to create spaces where all users feel welcome and comfortable.

Founded in Shanghai in 2018, XISUI Design is currently a boutique, close-knit team that encourages every member to realize their full potential and enjoy a healthy work-life balance. We have accumulated extensive experience in delivering projects driven by digital design and construction technologies, encouraging practical actions that turn groundbreaking innovation and imagination into reality. In integrating digital technology into the design and construction fields, our completed works currently focus on spatial design, installation art, children's playscapes, and landscape structures. We offer schematic design, strategic planning, and construction administration services. Our office is located in the Jing'an District of Shanghai, near Jing'an Sculpture Park and within walking distance of Metro Lines 1, 2, and 13. We welcome pragmatic individuals who aspire to shape the future to join us and grow together.

Upholding the design philosophy of “Cutting-edge, Joy, and Creativity,” we leverage advanced digital design and fabrication technologies to create richer imaginative spaces and narrative environments. Our design pursuits combine pioneering modes of expression with a continuous exploration of intrinsic essence, allowing users of different ages, family structures, and cultural backgrounds to experience the genuine emotion, local heritage, and profound care for life embedded in our work.

Although the architecture and construction industry has advanced in recent years into new areas such as artificial intelligence (AI), parametric modeling, virtual reality (VR), and other cutting-edge tools, their integration and systematization within the design process remains slow. In an increasingly connected and constantly evolving world, digital tools and emerging technologies are revolutionizing how architects design and build, rewriting the rules and expanding creative horizons. Therefore, it is essential to continue discussing how these tools are being integrated and how their potential can be further unlocked within the discipline.

This July, ArchDaily is exploring the topic of the design process. Within this framework, we want to open up the discussion to hear about your experiences, learn from your successes, challenges, and mistakes—and explore together how these new tools are transforming the practice of architecture.

The last few decades have yielded a renewed conception of the ruin, shaped by the logic of contemporary society. These ruins can be found, for example, in the demolition of industrial buildings on a colossal scale. Yet they are stripped of their historical and enigmatic values, since we have witnessed their birth and coexisted with them in the present.

DDB Architects (Shanghai) was founded in 1998 by Professor Xiang Bingren. Since its inception, influenced by a strong academic background, the firm has adhered to the core philosophy of "culture-led design, creative value enhancement." This approach manifests as a multifaceted contemplation of culture across diverse design typologies, driving continuous creative momentum. Positioning itself as a highly specialized, professional, and lean, top-tier architectural design team, the firm is committed to pursuing both academic and artistic excellence in architecture. Over more than 20 years of deep industry engagement, the firm has maintained an urban perspective. It has accumulated extensive project experience, professional expertise, and a robust client base across seven key sectors: supertall complexes, offices and corporate headquarters, urban renewal, commercial spaces, cultural landmarks, bespoke hospitality spaces, and customized residential spaces. Through high-caliber design creativity, professional quality, and attentive, personalized service, DDB has established an outstanding market reputation.

The firm features a mature innovation and research system, a lean design methodology, and an integrated design workflow.
Innovation and Research System: Centered on talent development and brand building, the firm has conducted a series of distinctive explorations and practices across platforms such as R&D, team knowledge management, and media communication. By integrating R&D platforms with design practice, design and management are closely linked to drive iterative upgrades.

Lean Design System: Utilizing its proprietary, meticulous curtain wall control methodology, the firm manages façade design with scientific rigor, allowing for highly targeted cost optimization.

Integrated Design: With an integrated design matrix, the firm possesses design capabilities across architecture, landscape, and interior design, alongside the perspective and capacity to address related technical challenges. Additionally, by collaborating with a network of leading domestic technical partners and consultants, DDB has formed a multidisciplinary design matrix to deliver highly professional solutions tailored to clients' specific needs.

In the 1940s, as director of the Division of Studies and Heritage Listing at IPHAN, Lucio Costa sent his staff into the field to identify the cultural heritage scattered across Brazil, waiting to be discovered.

“Who,” “when,” and “how” were the questions his assistants had up their sleeves. Supposedly, they were meant to reveal the characteristics of the analyzed assets, in order to then categorize them as worthy or unworthy of heritage listing.

From Le Corbusier's polychromy to the aesthetic concepts of the Bauhaus, color has played an essential role throughout architectural history. Yet, we stand on the threshold of a new era of innovation where the meaning, application, and impact of color in architecture are constantly evolving. This evolution brings new questions to the fore: Could new materials and finishes revolutionize the color palette? What possibilities does color application hold in virtual spaces? What will be the upcoming color trends in the world of interior design?

Jenny Holzer (b. 1950, United States)

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Vicuña Mackenna 20 (VM20), located steps from the Baquedano Metro station in the heart of Santiago, is a new project by the University of Chile. It aims both to become a hub for artistic and cultural outreach and to impact the public space recovery plan in the capital's central area.

Tomás Vodanovic, mayor of the municipality of Maipú in Santiago, Chile, announced a new measure prohibiting high-rise construction along major thoroughfares, such as Pajaritos, Américo Vespucio, and 5 de Abril, in an effort to foster the aesthetic and sustainable development of the district.