A twenty five metre long, ten storey high suspended swimming pool—dubbed the 'Sky Pool'—has been planned for the second phase of a new high-end residential development in the London district of Nine Elms, next to the new Embassy of the United States. The pool is part of two buildings, designed by London-based practice HAL and part of a complex of 2000 homes developed Ireland's Ballymore Group. The water will be held in suspension by just twenty centimetres of "structure free" transparent glass, and will connect two housing blocks together. Alongside a rooftop bar, orangery and spa, a second connection between the two is also planned in the form of a footbridge.
In 2013, following a number of campaigns, a 1969 Brutalist icon in the northern British city of Preston was listed. The future of this bus terminal—one of the largest in the UK and the biggest in Europe when it originally opened—was, until last month, a matter of considerable speculation and debate. This week the results of an international open-call competition for proposals transforming into a new youth centre were revealed, selecting the proposal of New York based practice John Puttick Associates as 'the best of the lot.' The 'lot', however, left something to be desired.
Atkins has broke ground on a 460-meter skyscraper in Vietnam that is set to be country's tallest. The 81-story development, Vincom Landmark 81 will rise in Ho Chi Minh City's Vinhomes Central Park, near the Saigon River, as a cluster of 25 extruded cubes capped with roof gardens. It will be comprised of serviced apartments, a hotel and retail anchored by a large shopping center and landscaped corridor.
Chicago based architecture studio Design With Company, in collaboration with Arup, have constructed their winning proposal for the Ragdale Ring design competition, which asked entrants to redesign Howard Van Doren Shaw’s 1912 performance venue for a Chicago artists’ community. Their design lightheartedly references features of Shaw’s architecture, while creating a venue for acoustically unamplified performances.
Sustainability on Roosevelt Island: How Morphosis and Arup Are Making Cornell's Bloomberg Center Net Zero
When the first images of Cornell University's new campus on Roosevelt Island were unveiled last year, the First Academic Building (now known as the Bloomberg Center) was highlighted as a design driven by sustainability. In this interview, originally published by Arup's newly-revamped online magazine Arup Doggerel as "Net zero learning," Sarah Wesseler talks to members of the team from Morphosis, Arup and Cornell about how they designed the building to be one of the most sustainable education facilities in the world.
For its new tech-focused New York City campus, Cornell University set out to create one of America’s most sustainable university centers. With the net zero Bloomberg Center now in construction, I interviewed three leaders of the design team — Diana Allegretti, Assistant Director for Design and Construction at Cornell; Ung Joo Scott Lee, a principal at Morphosis; and Tom Rice, a structural engineer and project manager at Arup.
Four teams including Hopkins Architects, Amanda Levete's practice AL_A and two separate teams from Ove Arup & Partners have been shortlisted in the competition to design a new bridge in London spanning the Thames from Nine Elms to Westminster. The competition for the £40 million bridge, part of the dramatic new developments at Nine Elms and Battersea, made headlines last month when all 74 entrants were released to the public.
Read on after the break to see the entries from all four teams
Arup and GXN Innovation have been awarded with the JEC Innovation Award 2015 in the construction category for their development of the world's first self-supporting biocomposite facade panel. Developed as part of the €7.7 million EU-funded BioBuild program, the design reduces the embodied energy of facade systems by 50% compared to traditional systems with no extra cost in construction.
The 4-by-2.3 meter panel is made from flax fabric and bio-derived resin. Intended primarily for commercial offices, the glazing unit features a parametrically-derived faceted design, and comes prefabricated ready for installation. The panel is also designed to be easy to disassemble, making it simple to recycle at the end of its life.
Arup have released a new image of the proposed copper-nickel alloy cladding that will adorn Heatherwick Studio's Garden Bridge in London. According to a report by the Architects' Journal, the "concrete structure will be coated in 'cupro-nickel', from its feet on the riverbed up to the base of the balustrades on the bridge deck." The copper will be donated from Glencore, a multi-national mining company, forming "a protective skin to the carbon steel structure giving it a maintenance free 120-year life, protecting the bridge from river and environmental corrosion." More than 240 tonnes of the metal alloy, which often finds use in medical equipment and ship propellers, will be used.
Arup has unveiled a proposal to construct a new stadium for the Italian football club A.C. Milan in a central area of Milan. If built, the venue would integrate a “modern stage” for the team’s home matches with a hotel, sports college, restaurants, children’s playground and public open space.
“The project has been developed with a fully holistic and integrated approach where all the design components have been carefully balanced around the spectator’s experience,” stated Arup in a press release.
When it comes to discussing informal housing, it's usually cities in developing nations that take the spotlight - however, as revealed by SITU Studio's contribution to MoMA's Uneven Growth exhibition, issues of informal housing are indeed present in cities across the spectrum of development. In this interview, originally posted on Arup Connect as "Inequality and informality in New York," Sarah Wesseler speaks to SITU Studio principle Bradley Samuels about their unconventional proposal to address an issue that is frequently overlooked in New York city policy.
Uneven Growth: Tactical Urbanisms for Expanding Megacities, a newly opened exhibit at New York’s Museum of Modern Art, focuses on the complex relationship between urbanization and inequality. Over the 14-month period leading up to the launch, six interdisciplinary teams explored how these issues are playing out in different parts of the world, each developing an architectural response for a specific city.
