Produce personalized presentation boards that distill complex concepts into simple visual representations with a few helpful tools and effects.

The 2022 laureate of architecture’s highest honor, the Pritzker Architecture Prize is Diébédo Francis Kéré, known as Francis Kéré, Burkina Faso-born architect, educator, social activist, receiver of the 2004 Aga Khan Award for Architecture and designer of the 2017 Serpentine Pavilion. Recognized for “empowering and transforming communities through the process of architecture”, Kéré, the first black architect to ever obtain this award, works mostly in areas charged with constraints and adversity, using local materials and building contemporary facilities whose value exceeds the structure itself, serving and stabilizing the future of entire communities.

“Through buildings that demonstrate beauty, modesty, boldness, and invention, and by the integrity of his architecture and geste, Kéré gracefully upholds the mission of this Prize,” explains the official statement of the Pritzker Architecture Prize. Announced today by Tom Pritzker, Chairman of The Hyatt Foundation, Francis Kéré is the 51st winner of the award founded in 1979, succeeding Anne Lacaton and Jean-Philippe Vassal. Praised “for the gifts he has created through his work, gifts that go beyond the realm of the architecture discipline”, the acclaimed architect is present equally in Burkina Faso and Germany, professionally and personally.

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Within the Latin American and Caribbean region, it has been recorded that at least 25% of the population lives in informal settlements. Given that their expansion is one of the major problems afflicting these cities, a project is presented, supported by the IDB, which proposes how new technologies are capable of contributing to the identification and detection of these areas in order to intervene in them and help reduce urban informality.

Handicraft translate the culture of a people and, therefore, carry a strong presence when placed in residential spaces. Through the most varied techniques, it represents traditional methods and acts in the memory of each person who crosses it. Therefore, regardless of the scale at which it is presented - from small art objects to large furniture, or even as a component of architecture itself -, thinking about handcrafted elements can be an important step in improving the aesthetic language of a project.

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Architecture and planning centers on human experience and bringing people together. Few firms have structured their office around these ideas like Ayers Saint Gross. Founded in 1912, the firm has over a century of experience, including a majority of their work in support of colleges, universities, and cultural facilities. Today, the 185-person firm has offices around the country, including in Baltimore, Washington, D.C., and Tempe, AZ.

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It was 1968 when Ricardo Bofill Architecture Workshop's published a kind of manifesto in reaction to the pressing demands of a society in constant transformation. The idea of the City in Space saw the light of day for the first time and was proclaimed as an absolute architecture, capable of resolving all the complexities of its contemporaneity through a unique open, flexible and three-dimensional model.

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Statement interiors leave a lasting impression on both frequent and infrequent users, whether with striking pieces of furniture, oversized lighting, or even a bold feature wall. The very best creations, however, don’t need to beg for attention to be recounted afterward, they let praise come to them with a peacocking presence so extravagant, it’s impossible not to take notice.

Safdie Architects is a research-oriented architecture and urban design studio active in a wide variety of project types, scales, and sectors. Safdie Architects’ global practice is directed from its headquarters in Boston, Massachusetts, with satellite offices in Jerusalem, Shanghai, and Singapore. Projects are designed, managed, and executed by a global team that hovers around 65 people! The practice is organized as a partnership and operates in the model of an intimate design studio environment. The firm's partners – many of whom joined Safdie shortly after graduation – have been working together for decades.

As the city continues to evolve and transform, dead edges in the cityscape begin to emerge, subsequently reducing the level of activity in our built environment. These 'dead edges' refer to the areas that lack active engagement, they remain empty and deprived of people, since they no longer present themselves as useful or appealing. As the Covid-19 pandemic draws to an ultimate close, the first issue we may face post-pandemic is to revive our urban environment. A kiss of life into a tired and outdated cityscape...

The focal element in creating an active and healthy urban environment is by increasing vitality through placemaking. Creating diverse and interesting places to reside, thrive, and work. Here are five regenerative strategies that animate the cityscape and ultimately produce resilient, attractive, and flexible environments.

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This article was originally published on Common Edge.

Although it was originally published in 2019, this essay by Randy Nishimura, lightly updated, serves as a rebuttal of sorts to Duo Dickinson’s recent Common Edge piece, “The Architectural Pandemic of the ‘Stick Frame Over Podium’ Building.” Dickinson likens the building type to a plague; Nishimura offers a contrarian’s perspective.

A recent spate of articles bemoaning the proliferation of 5-over-1 apartment buildings caught my attention. Outlets such as Bloomberg, Common Edge, Crosscut, and Curbed have all commented on the building type, the common thread being a reproach for their ubiquity, sameness, and inexpensive construction. Some of the critiques rightfully point to the confluence of multiple factors—evolving building codes, a lack of developable land, rising construction costs, and an acute lack of affordable housing—that have given rise to countless examples of the type across the country. The same dynamics are in play here in my hometown of Eugene, Oregon, so we naturally have our share of 5-over-1 developments.

“I’ve always been quite interested in keeping up with what’s happening on a technical front,” said Nick Lawrence, a practice director at A&Q Partnership in London. The architect, who studied engineering in undergraduate school, leads the building information modeling (BIM) effort at A&Q Partnership and says his studies greatly influenced his interest in information modeling.

His interest extends beyond personal. Relying on BIM framework has been crucial for A&Q Partnership, who work on large, multi-building commercial and residential projects.

Pipes, wiring and ducts of different materials in walls, ceilings and roofs make up all the spaces we walk through and inhabit. They represent the set of networks and equipment necessary for the development of life in our buildings, providing services such as water, electricity or gas, among many others. According to the regulations in each country and the use defined in each space, the installations can be left visible, giving a certain character and aesthetic to interior spaces.

Take a second to imagine a building or a room. Chances are you are envisioning flat rectangular surfaces and straight lines. Whether it be walls, beams or windows, most architectural elements come in standard and extremely practical orthogonal shapes. However, the pandemic has shed light on designs that are not only functional, but also that improve our mood and well-being. In that sense, the power of curved, free-flowing surfaces is unmatched, which explains why they have been making a comeback as a modern design trend. Adopting beautiful nature-inspired shapes, organic curls and bends energize rooms and make users feel good. In fact, neuroscientists have shown that this affection is hard-wired into the brain; in a 2013 study, they found that participants were most likely to consider a space beautiful if it was curvilinear instead of rectilinear. In short, humans love curves.

Functionality, good ventilation, comfortable lighting, and access to views are some of the important required characteristics that make for human comfort in inhabited or occupied spaces. Nonetheless, those elements are becoming harder to achieve within smaller city dwellings. Architects and individuals, therefore, turn towards design solutions to create more agreeable and personalized settings.

An initial solution to upscale and widen spaces is to reduce the amount of standard solid partitions or walls and replace them with alternative means of spatial separation. 

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It is crucial to consider the future environmental impact of everything we create. Climate change remains high on the global agenda, and every industry must take part in the goal of reaching Net Zero. One of the more challenging industries concerns construction, which plays a vital role in the process of decarbonization and is constantly encountered with challenges to become greener. Therefore, it demands innovative techniques and development of data to find new and sustainable processes. One solution is to introduce and design both cleaner and more efficient materials. Bricks are a good example, as they can be used in building constructions to ensure a circular process and minimize carbon emissions, being an extremely durable material that can be produced with more sustainable techniques.

Setting the Table is an illustrated reflection by architects Florencia Köncke and Paula Olea Fonti. In the following paragraphs, the authors develop a first approach to the study of the table as "the centre of our notion of domesticity"(1). In the relationship between space, objects and people and as a social catalyst for gathering and exchange.