A guide from Graphisoft on how to create powerful design presentations with Archicad through the use of Archicad version 25.

This article was originally published on Common Edge.

In the early 1980s, when I first saw the film The Social Life of Small Urban Spaces and then read the book, both by William H. Whyte, I was enthralled. I had met Holly, as he was affectionately known, while I was still a reporter at the New York Post in the 1970s, and we had great discussions about New York City, what planners got wrong, what developers didn’t care about. By the 1980s I was at work on my first book, The Living City: Thinking Small in a Big Way, and having conversations with Jane Jacobs, who would become my good friend and mentor. Jacobs had validated the small, bottom-up community efforts around New York City that I was observing and that would be the too-often-unacknowledged sparks to jumpstart the slow, steady rebirth of the city. My observations were resoundingly dismissed—even laughed at—by professional planners and urban designers, but they were cheered and encouraged by both Whyte and Jacobs, and today they are mainstream.

Overtaking the Tour First skyscraper, the 48-story, 220-meter HEKLA Tower will be the tallest building in Paris’s La Défense business district, as well as the second tallest building in all of France. Currently under construction and designed by Pritzker prize-winning Jean Nouvel, it is set to become a powerful architectural statement. Due to complete this 2022 in the midst of the sector’s redevelopment program, the futuristic skyscraper spreads over 76,000 sqm of floor area distributed in offices, services, lobbies, an amphitheater, projection rooms, performance halls, restaurants, bars, gyms and loggias. All of this with the aim of providing a unique user experience with vast, flexible workspaces that promote interaction and well-being.

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Commercial building refurbishment projects present architects with design challenges. Transforming 18th century Bodmin Jail into a modern hotel meant an acknowledgement of restrictions in relation to the building’s infrastructure. Listed buildings often have construction regulations to preserve historic and architectural interests, impacting thermal comfort and how daylight is introduced to transform building spaces.

These design challenges can make architectural planning appear more complex, particularly when a building is being repurposed. Common challenges include sourcing materials to replicate or meet existing infrastructures. The adaption of floor plans, consideration of user comfort and introduction of technology in planning phases, also influence contemporary design. The Bodmin Jail Hotel required skylight installations that could work within an existing and iconic sloping roof.

The Colburn School, Los Angeles' renowned school for music and dance, has unveiled architectural designs by Frank Gehry for the Colburn Center, a 100,000 square-foot campus expansion that aims to inspire and promote the region’s young performing artists and organizations. The center will serve as a cultural and civic hub in the heart of Downtown LA through public programs, as well as performance and educational collaborations with local and touring artists.

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UNStudio revealed a mixed-use high-rise building design in Dusseldorf integrated within the new Belsenpark masterplan. The tower, designed in collaboration with OKRA Landscape Architects, results from an international architecture competition held by private developer Pandion and features a diverse ground floor programme tied together by a pocket park. The project integrates prefabrication and modular design, thus reducing the building's environmental impact.

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Nowadays everything is “painted” green. It's green packaging, green technologies, green materials, green cars and, of course, green architecture. A “green wave”, stimulated by the environmental and energy crisis we are facing, with emphasis on climate change and all the consequences linked to global warming. This calamitous situation is confirmed by the second part of the report entitled Climate Change 2022: Impacts, Adaptation and Vulnerability prepared by the Intergovernmental Panel on Climate Change (IPCC) and presented in recent weeks. It reveals that, although adaptation efforts are being observed in all sectors, the progress implemented so far is very low, as the actions taken are not enough.

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On the heels of the Eames Office’s 80th anniversary marked by an exhibition and a Ray-inspired sneaker, director Eames Demetrios spoke to Metropolis about the matriarch who continues to inspire design.

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Architecture firm HKS and landscape designer Hood Design Studio have been selected by global entertainment and media company CMNTY Culture to design a new creative campus in the heart of Hollywood. Dubbed CMNTY Culture Campus, the project will feature production spaces, offices, performance venues, bringing together creative industries in a 500,000-square-foot development.

The upcoming exhibition in The Architect's Studio series hosted by the Louisiana Museum of Modern Art presents the work of Forensic Architecture, a multidisciplinary research group operating at the intersection of architecture and investigative journalism. Led by architect Eyal Weizman, the collective of architects, artists, software developers, journalists, lawyers, and animators investigates and documents human rights violations across a wide range of global conflicts.The practice constructs models and virtual spaces to share a new perspective on specific events.