Architecture firm SITU Studio (together with Cohabitation Strategies [CohStra]) was tasked with studying its home city, New York. (Arup transport planner Michael Amabile also consulted with the team.) We spoke with SITU principal Bradley Samuels about the project.
London Mayor Boris Johnson has approved plans for the Thomas Heatherwick-designed Garden Bridge. The approval from the mayor is the third and final green light for the bridge, having previously been accepted by both Lambeth and Westminster councils. The project is now likely to begin construction within a year - in line with a self-imposed deadline by the Garden Bridge Trust that will allow them to complete the project before works on the proposed Thames Tideway Tunnel cause disruption on the site.
Update: Today Westminster Council approved the Garden Bridge proposals - the second of three required approvals - with councillors voting 3-1 in favour of the bridge. Though London Mayor Boris Johnson still has to officially rule on the plans, it is almost certain that he will ultimately give the go-ahead to the project as he has previously voiced his support for the idea. The following article was originally published on November 13th, after Lambeth Council granted the bridge its first approval.
Lambeth Council has awarded planning permission for the Garden Bridge, Thomas Heatherwick and Arup's planned crossing of the Thames which has been proposed and supported by actress Joanna Lumley. The approval is the first in a series that the bridge needs to become a reality, with Westminster City Council and London mayor Boris Johnson still needing to sign off on the project, according to the Architects' Journal.
After a fortnight of highs and lows for Thomas Heatherwick and British celebrity Joanna Lumley's campaign for a garden bridge stretching across London's River Thames, Rowan Moore of The Observer has meticulously described the project as "nothing but a wasteful blight." Although he acknowledges that support for the bridge "has been overwhelming," he argues that Heatherwick - though an "inventive and talented product designer" - has a past record in large scale design which "raises reasonable doubts about whether his bridge will be everything now promised."
After gaining the first in a series of required planning approvals last week, Thomas Heatherwick's highly controversial Garden Bridge proposal has once again come under fire from a variety of opponents, with campaign group Thames Central Open Space (TCOS) dubbing it a "luvvies' folly," and the Guardian's architecture critic Oliver Wainwright saying that it is "not in fact a bridge – in the sense of being a public right of way across the river – but another privately managed tourist attraction, on which £60m of public money is to be lavished."
Much of this new assault is the result of the 46 conditions which came with Lambeth Council's recommendation to grant the bridge planning approval, which as BD Online uncovered, include closing the bridge between 12 and 6am, a ban on cycling, and a restriction of group sizes to 8 people or fewer, unless booked in advance.
Five practices have been shortlisted to put forward designs for the Bristol Arena, a cultural and sporting hub which is set to have a 12,000 seating capacity and is due to open towards the end of 2017. The city's Mayor, George Ferguson (who is himself an architect-turned-politician), has said that "we now have five very capable and talented design teams with a wealth of experience between them drawing up proposals" that will contribute to the regeneration of the city's Temple Quarter Enterprise Zone (a site close to Temple Meads Station). The five shortlisted multi-disciplinary design teams are consortiums experienced in delivering major cultural venues in the UK or overseas. A team led by Populous, who completed the London 2012 Olympic Stadium, are running in collaboration with Feilden Clegg Bradley, who were shortlisted for the 2014 RIBA Stirling Prize. They are competing against teams led by Grimshaw and Wilkinson Eyre, who recently installed a cable-car across London's Millennium Dome.
See details of the five teams after the break.
In this video from Zumtobel Group, Jan Wurm of Arup Deutschland GmbH and Lukas Verlage, CEO of Colt International GmbH, discuss the unique technological developments in “Solarleaf,” which recently won first prize in the Zumtobel Group Award’s Applied Innovations category. In addition to functioning as an effective shading system, this façade system uses solar panels to produce energy from algae to provide a new source of sustainable energy.
On the heels of Mayor Boris Johnson’s announced plan to construct an 18-mile protected bike lane by March 2016, architect David Nixon and artist Anna Hill have released their vision for relieving London’s congested streets with a floating “Thames Deckway” for cyclists. The proposal, though just in its preliminary design phase, claims the river Thames is currently a missed opportunity that could serve as a major travel artery for cyclists. If constructed, the £600 million project would run east-west for seven miles along the river’s southern bank, from Battersea to Canary Wharf, and harness it’s own energy through solar, tidal and wind power. Nixon and Hill have founded the River Cycleway Consortium in support of the project, which includes Arup and Hugh Broughton Architects.
Jury chairman Winy Maas has announced three projects by Arup, Studio Tamassociati and Elemental as winners of the 2014 Zumtobel Group Awards. With a goal to promote innovations for sustainability and humanity in the built environment, the awards represent three categories: Applied Innovations, Buildings and Urban Developments & Initiatives. This year’s winners were selected from 15 nominees, shortlisted from a competitive pool of 356 submissions.
The winning projects are marked by their innovative and ground-breaking character: “The voting to find the number one project was very close in all three categories, because in each case we were able to choose from among a large number of heterogeneous projects of high quality," Described Maas. "One key criterion for the jury this year was the innovation factor, both in a technical sense and with a view to planning and participation processes as well as ecological and social challenges.”
See the winning projects, after the break.