The digital package, containing a diverse mix of 1000 cutouts, was created to cover a range of scenarios in daily life, including people biking, families, kids, business people as well as people dressed for all seasons. This week, ArchDaily readers are being offered a discount of £400 on the package that costs £695 by using the discount code ARCHDAILYSPECIAL at checkout here.
In celebration of the launch, the studio is offering a new mixed pack of 50 diverse, high resolution cuts outs for free, normally priced at £100. Users can gain access to the offer using the discount code “BFARCHDAILY” on the cutout shop here during the purchasing process.
You can check out a selection of the cutout products below, or on the official website here.
https://www.archdaily.com/906206/a-library-of-high-resolution-cutouts-free-with-archdaily-discount-codeNiall Patrick Walsh
One of the most frustrating and time-consuming exercises in using Photoshop is the endless search for high-quality material textures. This demand has led to the creation of many dispersed online libraries, allowing users to download royalty-free, high-resolution textures for almost any material. One such site is Texture Palace, offering an extensive, Flickr-based library with high-quality concrete, timber, steel, and many other textures.
Below, we have collated some of the best textures from Texture Palace, creating an easy go-to resource as you create your next masterpiece. The site is steadily updated with new textures, so be sure to visit the official site here, and their Flickr page here. To access the full range of resolutions for each texture below, simply follow the link in the image caption.
https://www.archdaily.com/900268/a-library-of-100-downloadable-photoshop-texturesNiall Patrick Walsh
Presenting designs to third parties can be a challenging task. Architects may find it difficult to describe spaces to their clients, therefore more firms are incorporating virtual reality into their workflows and project presentations.
Below are 5 architecture offices using SentioVR to present their designs. To see the content in 360º, click on the image and move the mouse.
If you are trying to approach the representation of architecture through postproduction in Photoshop, the YouTube channel Show It Better can be very useful. The following tutorials allow you to maximize the effectiveness of photoshop by providing both technical and visual tips.
Here we have selected examples that address axonometric representation, plans, sections, elevations, diagrams, and others.
We hope you enjoy the following tutorials. What other kinds of drawing tips would you like to see?
Architectural styles derive their uniqueness by demonstrating the construction techniques, political movements, and social changes that make up the zeitgeist of a place in a particular moment of time. Whether it was the rebirth of art and culture with Renaissance architecture, or the steel skyscrapers that emerged in the post-war movement, each stylistic change tells us something different about the transitions of architectural history. But what if architecture rejected a critical regionalist approach, and buildings took on the characteristics of another place? These seven images made for Expedia by NeoMam and Thisisrender provide a glimpse into what some of our favorite architectural icons would look like if they were built in a different style.
From New York to Rome, London to Cape Town and beyond, these city mash-ups blend distinct architecture and attractions to create truly unique imagined destinations. Expedia recently launched a series of campaigns that would inspire travelers by showcasing destinations from different perspectives and unique angles. They took 14 famous cities and combined their architectural DNA into 7 unique hybrid, mash-up cities.
Designing a business card might seem to be a straightforward endeavor but if you've ever tried your hand at designing one from scratch, you've probably wished there was a graphic design consultant around. With this in mind, we've rounded up some classy minimalist templates that will help you take the guesswork out of what to include on your calling card. From ace border spacing and text placement to snazzy (and free!) font recommendations, these downloadable business card templates are ready for you to plug in your information. These templates also serve as an invaluable jumping off point if you're looking for some inspiration for your own designs.
https://www.archdaily.com/883208/free-business-card-templates-for-architectsAD Editorial Team
Rendering plans in Photoshop is an essential part of presenting your work to your client or to convince a competition jury to pick your design as a winner. Whenever you publish your work for books, websites or presentations the design quality of your plans will be your business card to future clients and the audience you build around your practice. Let’s start step by step.
A powerful software like Photoshop can turn an average looking image or drawing into a stellar asset for a project. The trick is to learn to use some of its best features and optimize your workflow for maximum efficiency.
Over the years Photoshop has become the go-to tool for architects for any kind of image-based editing. The software has become indispensible thanks to its versatile features. It is a powerful tool for tweaking renderings or create them from scratch. Some of the most renowned visualization artists rely heavily on Photoshop and use very crude masses done in 3d programs as a starting point. From photorealistic renderings to editing photographs of built projects and beautifying line work, Photoshop can be an architect’s best friend.
