JAHN and ADG have released designs for Los Diablos Rojos del Mexico’s new home stadium in Mexico City. Scheduled to open in the city’s Magdalena Mixhuca sports complex in 2017, the 13000-seat “Estadio Diablos” will feature a “monumental lightweight” roof structure that resembles Diablos’ trident.
“Indicative of the sky, the roof design is sharp, translucent, luminous and dynamic,” says JAHN. “Composed of lightweight steel wrapped in PTFE textile material, the roof will become an iconic symbol for the great City of Mexico.”
A new, 40,000-seat stadium has been unveiled in preparation for the 2022 FIFA World Cup. Planned for Qatar’s Education City, the home of Qatar Foundation for Education, Science and Community Development (QF), the “Qatar Foundation Stadium” is the fourth stadium design that has been released by the Supreme Committee for Delivery & Legacy (SC).
The structure is intended to reference Islamic architecture. Both the interior and exterior will be clad in translucent triangular panels whose color and patterns will shift throughout the day, depending on the position of the sun and influence of artificial illumination which will reflect the events happening from within the stadium.
The Supreme Committee for Delivery & Legacy has released images of the third 2022 World Cup Stadium planned for Qatar. Revamping an existing 40-year-old stadium at Gulf Cup in Riyadh, the Khalifa International Stadium will be expanded to accommodate 40,000 spectators and equipped with an “innovative cooling technology” that will allow players to compete at a comfortable 26 degrees Celsius.
Designed to seat 33,000 people, stadiumconcept and IAA architecten’s proposal for Minsk’s newest football stadium has a unique and allusive form. The column-like supports of the stadium roof resemble tractor valves, a reference to Minsk’s booming tractor fabrication industry. These tapering columns provide a signature identity for a building that, in addition to being a stadium, will serve the city as a shopping and business center.
In these hypothetical designs entitled "Casa Futebol", Architects Axel de Stampa and Sylvain Macaux of 1Week1Project have proposed a reappropriation of Brazil's World Cup venues by inserting housing units of approximately 105 square meters into the existing structures. The designs are tailored to each stadium, allowing them to continue to operate smoothly, with part of the money raised by ticket revenue used to finance the construction and maintenance of dwellings. By either replacing part of the stands with the prefabricated units or by occupying the external facade, Casa Futebol adds a human scale to these monumental buildings.
In celebration of the Brazil World Cup, architect and illustrator André Chiote has created a series of illustrations featuring the tournament's most iconic stadiums. Comparing the social importance of these stadiums to cathedrals, Chiote believes that "the new architectural objects are landmarks in the cities that will perpetuate in the future as a cultural and social legacy," and there are few better ways to envision this legacy than to treat the structures with his abstracted, colorful aesthetic - in Brazilian green and yellow, of course. Check out the full illustration set after the break.
Plans to build a new soccer stadium in Miami have generated an argument this week between David Beckham, current city officials, and past city officials. The stadium, which will be home to a new Miami MLS team owned by ex-superstar Beckham, was originally proposed to occupy a site at PortMiami, with a design drawn up by Arquitectonica and 360 Architects. However, Miami-Dade County Mayor Carlos Gimenez had concerns over the location, and earlier this month convinced Beckham and his group to consider an alternative location, a disused boat slip between the American Airlines Arena and Museum Park.
Now a group including former mayor Manny Diaz and Alexander Cooper, the masterplan designer for Museum Park have issued a statement condemning the new plans and saying they are "not in harmony with the vision of Miami as a world class city with parks and open areas available for all."
The West Australian government has confirmed, HASSELL, COX Architecture and HKSwill collaborate to design Australia’s largest ever stadium project. The $900million project will see Perth’s Burswood Peninsula transformed into a world-class sporting precinct by 2018. Included in the master plan is a new stadium that will hold some 60,000 spectators, a public tennis facility, significant transport infrastructure upgrades, such as a new train and bus station, and large public parklands. As negotiations continue between the firms and the West Australian Government, we should expect to see detailed drawings of the scheme by at least July with construction expected to begin by the end of this year.
https://www.archdaily.com/500468/hassell-cox-architecture-hks-to-design-australia-s-largest-sporting-precinctStephen Stanley
Following our recent news that confirmed Rogers Stirk Harbour + Partners (RSHP) will oversee the design and construction of two new stadiums within Caracas' Hugo Chavez Park, details have emerged regarding the Estadio Nacional de Fútbol de Venezuela. Designed by RSHP, in collaboration with Arup and Schlaich Bergermann und Partners, the project will be the practice’s first ever football stadium.
Andrea Maffei Architect'scompetition entry for a new stadium for Ruch Chorzów, one of Poland‘s largest football clubs, offers a capacity for 12,000 and provision for up to 16,000 seats. The design encourages the stadium and its surroundings to act as a new civic point of reference for Chorzów as part of a wider complex of shops and restaurants. The architects' understanding of the movement of people on match days is complimented by the facilities that the new stadium will offer to visitors seven days a week, the design for which will provide Ruch Chorzów with a state-of-the-art football pitch and associated amenities.
The design for a new stadium for Ruch Chorzów, one of Poland's largest football clubs, has been unveiled. The winning proposal, designed by GMT Mysłowice, will have a capacity for 12,000 seats and, although described as not being "the most impressive [design] overall," has been selected for its simple, clean form and "value for money." With ruch meaning 'movement' or 'motion' in Polish, the concept for the design has hinged around "giving passers-by a different perspective from every possible angle as they move along the stadium."
New details have emerged on Zaha Hadid Architects and AECOM’s 2022 FIFA World Cup stadium in Qatar. Scheduled to begin construction in late 2014, the 40,000-seat venue pulls inspiration from a local fishing boat - the Arabian dhow - to influence its overall design.
Nearly two years after unveiling the design to the public, Herzog & de Meuron broke ground this morning on the new ‘Grand Stade de Bordeaux’ in France. Surrounded by lush vegetation typically found in this green belt district, the stepped concourse transitions visitors through a forest of slender white columns to the stadium’s bowl, whose form ensures maximum flexibility and optimal visibility for all 43,000 spectators.
Completion is set for 2015, just in time to host the Euro 2016 football championship.
The most influential decision in sports in the last twenty-five years was not made by a general manager, coach, or athlete. In fact, it wasn’t even made on a field, pitch, court, or rink. Instead, this decision originated in the office and on the drafting tables of the architecture firm HOK. The architects and engineers decided, going against three decades of stadium designs, some of which were their very own, to not create another generic multi-sport indoor arena for the next Baltimore Oriole park. Rather, they designed a stadium that was considerate of its context, integrated beautifully within the city, and invited the citizens of Baltimore to enjoy watching their Orioles play. More on stadium design and Oriole Park after the break.
With peaks and valleys echoing the nearby Alps, the vast canopy of the Munich Olympic Stadium has been a local landmark since the opening of the 1972 Olympics for which it was designed. Intended to present a new face for post-war Germany, the stadium—strikingly Modernist in character—was meant to stand in harmony with its surroundings. Despite these modest intentions, however, controversy surrounded the project from its outset, which centered on skyrocketing costs, the erosion of local heritage, and the grim specter of the country’s own recent past.