A facade must meet steep requirements as both the first skin that protects a building, its interiors, and its materials, and as the first thing a person sees. In addition to weather resistance and durability, its appearance is extremely vital for any architectural project. Prefabricated facade panels provide a clean, precise, and sophisticated finish to buildings and sport high versatility through different patterns and shapes.
Photoshop is one of the most universal, enduring, and valuable programs in the designer’s taskbar. The go-to tool for students and architects for image-based editing, collages, and rendering, the popularity of Photoshop has given rise to countless online tutorials, tips, and resources. As we demonstrated over a year ago with our extensive library of 100 Photoshop textures, there is great value for designers in having a single, collated, one-stop service for quickly accessing the multitude of free resources available online.
Designed and built by the team from Universidad Mayor, a sustainable social housing project featuring productive and commercial spaces was named the winner of Construye Solar 2019, the third edition of the Chilean competition organized by Ruta Solar.
Modern architecture established new priorities around living. While the architects associated with this movement had highly heterogeneous interests and pursuits, certain common ground can be found linking their approaches. Grounded in hygienist principles, the lighting and ventilation of architectural spaces became a primary focus. The connection and continuity between interiors and exteriors began to foster an architecture of blurred boundaries, where gardens, terraces, and patios—as well as their urban-scale counterparts: parks, plazas, and boulevards—gained greater prominence. Consequently, solariums, swimming pools, ponds, and all areas associated with "outdoor leisure" began to be designed holistically, as integral parts of the architectural project.
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In the early hours of January 11, 1967, a polar air mass swept into the country, bringing snow to Mexico City and blanketing the entire capital under a soft, pristine white layer. One day, more than 50 years ago, our urban sprawl woke up covered in white. It was not smog, nor the pollution of an unrelenting beltway; it was pure snow. The last time it snowed in Mexico City was January 11, 1967. That day, schools closed, people went outside to build snowmen and throw snowballs, and emergency services were overwhelmed by the beautiful catastrophe of so much snow.
The passage of time will alter, erode, and in most cases, degrade any architectural structure. Whether this be the result of climate, adaptation, misuse, or even war, all buildings are subject to the same life cycles of steady, or extreme, decline. In recent decades, “adaptive reuse” has gained significant traction as a means of breathing new life into an old structure, offering an often complex challenge for designers, architects, and indeed everyday users, who walk a fine line between a respectful restoration of history, and significant adaption for modern needs.
Solar tiles work on the same principle as the photovoltaic panels widely used in architecture. The main difference lies in their installation: while photovoltaic panels are mounted on top of an existing roof, solar tiles are integrated into the roof structure from the very beginning, replacing conventional roof tiles.
These tiles are composed of photovoltaic cells. When they absorb sunlight, they generate an electric field that provides electricity to the building's interior. Each tile is connected by cables to a power distribution board.
Entries to the 6th International LafargeHolcim Awards for sustainable construction will close on February 25, 2020. The competition seeks projects by professionals as well as bold ideas from the Next Generation that combine sustainable construction solutions with architectural excellence. The Awards accept projects and concepts from architecture, engineering, urban planning, materials science, construction technology, and other related fields.
The year 2019 was one of the most prolific for public design competitions in Bogotá, particularly within the education sector. Recently, the results of the public architectural preliminary design competition for the Hipotecho School were announced, with the winning proposal submitted by the joint team of AR-AR (Martínez Arquitectura) + Fiallo Atelier + MEC arquitectura.
Tokyo is a chaotic city, in the sense that it did not develop from city-wide coordinated urban planning. By the 18th century, it already had around 1 million inhabitants, with most of the population living in conditions similar to modern Brazilian favelas. Tokyo's dense suburbs resemble Brazilian peripheries, with low-rise but closely packed buildings on narrow plots and a wide variety of uses. Furthermore, Tokyo features a multiplicity of architectural typologies, different modes of transportation sharing the same space, and—not unlike Brazilian cities—billboards and exposed overhead wires clashing with the urban landscape.
Forty percent of the human population lives within 100 kilometers of a coastline, with one in ten living under ten meters above sea level. As climate change induces more volatile flooding events and long-term sea level rises, it is estimated that coastal flooding could cause as much as $1 trillion of damage per year by 2050. We cannot escape the reality that cities, and their populations, are more vulnerable to flooding than ever.
in 2019, the Bauhaus turned 100 and a crop of museum buildings sprang up for the celebration.
In 2019, two museums bearing the name Bauhaus appeared on the German culture circuit. Angling to capitalize on the design school’s centennial, the Bauhaus Museum Weimar was first out of the gate, opening in early April; a few clicks behind, the Bauhaus Museum Dessau followed suit in early September. A third project, the much-delayed extension to Walter Gropius’s 1979 Bauhaus- Archiv/Museum für Gestaltung in Berlin, did not manage to keep pace and isn’t expected to open for a couple more years yet.
While 2019 saw the completion of great works of architecture, it has also been a busy year for unbuilt designs. Whether this consists of imaginary visions intended to broaden horizons and innovations, or practical projects intended for construction, ArchDaily has published a wealth of unbuilt projects throughout the year that have been recognized and celebrated by juries, peers, and institutions.
As the year draws to a close, we look back at the top competition-winning architecture of 2019. From built competition-winning entries from the world’s leading firms, to student and young architect entries which imagine the architecture of the future, the list offers an insight into what the architecture world has in store for the next year, decade, or even century.
In Latin American countries, the most common method for distinguishing rural areas from urban spaces is based on analyzing the number of residents in a given zone, classifying as "rural" any locality with a population under 2,000. In these contexts, low density and scattered development typically allow the natural landscape to predominate over the built environment.
This article was originally published on Common Edge on Dec 23, 2019.
As 2019 winds down, the media has started its annual ritual of taking stock, compiling lists, looking back. In the architecture world, the year’s biggest news story was arguably the Notre-Dame fire. The image of the cathedral’s burning roof—a wrenching sight—filled TV and computer screens around the world and occasioned an outpouring of grief, especially in France, where the building holds a central place in the nation’s collective consciousness. It was an architectural tragedy as well as a cultural one. No doubt: the April inferno struck at the very heart of France.
Designers have fixated on the visual culture that wrought Casio wrist watches and Superstudio. Mario Carpo explores the reasons why.
What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Here you can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.
Natural disasters, mass migrations, economic crises, or simply the passage of time can leave significant architectural works—and even entire towns—abandoned to decay, losing their habitability either partially or completely. Recognizing that these buildings form part of our recent history, a growing number of photographers, historians, and urban explorers (urbex) are venturing out in search of these modern ruins.