Abu Dhabi-based Brazilian designer and artist Fábio Araujo has a fascination with abandoned places – the mystery of where the man made clashes with the natural to create unique colors, textures and compositions.
These places are the subject of his series, aptly titled “Abandoned Places,” in which he uses a series of digital manipulations to create small islands floating within and contrasting with their clean, solid backgrounds.
Other works by Araujo include “Favela,” where the Brazilian housing typology has been reimagined as located within the sky, and miniature models of scenes and buildings including the Burj al Arab hotel in Dubai.
The ever-growing realm of “post-digital” drawing is currently at the forefront of a healthy dosage of discourse, appreciation and even criticism, as professionals and students alike continue to push the envelope of accepted architectural representation and exchange a waning hyperrealism for the quirks and character of alternative visual narratives. Central to this new wave of illustration is the inclusion and appropriation of specific icons and characters from famous pieces of modern art, selected in particular from the works of David Hockney, Edward Hopper and Henri Rousseau, whose work undoubtedly remains at the forefront of their individual crafts and styles.
Digital technologies were supposed to kill the drawing. And in an obvious way they did, with CAD displacing hand draughtsmanship long ago. But drawing is more than mere delineation—measured construction drawings—or even the rendering, which has devolved into a mere marketing tool. Indeed, as Sam Jacob writes, it constitutes a fundamental “architectural act” that lies at the core of the discipline’s self-understanding.
Jacob describes a new “post-digital” mode of drawing that incorporates narrative cues, art historical allusions, and software-enabled collage techniques. It recalls Mies’s sparse one-point perspectives and de Chirico’s metaphysical paintings as well as the affected irreverence of Postmodernism. It’s a style popularized by blogs such as KoozA/rch, which was founded by architect Federica Sofia Zambeletti three years ago. We spoke to Zambeletti about the resurgence of architectural drawing and how the style could soon exhaust itself.
Today, app developer Morpholio has unveiled the newest addition to its collection of architectural aids. Ava, short for Automated Visual Assembly, aims to streamline the interior design process by allowing the user to navigate seamlessly between visually-appealing presentation boards and detailed, editable data spreadsheets.
Ava seeks to reform the status quo for interior design projects, which often involves the separate creation of visual presentation boards for clients, cut sheets and specs for drawing sets, and product lists for purchasing. Ava has been invented to package images and information more intelligently, optimizing beauty, clarity, and ease, and allowing designers to navigate neatly from process, to presentation, to project delivery.
Apple has unveiled a new version of their professional-level portable computer, the MacBook Pro, making steps towards defining the laptop as a tool for those in the creative industries. With a full 500 days since these devices were last refreshed by the company, the standout feature of this latest incarnation is a new, application-specific Touch Bar – a touch-sensitive display band at the top of the keyboard which becomes an “intuitive” part of the user interface, which also includes a Touch ID fingerprint sensor. Oh – and there’s still a headphone jack!
https://www.archdaily.com/798287/apple-releases-macbook-pro-with-integrated-touch-bar-that-works-seamlessly-with-photoshopAD Editorial Team
One of the most controversial stories to hit the architectural news last week was the revelation by Blair Kamin of the Chicago Tribune that one of the winners of the AIA Chicago chapter's Design Excellence Awards was given on the basis of an image in which unsightly elements of the building's design had been removed in Photoshop.
The "war on reality" (as one commenter ironically referred to it) is a topic that polarizes even the most level-headed people, with many arguing over the effect that such Photoshop trickery has on our perception of our world. However, with many people unaware of what goes on behind the scenes, we decided to reach out to some photographers for a candid look at exactly what role Photoshop has in the everyday processes of architectural photography, and where they draw the line regarding the ethical documentation of buildings. Read on to find out what they had to say.
How much editing is acceptable in architectural photographs? And what if those edited photographs are the basis of judging a design competition? Chicago Tribune architecture critic Blair Kaminexplored these questions in a recent column after an altered photo led to a Design Excellence Award from the Chicago chapter of the AIA. The building in question, the El Centro campus of Northeastern Illinois University designed by Juan Moreno, was one of five recipients of the chapter's honor award, the highest level of recognition. But one of photos submitted to the award jury had been digitally altered by the photographer to remove a prominent row of large air handling units on the roof that marred one of the best views of the building.