Argentina

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From May 7 to June 25, the National Fund for the Arts (FNA) is opening the call for entries for its 2019 Architecture Award, aimed at young architects who provide creative and effective design solutions for cultural spaces.

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Videos

The Scientific Initiation Congress in Architecture and Urbanism (CICAU) is designed as a forum for reflection and exchange for students, faculty, and graduates in architecture, urbanism, and related fields. It seeks to focus on, interpret, analyze, and debate current issues in our cities through scientific initiation and academic research—a practice often overlooked in architecture and urbanism education. Consequently, we believe it is essential to reinforce the importance of research and the role of the student as a protagonist in their professional development.

Over the last two decades, the discipline of landscape has been designated as a model and a medium for the contemporary city. During this time, a range of alternative architecture and urbanism practices have emerged throughout Latin America. Many of these practices explore the ecological and territorial implications of urban projects. The emergence of these practices has coincided with social and political transformations in the region.

The goal of this first conference is to create a collective space for the exchange of ideas and knowledge among students, faculty, and researchers interested in reflecting on design, criticism, and the history of architecture.

Digital Constructivism, a two-week workshop by the Architectural Association Visiting School (AAVS) taking place at the Torcuato Di Tella University School of Architecture and Urban Studies this coming July, explores the generation of material environments from conceptualization to production. Structured as a series and based on an intensive version of the creative process developed by Diploma Unit 17 of the Architectural Association in London, "Spaces for Knowledge Exchange: New Worlds of Leisure," each instance of the workshop informs the next, advancing its conceptual construction cumulatively. The series is based on the conviction that radical architecture does not require appealing to parallel or fictional worlds, but rather operating through technically precise and spatially creative decisions based on connections with a world that, while increasingly homogeneous, is replete with exceptions, specific conditions, and extraordinary situations. From these, the workshop encourages the production of speculations that transgress established cultural identities in order to define new forms of beauty.