Purcell has been announced as the winner of the St Mary Redcliffe Design Competition, organized by Malcolm Reading. The competition sought a design which successfully reconciled the preservation of the building in its historical form with the necessary expansion to accommodate growing programmatic requirements.
The two-stage competition drew initial submissions from 53 practices, both local and international. Of these, Eric Parry Architects, Carmody Groarke, Feilden Clegg Bradley Studios, dRMM and Purcell were invited to submit concept designs, all of which can be viewed here. Purcell's winning design uses two main axes to "stitch" the church into its neighborhood and is described by Malcolm Reading as showing "the deepest understanding of the site and context and the opportunity at St Mary Redcliffe."
The political left has had a rough few decades; everything just seems to be going in the other direction. Instead of romanticizing what it would be like "only if," we’d better get to work on figuring out how to turn the engine of progress around. Volume spoke with Adrian Lahoud about the stakes of architectural research within the academy today and how it might contribute to moving towards the horizons of the left.
There is an enormous intensity of information, knowledge and ideas on display at this year's Venice Architecture Biennale, Reporting From the Front. With all the Executive Editors and Editors-in-Chief of ArchDaily's platforms in English, Spanish and (Brazilian) Portuguese in Venice for the opening of the 2016 Venice Architecture Biennale—plus co-founder David Basulto and European Editor-at-Large James Taylor-Foster, who curated this year's Nordic Pavilion—we've pooled together twelve of our initial favourite exhibitions and must-see shows.
http://www.archdaily.com/788809/12-things-you-need-to-see-at-the-2016-venice-biennale-reporting-from-the-front-selection-oneAD Editorial Team
In Granary Square, located in London’s King’s Cross, there is a fragment of the poem Brill by Aidan Dunn set into the ground, which reads: “King’s Cross, dense with angels and histories. There are cities beneath your pavements, cities behind your skies.” Anchored by the converted granary building and a rejuvenated stretch of canal, Argent’s ongoing King’s Cross development is an appropriate setting for Building on the Built, an exhibition which presents the work of London-based practice Jonathan Tuckey Design.
The 2016 Venice Biennale will see the inaugural collaboration between La Biennale and London's Victoria & Albert Museum (V&A) with an exhibition located in the Sale d’Armi (Arsenale) entitled A World of Fragile Parts. The show aims to explore the threats facing the preservation of global heritage sites and how the production of copies can aid in the preservation of cultural artefacts.
http://www.archdaily.com/787177/londons-victoria-and-albert-museum-to-present-a-world-of-fragile-parts-in-2016-venice-biennaleAD Editorial Team
The BritishLibrary has continued to release images from its digitized collection, now bordering over one million images on public image-sharing platform Flickr, reports Quartz. Since 2013, the institution’s “Mechanical Curator” has been randomly selecting images or other pages from over 65,000 public-domain books from the 17th, 18th and 19th centuries.
Two sculptures—Obelisk by Alison and Peter Smithson and Columns by Álvaro Siza Vieira—have been re-erected in Shatwell, a "semi-derelict agricultural complex" located in rural England. The instatement of the monuments form a part of an evolving programme of installations which Drawing Matter, an organisation founded by Niall Hobhouse "that champions the process of architecture through collecting, archiving and commissioning," will use to explore the relationship between architecture, sculpture and landscape.
Dublin-based Grafton Architects, who last year were awarded the Jane Drew Prize, have seen off competition from the likes of Herzog & de Meuron and David Chipperfield Architects to win the contest to design the London School of Economics’ (LSE) £100 million ($144 million) Paul Marshall Building. The new center will house the academic departments of Accounting, Finance and Management and research centres, including the Marshall Institute, with teaching facilities as well as new multipurpose sports and arts facilities. Grafton Architects are reportedly "absolutely delighted to be given this opportunity to build in this unique location in Lincoln's Inn Fields, across from the wonderful Sir John Soane’s Museum, for a visionary client such as LSE."
Neoliberal post-fordism poses a dramatic challenge to urbanism as we have come to know it since the early 20th century. The public planning process has become more and more an embarrassment and obstacle to urban and economic flourishing. It’s a relic of a bygone era. The high point of urban planning was the post-war era of socialist planning and re-construction of the built environment. With respect to this period we can speak about physical or perhaps ‘positive planning’, in the sense of governments formulating concrete plans and designs about what to build. This era has long gone as society evolved beyond the simple fordist society of mechanical mass production to our current post-fordist networked society. When a few basic standards were functionally separate, optimized and endlessly repeated, central planning could still cope with the pace of societal progress. The world we live in today is far too multi-faceted, complex and dynamic to be entrusted to a central planning agency. The old model broke apart as it could not handle the level of complexity we live with and our cities should accommodate. The decentralized information processing mechanism of the market was indeed capable of managing such levels of complexity and, for this reason, has effectively taken over all positive decision-making processes.
