Peter Zumthor, in one of his most emblematic works, gives concrete an almost sacred dimension. The work in question is the small Bruder Klaus Field Chapel, located in a small village in Germany, a construction that is both robust and sensitive. Built with white cement, which was mixed with stones and sand from the region, the chapel is composed of 24 layers of concrete that were poured day after day by local labor, and compressed in an unusual way. The building's flat and smooth exterior contrasts with its interior, which was initially made of inclined wooden logs forming a triangular void. To remove these internal forms, the logs were set on fire in a controlled process, reducing them to ash and creating a carbonized interior that varied between black and gray and retained the texture of the negatives of the logs. The result is a masterpiece of architecture, a space for reflection and transformation, in which the same material appears in diametrically opposing ways.
SCI-Arc’s Master of Science in Design Theory and Pedagogy is a one-year program that addresses the growing ambiguity between practice and academia and prepares students for the new hybrid career that has emerged in architecture: the architect-theorist-educator. As shifting political, social, cultural, technological, and ecological paradigms redefine architecture, the program speculates on how architects will practice in the future, interrogates current pedagogical models, and focuses on what needs to be rethought, advanced, or challenged. One of five master’s programs within SCI-Arc EDGE, Center for Advanced Studies in Architecture, Design Theory and Pedagogy prepares young architects for new forms of architectural practice.
New Orleans is a city unlike any other. Defined by a rich cultural history, the Big Easy has been shaped by it's geography along the Mississippi Delta and the local climate. After the devastation of Hurricane Katrina in 2005, designers and architects looked to the city with a renewed focus to build a better future. From the Lower 9th Ward to the French Quarter and beyond, modern designs were created within a diverse urban fabric.
Back in February this year, the American architectural community was scandalised by a draft executive order from the White House threatening to make neoclassical or traditional regional styles compulsory for all new federal buildings. The initiative fails to recognise the specificity of the architectural expression and the innovation that stems from understanding the local context. Metropolis Magazine has gathered together several examples of civic architecture that succeed in expressing the needs and aspirations of their communities, thus building a compelling argument against a mandated, unified architectural expression.
JOA is honoured to participate in the 2019 Bi-City Biennale of Urbanism\Architecture (Shenzhen). We have always taken the research led perspective as the starting point of the design, trying to discuss the story behind the architecture in greater depth, and present it to the public through the exhibition. Our understanding of the future world is more based on the perspective of architecture rather than sci-fi movies. The premise of envisioning the future is actually to discuss the current social pain points, and then come up with critical reflections in a future dimension, which we call "The Post Anthropocene” project.
https://www.archdaily.com/939698/the-post-anthropocene-joas-exhibition-envision-life-in-hard-futureJust Open Architecture
As the world is slowly reopening, easing lockdown measures, everyone is adapting to new realities. Imposing drastic adjustments to our lives, the coronavirus has introduced a new “normal”, changing our perceptions and altering our priorities. Driven towards questioning and evaluating our environment, we are constantly reacting and anticipating a relatively unknown future.
A casual conversation between two editors at ArchDaily generated this collaborative piece that seeks to investigate the current trends, predict the future, and offer insights to everyone/everything related to the architectural field. Tackling the evolution of the profession, the firms, and the individuals, especially young adults and students, this article, produced by Christele Harrouk and Eric Baldwin, aims to reveal what is happening in the architecture scene.
Kiruna, a Swedish town within the Arctic Circle, has had to relocate owing to geological instability brought on by mining. This unusual circumstance is the focus of Kiruna Forever, an exhibition at ArkDes. Ingenjörsvillan, a house in Kiruna, was one of the structures moved. In the town’s new location, a circular city hall designed by Henning Larsen plays centerpiece. Courtesy Jessica Nilden
Kiruna Forever, an exhibition at ArkDes, traces the town's relocation due to geological instability.
“Kiruna is on the move,” says Carlos Mínguez Carrasco, curator of the new exhibition Kiruna Forever. Kiruna, a 125-year-old Swedish town that sprouted around the iron mine of the same name, started an official relocation process in 2018 after decades of discussion with the state-owned mining company LKAB. Today, as the expansion of the mine destabilizes the ground surrounding it, nearby buildings are being demolished or loaded onto flatbed trucks and moved to the new city center nearly two miles east.
Emergencies include a variety of contemporary scenarios ranging from natural disasters to extreme poverty or isolation due to social and political conflicts. In all cases, the disruption of normality and the requirement of basic needs for maintaining a decent quality of life become the basis for finding quick and efficient alternatives to respond to this type of urgency.
Architecture can be a tool for social change, and the belief in this statement is what motivates the work of many architectural NGOs who strive to address the lack of adequate shelter, generate social and economic change and build resilience in communities. These NGOs operate in two major areas, disaster relief and community development, with many organisations pursuing both types of actions. This article rounds-up several architecture-related foundations that act in emergencies, covering their expertise, past involvement in humanitarian crises, as well as the means to join them in their efforts.
New York City is the pinnacle hybrid between the vibrant and granular neighborhoods that Jane Jacobs once envisioned and the sweeping urban innovations of Robert Moses. However, its diverse population has experienced hardship over the last twenty years, forcing the city into a recursive wave of self-reflection to reevaluate the urban strategies, design trends, and global transportation methods that it had grown so accustomed to. After the September 11th and Hurricane Sandy tragedies, the delicate balance between promoting a sense of individual culture and the strength in unity that New Yorkers are so often known for served as the lifeblood for revitalization. New York City has consistently handled adversity, by always rethinking, redesigning, and rebuilding this city for a better future.
