A new housing complex in the form of 500 terraced units has been proposed by London practice Architects of Invention for the city of Birmingham, in response to its growing multicultural population. Drawing inspiration from the ancient Hanging Gardens of Babylon, Garden Hill’s formal composition is that of two staggered 25-storey towers, with private and communal gardens on each level of terraces.
With the project's swooping mass, the residences aim to offer panoramic views of Birmingham, given its central location in the Digbeth area, a 10-minute walk from the city center. Additionally, the staggered towers capture ample daylighting over the course of the day, with the south end benefitting from the morning sun and the north end in the evening.
Planned as a center for local sports and sports science, the ECO park will provide state-of-the-art office space for environmentally-focused companies as well as public access to a wide range of health and leisure activities.
Have you been experiencing motion sickness, depression, sleepiness, and even fear, as you gaze out of your window from the 44th floor? If so, you may be prone to “Sick Building Syndrome” – the informal term for side effects caused by swaying skyscrapers, according to experts at the Universities of Bath and Exeter, who are launching a £7 million ($8.6 million) study into their causes and prevention through testing simulations.
“More and more people are living and working in high-rises and office blocks, but the true impact of vibrations on them is currently very poorly understood,” explained Alex Pavic, Professor of Vibration Engineering at the University of Exeter. “It will for the first time link structural motion, environmental conditions, and human body motion, psychology, and physiology in a fully controllable virtual environment.”
“At RIBA North, we have a building with museum conditions which will offer a magnificent opportunity to view RIBA’s world-renowned historic collections showing hundreds of years of the UK’s extraordinary architectural history,” explained RIBA President Jane Duncan. “We are particularly proud to strengthen our cultural and creative offering in the north of England, and to enable many more people to explore and understand the enormous impact that architecture and design has on all our lives.”
In this essay by the British architect and academic Dr. Timothy Brittain-Catlin, the very notion of British postmodernism—today often referred to as intimately tied to the work of James Stirling and the the thinking of Charles Jencks—is held to the light. Its true origins, he argues, are more historically rooted.
I grew up in a beautiful late Victorian terrace with ornamental brickwork, shaped ‘Dutch’ gables and pretty arts and crafts stained glass windows – and so I didn’t think then, and I don’t think now, that I had much to learn from Las Vegas. It turns out that I wasn’t the only one. Of British architects who made their names as postmodernists in the 1980s, not a single one would say now that they owed much to Robert Venturi, the American architect widely considered to be a grandfather of movement.
“Feilden Fowles’ concept design for the dining hall subtly relates to the existing ensemble of buildings and the garden setting, and yet has the poise to convince as a showpiece,” said Professor Geoffrey Ward, Principal of Homerton College, Cambridge.
“What appealed so strongly about the team’s particular approach was their openness to creating many opportunities for dialogue. We are looking forward to working with them as they develop the detailed design.”
Carmody Groarke’s competition winning design for a new hotel retreat on Burgh Island off the coast of Devon, UK, has received planning approval, clearing the way for the dramatic structure to begin construction. The cliff-top “Pool House” will join the Grade-II listed art deco Burgh Island Hotel in providing accommodation to adventurous visitors, offering panoramic views of the of the Bantham Estuary and the hotel’s Mermaid Pool, an outdoor seawater pool and private beach for hotel guests.
The Built Environment Trust along with the Greater London Authority are seeking ideas that could help the nightlife of cities work better – be culturally, socially, economically beneficial.
Architects, landscape architects, planners, environmentalists, material scientists, economists, product designers, acoustic experts and other interested parties are invited to submit ideas for better 24 hour cities. The brief is broad: we want big visions and detailed specific thoughts… all can be contenders for the exhibition, publication and prizes on offer.
Earlier this month, Hong Kong-owned developer Knight Dragonrevealed plans for an billion-dollar urban-development scheme that will completely transform London’s Greenwich Peninsula. In this edition of Section D, Monocle 24's weekly review of design, architecture and craft, the team speak to Santiago Calatrava—who will be designing the core of this grand new project—about this and his public-spirited design philosophy. Why, they ask, has he’s always wanted to leave a mark on the "Big Smoke?"
http://www.archdaily.com/806495/santiago-calatrava-ground-zero-design-philosophy-greenwich-peninsula-project-monocleAD Editorial Team
The Serpentine Galleries have announced that the 2017 Serpentine Pavilion will be designed by Diébédo Francis Kéré (Kéré Architecture), an African architect based between Berlin, Germany, and his home town of Gando in Burkino Faso. The design for the proposal, which will be built this summer in London's Kensington Gardens, comprises an expansive roof supported by a steel frame, mimicking the canopy of a tree. According to Kéré, the design for the roof stems from a tree that serves as the central meeting point for life in Gando. In line with the criteria for the selection of the Serpentine Pavilion architect Kéré has yet to have realised a permanent building in England.
http://www.archdaily.com/805780/francis-kere-to-design-2017-serpentine-pavilionAD Editorial Team
The Architecture Fringe 2017 is open for project proposals to take place in Scotland during July 2017.
Initiated by a group of architects, photographers, engineers, landscape architects, visual artists, curators and musicians the Architecture Fringe is an independent, contributor-led open platform for new work and projects across the arts which explore architecture and how it makes a difference to our lives.
“Our instincts could be summed up by the words of Peter Smithson: ‘things need to be ordinary and heroic at the same time,’” said Jury Chairman Stephen Bates. “We were looking for an ordinariness whose understated lyricism is full of potential’.”
Through April, the jury members will visit each finalist project to evaluate the buildings firsthand and to see how they are used by the public. The Prize Winner will be announced in Brussels on May 16.
In the 1960s James Stirling asked Ludwig Mies van der Rohe why he didn’t design utopian visions for new societies, like those of Frank Lloyd Wright’s Broadacre City or Corbusier’s Cité Radieuse. Mies replied that he wasn’t interested in fantasies, but only in “making the existing city beautiful.” When Stirling recounted the conversation several decades later it was to the audience of a public enquiry convened in London – he was desperately trying to save Mies’ only UK design from being rejected in planning.
In a recent episiode of Section D, Monocle 24 visit a new exhibition at London's Serpentine Galleries presenting the paintings of Zaha Hadid. The show, first conceived with Hadid herself, "reveals her as an artist with drawing at the very heart of her work." According to the gallery, it "includes the architect’s calligraphic drawings and rarely seen private notebooks with sketches that reveal her complex thoughts about architectural forms and their relationships." This episode takes the listener on a tour of the display with commentary from the exhibition's curator.
http://www.archdaily.com/804667/zaha-hadid-explosive-paintings-drawings-sketches-on-display-london-serpentineAD Editorial Team