Following the death of Zaha Hadid on March 31st of this year Section D, Monocle 24's weekly review of design, architecture and craft, hones in on the role of women in architecture and design. They discuss why, despite an almost 50:50 gender split in undergraduate architecture courses, women are still grossly underrepresented at senior levels within the profession by featuring conversations with two leading female architects, Angela Brady OBE and Amanda Levete. The episode also looks back over the lives of some of architecture's overlooked heroines.
In the latest installation of NOWNESS’In Residence series, British architect Ian Simpson describes how was told by his careers teacher "not to set [his] sights too high" when he decided that he wanted to become an Architect. Here, he discusses the design intentions behind his home – the tallest residence in the United Kingdom's second city: Manchester. For Simpson, "home is [only] forty seconds away by lift."
The Iraqi-born British Architect Dame Zaha Hadid, DBE (1950-2016) has died aged 65, in Miami, Florida. According to reports from the BBC, Hadid was being treated in hospital for bronchitis when she suffered a heart attack. Earlier this year she became the first sole woman to receive the RIBA Royal Gold Medal at a ceremony in London.
Read on for the official statement from Zaha Hadid Architects:
London's Central Hill housing estate, located in Brockwell Park (South London) and designed by Edward ('Ted') Hollamby is, like many 1960s schemes of its ilk, under threat of demolition. In this short film by British filmmaker Joe Gilbert, the estate is viewed through the narration of a long-term resident, Clifford Grant, who discusses its history and argues for its future security.
Scotland, a country within the United Kingdom, will be showcasing a projected entitled Prospect North at the forthcoming Venice Biennale. Curated collaboratively between the Scottish Government, Architecture and Design Scotland, Creative Scotland,and the British Council Scotland, the installation will be designed by Lateral North, Dualchas Architects, and Soluis. As reported by the Architects' Journal, the show is set to examine "Scotland’s relationship with its northern neighbours" by focusing "on people and place, [and] looking at how communities from the Northern Isles of Orkney to the central belt of Scotland are using grassroot action."
English Heritage has announced that a team of Ney & Partners and UK-based William Matthews Associates has won the Tintagel Castle Bridge Design Competition. Chosen from a shortlist of 6 proposals, from among 136 entries, the winning design was selected by the majority of the jury.
The site of Tintagel Castle is one of English Heritage’s most spectacular, attracting over 200,000 visitors annually. It is “inextricably linked to the legend of King Arthur and has been prized throughout history for its elemental qualities and spirit of place within this area of outstanding natural beauty.” The new bridge is commissioned for approximately £4 million and will stand 28m higher than the current crossing.
This edition ofSection D, Monocle 24's weekly review of design, architecture and craft, is dedicated to plants and gardens and specifically their role in architecture, urban life, and the design of the workplace. The episode considers the history of London’s urban greenery and the role of plants in landscape architecture touching upon, in conversation with Sam Jacob, the latest in London's green infrastructure: Heatherwick Studio's proposed Garden Bridge across the River Thames. It also traces the lineage of semi-private squares in Georgian London to Ebenezer Howard's Garden City movement in the late 19th and early 20th centuries – all approaches discussing how best to unite the built environment with the natural world.
http://www.archdaily.com/784385/monocle-24-investigates-gardens-and-the-public-life-of-plantsAD Editorial Team
Temporary architecture is often misrepresented as a flimsy trend or photo-ready quick fix: easy, entertaining and often, mistakenly, cheap. This is Temporary concerns itself with a group of young, emerging, socially minded group of architects and designers who are taking the city back into their own hands and creating experimental sites for interaction and engagement. These architects, collectives, students and artists are designing transient structures, situations and events that invest and embed themselves in a community, public space or set of ideas.
Read an excerpt from the book This is Temporary after the break.
For over 20 years the American Institute of Architects UK Chapter 'Excellence in Design Awards' programme has proven highly valued by architects as they confer trans-Atlantic recognition for design excellence. Professional entries are sought from architects, industrial designers, urban planners, landscape architects and interior designers based in Britain, and from around the world for completed projects in the UK.