Each sculptural heel was 3D printed using SelectiveLaser Sintering in a hard Nylon and all-new soft Rubber material, making a "fully functioning" shoe. Only up to 50 pairs of each will be sold. See them all, after the break.
"I cannot, in whole conscience, recommend architecture as a profession for girls. I know some women who have done well at it, but the obstacles are so great that it takes an exceptional girl to make a go of it. If she insisted on becoming an architect, I would try to dissuade her. If then, she was still determined, I would give her my blessing–she could be that exceptional one." – Pietro Belluschi, FAIA from the 1955 New York Life Insurance Company brochure, “Should You Be an Architect?”
Update: Last week, Hadid and the New York Review of Books agreed to a settlement agreement, with Hadid accepting the apology of the New York Review of Books and, in conjunction with the settlement, donating an undisclosed sum of money to a labor rights charity. You can read the full joint statement at the end of this article.
For those that follow the ins and outs of architectural criticism, it will have been hard to miss the news this week that Zaha Hadid is suing the New York Review of Books, claiming that the critical broadside launched by Martin Fuller against Hadid in his review of Rowan Moore's book Why We Build was not only defamatory but also unrepresentative of the content of the book. Hadid's lawyers demanded a retraction of the review, which they claimed had caused Hadid "severe emotional and physical distress."
Hadid's lawsuit did manage to elicit an apology from Filler, but probably not the one she was hoping for: Filler posted a retraction admitting that his review confused the number of deaths involved in all construction in Qatar in 2012-13 (almost 1,000) with the number of deaths on Hadid's own Al Wakrah stadium (exactly zero). However, much of Filler's comments criticizing Hadid's cold attitude to conditions for immigrant workers in Qatar remain unaddressed.
Throughout the week, a number of other critics took this opportunity to pile more criticism on Hadid, unanimously agreeing that the lawsuit was a bad idea. Read on after the break to see the six reasons they gave explaining why.
Images of Zaha Hadid’s first project in Brazil – and in South America -- have been revealed. The “Casa Atlântica” residential tower will have eleven floors and a rooftop pool and be built in Copacabana, Rio de Janeiro, according to local paper O Globo.
Located on Atlântica Avenue, “Casa Atlântica” will be the only building on its lot, yet seeks to complement the surrounding environment and neighborhood.
The project was commissioned by businessman, Omar Peres, who acquired the land for R$ 23 million ($8.5 million).
The Science Secondary School in Kinkplatz, Vienna is the work of late Modernist architect Helmut Richter. Considered to be his most iconic and enduring work, Richter’s school is now faced with partial demolition to make way for a conversion of the building’s use and architects from around the world are making an effort to prevent that demolition from happening. Influential individuals, from Zaha Hadid to Bernard Tschumi, have signed a petition voicing their dissent and demanding that Richter’s legacy be protected. See the details, and sign the petition, after the break.
Since winning the Pritzker Prize in 2004, the first woman and Muslim to do so, Hadid's career has been on an exponential trajectory. Before the prize, Hadid was better known for her extraordinary sketch-paintings of unbuilt works; particularly, her competition-winning entries for "The Peak" in 1982 and the Cardiff Bay Opera House in 1994. Zaha's "flying" forms were so revolutionary, that some questioned if they could even be made reality - hence why the Opera House was ultimately rejected, for supposed "uncertainties." Indeed, before 1994, the only built project she could boast was the complex, deconstructivist Vitra Fire Station.
Antarctic icebergs morph into a sprawling multi-functional hub for research, transport and accommodation in one of the latest projects to come out of Zaha Hadid's Studio at the University of Applied Arts in Vienna. Designed by architecture student Sergiu-Radu Pop, the project hypothesizes a point of arrival for the world's final frontier of development. The project employs biomimicry as a primary design tool, replicating the jagged asymmetrical edges of ice formations along the coast of the southern ocean.
