Architects: Konior Studio
Location: Katowice, Poland
Architect In Charge: Tomasz Konior
Design Team: Magdalena Tokarska, Adam Skrzypczyk, Dominik Koroś, Andrzej Witkowski, Zbigniew Gierczak, Anna Jabłońska-Lisińska, Marcin Sikora, Piotr Zowada, Marcin Jurkiewicz, Maciej Niewiadomski, Dominik Czajkowski, Łukasz Bonar, Szymon Jawor, Bartłomiej Pochopień, Michał Lipiec, Marcin Piotrowski, Paweł Barczyk, Katarzyna Leśniok, Paweł Gruszka, Przemysław Tabor, Ewa Nowacka, Jakub Świerzawski, Henryk Struski, Anna Jaszkaniec, Mariusz Wronowski
Area: 7874.0 sqm
Photographs: Iñigo Bujedo Aguirre, Daniel Rumiancew
Mikolai Adamus has shared with us his proposal for a “New Aquarium” to activate the Southern Pier in Gdynia, Poland. Using the golden ratio and the Fibonacci sequence to guide the design, the rectangular structure burrows into the pier, becoming secondary to the surrounding landscape. As Adamus describes, the aquarium is designed to transparent and “a place where architecture is subordinated to function, devoid of unnecessary detail.” More details, after the break.
A professor of economics, Sixten Korkman has chosen Lahdelma & Mahlamäki Architects‘ Museum of the History of Polish Jews in Warsaw as the winner of the inaugural Finlandia Prize for Architecture. The unconventional award, whose intent is to “increase public awareness of high quality Finnish architecture and highlights its benefits for our well-being,” enlisted a group of renowned architects to shortlist the finalists before “layman” Korkman selected the winner as an unbiased representative of the public who valued the building for the way it made him “feel.”
“The idea behind the prize undoubtedly resonates with me. In economics one talks about public goods and externalities, and the built environment is precisely these,” stated Korkman after announcing his decision.
“Whether the buildings are in private or public ownership is of no significance. We all see the architecture, experience the architecture, and architecture affects us all. Architecture undoubtedly affects our well-being and comfort: our built environment is our extended living room. In architecture there is also an egalitarian element. Fortunately the sun still shines for both poor and rich. Our built environment exists for us all.”
More about the winning building, after the break.
Architects: Ingarden & Ewý Architects, Arata Isozaki & Associates
Location: Krakow, Poland
Collaborating Architect: Jacek Ewý
Main Architect: Krzysztof Ingarden
Architects: Jacek Dubiel, Sylwester Staniucha, Dariusz Grobelny, Piotr Hojda, Sebastian Machaj, Grzegorz Miąsko, Joanna Bielawska-Ząbek, Olga Jasiak, Bartosz Kardaś, Piotr Kita, Tomasz Koral, Jakub Wagner, Anna Biskupska-Sperka, Sławomir Janas, Hiroyuki Mae, Agata Staniucha, Krzysztof Stępniak, Maciej Szromik, Jacek Szuba, Maciej Wierzbiński, Maja Wilczkiewicz-Janas, Tomasz Żełudziewicz, Marta Brańska, Joanna Domagalska, Sylwia Gowin, Łukasz Kępski, Jakub Turbasa, Bartosz Haduch (competition) IEA project administration: Renata Skowron
Team: Yoko Sano, Tadayuki Uchida
Area: 36720.0 sqm
Photographs: Courtesy of Ingarden & Ewý Architects + Arata Isozaki & Associates
Architects: Estudio Barozzi Veiga
Location: Szczecin, Poland
Architect In Charge: Fabrizio Barozzi , Alberto Veiga
Project Leaders: Pieter Janssens, Agnieszka Samsel
Project Team: Marta Grządziel, Isak Mayor, Petra Jossen, Cristina Lucena, Cristina Porta, Ruben Sousa
Area: 13000.0 sqm
Photographs: Simon Menges
The Museum of Modern Art in Warsaw has announced that Thomas Phifer and Partners will be designing their new gallery space, after winning a competition against eleven other selected practices. The new museum, the largest cultural project in recent Polish history, will also house the TR Warsawa Theatre. The proposal consists of two separate buildings housing the theater and museum, joined by a common forum that will serve both as entrance and public multi-use space.
The terms “public toilet” and “seaside periscope” don’t usually go hand in hand. However, Adam Wiercinski has drawn inspiration from the location of his project in Gdynia, Poland, on the coast of the Baltic Sea to create a concept for a building that both mimics and observes. Choosing to focus on extensive views over the sea front, Wiercinski aimed to imbue users with a sense of tranquility by designing a serene public facility embodying the powerful, elemental nature of the sea.