As an aftermath of natural disasters, viruses and wars, in society, we often require emergency architecture. In this round-up, we explore how emergency architecture can accommodate educational needs and how it can bring together a community that has suffered social and economic hardship.
Emergency architecture can occur under a variety of circumstances and through the recent COVID-19 pandemic we have started to get a glimpse of the urgency for certain types of architecture across the world. What we sometimes take for granted in regards to socialising — a sense of community and access to quality education — some countries go without for large periods of time due to natural disasters, viruses and war.
Architecture can ground both healing and wellness. Whether mitigating and reducing the transmission of disease, or simply providing a tranquil space for solace, the buildings of our daily lives directly shape our experience. In the case of emergency architecture, spaces are built to address issues of health and shelter. As architects continue to rethink designs for housing and basic human needs, they've also extended their focus to mental, physical and spiritual well-being.
Flickr user: MONUSCO Photos Licensed under CC BY-SA 2.0. ImageAerial view of the refugee camp in Burundi
Floods, earthquakes, tsunamis, hurricanes, war, economic and social conflicts, pandemics. The number of refugees in the world is setting records year after year. Immediate and temporary solutions, produced in batches in response to crises, mark the difference between doing what is possible and doing what should be done, always doing a lot with what's at hand. But how temporary is emergency architecture? Is it more permanent than we think?
We want to offer our readers the possibility to openly express their opinions and experience on the matter. If we were aware of the difficulty of coping with major losses, that result in the temporary becoming "permanent", would it change the way we design emergency architecture? Would we demand a higher quality emergency architecture? Would we propose other types of solutions?
We invite our readers to fill out the following form and share their ideas on this topic -- the opinions will be collected and processed by our team to form a future article.
The world of architecture and construction has observed, with increasing attention, technological innovations involving wood. Although it is a material that has been widely used for thousands of years, recent research involving industrial manufacturing and machining technologies has provided even greater quality control and an increased diversity of uses, causing it to be described by many as the material of the future. To this end, common myths including wood's lack of resistance to fire and the implausibility of using it to structure tall buildings have been debunked.
Brick is one of the most widely used materials in Colombia, making the architectural designs in its capital city, Bogotá, stand out worldwide. Due to the excellent quality of the clay found in some regions of the country, brick is used in all aspects of construction, from adobe floor slabs to exterior facades.
Panda Base Sightseeing Tower. Image Courtesy of UDG•Atelier Alpha
With more competition entries coming our way, our curated selection of best-unbuilt architecture features this week, exceptional projects presented in an international context. ArchDaily has rounded up another collection of proposals, gathering interventions from across the world, and highlighting never-seen-before programs, designs, and innovations from our readers’ submissions.
The article includes a couple of groundbreaking projects from the Far East with a Panda Sightseeing Tower, a production complex, and the regeneration of an industrial area in China. In addition, the selection showcases a proposal for the Jacques Rougerie Foundation Space and Sea Generation in Melbourne, Australia, and a finalist for the LACMA Not LackMA International Design Competition. Other proposals highlighted encompass a Multi-cultural Complex in South Korea, a recreational zone on an Austrian lake, a peace pavilion in Senegal, and a dream mansion "between mountain and sea" by Penda China, to name a few.
Bivouac #1 / Claudio Araya, Maria Valese, Natalia Kogia and Iga Majorek. Image Courtesy of YACademy
A characteristic feature of the classes of YACademy - the school of architecture founded by YAC in 2018 - is offering students interesting, hands-on workshops. In the school's curriculum, a key focus is the relational dynamics between natural and artificial, between anthropic intervention and landscape pre-existence. These themes prompted YACademy to create a High-Level Training Course in Architecture for Landscape: a program made up of lectures by renowned professionals, followed by internships in some of the most well-regarded firms in the world.
Rotterdam Port Automated Vehicle by Monika Bočková
Lukáš Likavčan takes us on a rich and satisfying philosophical journey. From Agamben's apparatus, through Hegel's positive religion (in contemporary robes), on to its materialization in Graeber's fetishes, the author reads the smart objects that are at the basis of the smart city paradigm as fetishes of sorts. In this perspective, it is necessary to redefine the autonomy of humans through an act of reverse prostheticization: what position should humans occupy in the technosphere? And what kind of relationships are emerging, or are being consolidated, between us (humans) and them (objects)? By accepting a collective vision of intelligence as a product of human and non-human data, it is possible to move away from the notion of fetish, towards an anti-narcissistic condition that sees humans as one of the entities having agency in a universe that has moved far beyond the phenomenological.
For the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," (21 December 2019-8 March 2020) ArchDaily is working with the curators of the "Eyes of the City" section to stimulate a discussion on how new technologies might impact architecture and urban life. The contribution below is part of a series of scientific essays selected through the “Eyes of the City” call for papers, launched in preparation of the exhibitions: international scholars were asked to send their reflection in reaction to the statement by the curators Carlo Ratti Associati, Politecnico di Torino and SCUT, which you can read here.
.jpg?1588864578)