Enter the Transformable Antarctic Research Facility with more photos and info after the break
In an excellent essay for the Architectural Review, Charlotte Skene Catling deftly ties together a number of recent debates in the field of morality in architecture, from the false accusations aimed at Zaha Hadid by critic Martin Fuller to recent debates over whether architects have any responsibility to tackle poverty, an ostensibly political issue. Taking aim at one article in particular - in which Dan Hancox argues that architects such as Urban Think Tank who engage in humanitarian work are often 'fetishizing poverty' - Catling dissects the work of many of those in the field to find that they in fact do vital work to connect the top-down and bottom-up approaches that would otherwise never meet in the middle. Or, as Urban Think Tank's Alfredo Brillembourg says, in opposition to the horizontal city of the 19th century or the vertical city of the 20th, "the 21st century must be for the diagonal city, one that cuts across social divisions." Click here to read the article in full.
Terence Conran asked nine of his friends in the design world "What have you always wanted in your home, but have never been able to find?" The result is The Wish List, a set of ten projects dreamed up by big name designers such as Norman Foster, Zaha Hadid and Richard Rogers, but designed and crafted in collaboration with emerging designers.
Sponsored by the American Hardwood Export Council, the only restriction was that the product had to be made of wood, leading to designs ranging from Foster's modest geometric pencil sharpeners to Paul Smith's dream garden shed.
Despite her position as one of the world's most prominent and successful architects, Zaha Hadid yesterday revealed that there is one thing she feels is missing from her portfolio: a skyscraper in London. Speaking to BD at the announcement of her Science Museum competition win, Hadid said "I’d love to do a tower in London but it hasn’t arrived." More of Hadid's comments after the break.
Last week Zaha Hadid filed a libel lawsuit against critic Martin Filler, after Filler’s review of Rowan Moore’s book “Why We Build: Power and Desire in Architecture" for the New York Review of Books included a scathing section on Hadid. In the article Filler said she had shown “no concern” for the death of construction workers in Qatar, where she designed a stadium for the 2022 World Cup. Now, Filler has admitted to a significant error in the article he wrote, The New York Times has reported. In an amendment to his article Filler acknowledges that the quotes he used from Hadid were taken out of context and had “nothing to do” with the Qatar stadium she designed. Read Filler’s full statement in the New York Times article, here.
In this 2009 lecture titled "Fabricating Ideology and Architectural Education," seminal architect, educator, and co-founder of OMA Elia Zenghelis discusses the development of ideologies that shape architectural discourse vis-a-vis architectural education. Arguing that architectural education is motivated by religious, socio-political, and economic principles, Zenghelis makes the case that the war-torn 20th century has been an era of upheaval and conflict, resulting in the loss of historical context and a confused state for artists and architects. Proposing the idea that architecture is a servant of power, and is thus intrinsically intertwined with political and societal trends, Zenghelis urges a return to a contextualized understanding of architectural history in order for contemporary architects to develop a sensitive and nuanced approach to their practice.
Zaha Hadid will be awarded an honorary degree and fellowship from Goldsmiths College, at the University of London, during the college’s graduation ceremony in September. Hadid was chosen because of her “inventive approach, and eagerness to challenge conventions which have pushed the boundaries of architecture and urban design," Architects’ Journal (AJ) reported.
As a student of architecture, the formative years of study are a period of wild experimentation, bizarre use of materials, and most importantly, a time to make mistakes. Work from this period in the life of an architect rarely floats to the surface - unless you're Zaha Hadid or Frank Gehry, that is. A treasure trove of early architectural drawings from the world's leading architects has recently been unearthed from the private collection of former Architectural Association Chairman Alvin Boyarsky. The collection is slated to be shown at the Kemper Art Museum, Washington University, St. Louis, as a part of the exhibition Drawing Ambience: Alvin Boyarsky and the Architectural Association from September 12th to January 4th, 2015.
Take a look at the complete set of architects and drawings for the exhibition after the break.
The renderings, first published by Curbed, show the layout of a typical kitchen and master bath in this 11-story sculpted glass and steel apartment. While the kitchen rendering features a curvy island and faucet in the middle, the bathroom appears to have textured walls.
When I set up the Global Architecture Graduate Awards (GAGAs) at The Architectural Review in 2012, it was with the insight that, at its best, the work produced at the start of a career can be its most daring and projective. At that fertile threshold between the academy and practice, uncertain graduates can be years ahead of more assured and mature colleagues in the creative risks they are willing to take.