Over the years, interior design has evolved according to the needs that arise, but above all according to the experiences we seek to provoke in the user. In the last two years, we witnessed a radical change and a particular interest in this subject because the pandemic forced us to pay specific attention to the configuration of the places we inhabit. This brought about much more holistic designs that cater to the wellbeing of the user, combining colours, sensory experiences, technology and natural elements that promote health.

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Tragedy, protest, insurrection, and political turmoil have led to a renewed awareness of racial injustice and democratic instability. These issues create new challenges for users and designers of public spaces in America. Cultural spasms have resulted in contested public spaces — sites of killings, protests in streets and parks, and forgotten burial grounds. These spaces need a new form of environmental justice.

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Comfortable outdoor spaces are more desirable than ever. Over the past couple of years, people have been spending more time at home, connecting with nature from the relative comfort of covered balconies, patios, and pergolas. But even with pleasant views, cooling breezes, and the warmth of the sun, covered outdoor spaces can be uncomfortable. Temperature variations, glare, rain, and wind quickly create an unpleasant experience. In warmer climates, insects can be an additional a nightmare.

Under the latest round of NYC's Department of Design and Construction (DDC) Project Excellence Program, Commissioner Thomas Foley has announced that the agency has selected 20 firms to provide architectural design services for New York City’s future public buildings project. 10 of the selected firms are certified Minority- and Women-Owned Business Enterprises (M/WBEs), meeting the city’s ambitious goals of supporting M/WBEs and increasing its ability to generate culturally competent designs.

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On February 24th, 2022, Russia launched the invasion of Ukraine, triggering the largest and most rapidly unfolding refugee crisis in modern-day Europe. According to the United Nations Office for the Coordination of Humanitarian Affairs (UNOCHA), nearly 6.5 million people were displaced within Ukraine, and 3.4 million fled across international borders into neighboring countries since the onset of the war. The humanitarian crisis united the world in protest against the military violence targeting civilians and triggered an unprecedented global response in support of the aid efforts. The architecture community has also rallied in support of Ukraine, condemning the war, halting work in Russia, and supporting Ukrainian creative professionals by hiring their services.

Paris has been making headlines for years with its aggressive steps to anti-car, pro-pedestrian urban improvements. Faced with increasing issues around air pollution and an attempt to reclaim streets for alternate modes of transit, as outlined in their proposed plan for a 15-minute city, the French capital is seen as a leader in future-forward urbanist strategies. Recently, their department of transportation set a deadline for their lofty goals of eliminating traffic from its roads. In just two years from now, in time for the French capital to host the Olympics, Paris plans to ban non-essential traffic from its city center, effectively eliminating around 50% of vehicular mobility. What does this plan look like? And how might other cities use this strategy to eliminate their own urban issues?

Last Tuesday, March 15, Francis Kéré became the first African architect to win the Pritzker Prize, the most important award in the architecture discipline.

The election of Kéré is not only symbolic in a time of identity demands, where the institutions that make up the mainstream are required to more faithfully represent the social, cultural, and sexual realities that make up our societies, but it also confirms the recent approach of the Pritzker Prize jury.

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In recent years, there has been an increased focus on indoor lighting, especially in the context of the growing numbers of open-plan offices. In large parts of the world—and especially in Nordic countries—people can spend up to 80-90% of their time indoors. The light we are surrounded by affects both our circadian rhythm and hormones, making our indoor environment and its light an important factor of our well-being. Opinions on the optimal indoor lighting solution—and if one exists at all—are numerous and divided. To gain some more insight into this, the Danish lighting manufacturer Louis Poulsen set out to test the effects of various artificial lighting conditions in their own head office in Copenhagen.

The 60th edition of Salone del Mobile.Milano 2022, which will take place from the 7th till the 12th of June 2022 at the Fiera Milano Rho, is reflecting on the ongoing ecological transition of the design world, with a mission to "demonstrate that it is both possible and crucial to start embedding sustainability and environmental awareness into furniture production". More than 2,000 exhibitors, including over 600 young designers under the age of 35, will express their own identities and creative freedom, using the exhibition space as both an architectural and communication element with sustainability and ecology as main criteria.

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