The latest designer of the prestigious Serpentine Gallery Pavilion has been named as SelgasCano, the Spanish practice known for their use of the latest synthetic materials and new technology. The Serpentine Pavilion, which has grown to become one of the most visited annual architecture attractions in the world, aims to provide architects who have never built in the UK their first chance to do so. In the past, this has led to pavilions by globally-recognized names such as Frank Gehry, Zaha Hadid, Rem Koolhaas, Oscar Niemeyer, and Peter Zumthor, but in recent years the Serpentine Gallery seems to have changed course a little, instead bringing lesser-known, emergent stars to a much wider audience. This was true of Smiljan Radić and his 2014 pavilion, and will likely prove true for the duo of José Selgas and Lucía Cano.
Although designs for the 2015 pavilion will not be released until February, SelgasCano have promised ”to use only one material… the Transparency,” adding that “the most advanced technologies will be needed to be employed to accomplish that transparency.” This coy description perhaps calls to mind the design of their own office, a partially sunken tube of a building with one side made entirely of curved glass, which won them widespread recognition in 2009.
To give a better idea of the design style that SelgasCano will bring to the 2015 Serpentine Pavilion, we’ve rounded up a number of their major projects for your viewing pleasure, after the break.
On Monday, Sean Godsell unveiled the inaugural MPavilion in Melbourne‘s Queen Victoria Gardens. Intended as an Australian counterpart to London‘s wildly successful Serpentine Gallery Pavilion, the Pavilion will be open until February 1st, hosting a series of events throughout its four-month stay including talks, workshops, film screenings and art interventions.
Funded primarily by the recently established Naomi Milgrom Foundation, with assistance and support from the Serpentine Gallery itself, the pavilion is the first step in the Naomi Milgrom Foundation’s goal to position Melbourne as “Asia-Pacific’s hub of design and architecture.” The first instalment by Godsell features a simple frame covered with automated aluminium panels, which open and close in response to the sunlight.
One of the latest installations at London’s Serpentine Gallery, where Smiljan Radic recently unveiled an ethereal pavilion, is Marina Abramović’s performance installation entitled 512 Hours. Creating what has been described as “the simplest of settings” in one of the gallery’s large spaces, the artwork employs Abramović’s most frequently used material: herself. Coupled with the audience and a selection of common objects, the constantly changing sequence of events on display is the very first live installation by the artist displayed in the UK. Upon arrival, visitors are asked leave their baggage (including mobile phones, cameras and any other electronic equipment) behind in order to enter the exhibition. Find out more about what you can expect from it here.
UPDATE: Check out video from today’s press conference at the Serpentine Pavilion!
The 2014 Serpentine Gallery Pavilion, designed by Chilean architect Smiljan Radic, opened this morning in London‘s Hyde Park. The pavilion, a glass-fibre reinforced plastic shell resting on large quarry stones, was inspired by a papier mâché model which Radic created four years ago as a response to the Oscar Wilde story ‘The Selfish Giant‘.
More images after the break
Joining the ranks of Sou Fujimoto (2013), Herzog & de Meuron and Ai Weiwei (2012),Peter Zumthor (2011),Jean Nouvel (2010),SANAA (2009),and more, little-known Chilean architect Smiljan Radic will be the fourteenth architect to design London’s Serpentine Gallery Pavilion. Renderings of his design reveal a semi-translucent, cylindrical structure that rests on large quarry stones.The pavilion, to open June 26th, will remain in Kensington Gardens for four months.
Although Radic has constructed little outside his home country, his work has gained attention due to its versatility and attention to context. If you’re unfamiliar, we recommend checking out Mestizo Restaurant, which similarly incorporates stone into its design, as well as his most recent. Julia Peyton-Jones, Director, and Hans Ulrich Obrist, Co-Director, of the Serpentine Galleries explained their choice: “We have been intrigued by [Radic’s] work ever since our first encounter with him at the Venice Architecture Biennale 2011 [sic]. Radic is a key protagonist of an amazing architectural explosion in Chile. While enigmatically archaic, in the tradition of romantic follies, Radic’s designs for the Pavilion also look excitingly futuristic, appearing like an alien space pod that has come to rest on a Neolithic site. We cannot wait to see his Pavilion installed on the Serpentine Gallery’s lawn this summer.”
More info and images after the break…
With the opening of her latest London project, the Serpentine Sackler Gallery in Hyde Park, Xan Brooks of the Guardian conducted this interview with the enigmatic Zaha Hadid. They discuss some of her greatest successes (The MAXXI museum) and some of the contentious issues around some of her buildings (Galaxy Soho, for example) – before moving on to her approach to designing for oppressive regimes (yes, “if it helps people”) and finally her apprehension over a return trip to Iraq, the homeland which she has not returned to in over 30 years. You can read the full article here.
On September 28, 2013, Zaha Hadid Architects will be celebrating the completion of the Serpentine Sackler Gallery. An extension to London’s famous Serpentine Gallery, the new innovative arts venue will be housed in a 208-year-old, Grade II-listed building, formerly known as The Magazine, in Kensington Gardens just north of the main gallery.
This project will be Zaha Hadid’s first permanent structure in central London and second commission from the Gallery, as she designed the inaugural Serpentine Gallery Pavilion in 2000.
London-based United Visual Artists (UVA) has brought Sou Fujimoto’s “cloud-like” Serpentine Pavilion to life with an “electrical storm” of LEDs. With the intention of making the architecture “breathe” from within, UVA seamlessly integrated a network of LED lights into the latticed, 20mm steel pole structure that mimics the natural forms of an electric storm. In addition, carefully conducted auditory effects further enhance the experience, transforming Fujimoto’s “radical pavilion” into an electrified geometric cloud.
Dazzling viewers with its “tron-like landscape of infinite white,” as described by Guardian critic Oliver Wainwright, Sou Fujimoto’s Serpentine Pavilion in Hyde Park is arguably “one of the most radical pavilions to date.” The 350 square-meter latticed structure melts into its surrounding by fusing together the man-made and natural world, creating a lush, semi-transparent terrain in which transforms into a variety of seating, steps and side tables that complement its interior coffee bar (view more images here).
Sou Fujimoto’s contribution for the 13th edition of the Serpentine Gallery Pavilion is beginning to take shape, as the “geometric, cloud-like form” has slowly made its way towards the height of the trees in the rustic landscape of London’s Kensington Gardens. Upon its completion in June, the 350 square-meter latticed structure will fuse together the man-made and natural world, creating a lush, semi-transparent terrain that will host a series of flexible social spaces and a vibrant collection of plant life.
More images by London photographer Laurence Mackman after the break.
Ahead of the opening of this summer’s Serpentine Gallery Pavilion, Crane.tv gets an exclusive look at the specially commissioned structure designed by Swiss architects Herzog & de Meuron in collaboration with Chinese artist Ai Weiwei. The dream design team responsible for the Beijing National Stadium come together again to create the team’s first collaborative edifice in the UK. Here, Pierre de Meuron talks about the joys of working with Ai Weiwei, while the infamous artist makes a special cameo to share his interest in combining art, design and architecture to introduce new possibilities and social change.
Starting tomorrow, the 12th version of the Serpentine Gallery Pavilion will be open at the Hyde Park in London. As we announced some months ago, the design was commissioned to Herzog & de Meuron and Ai Weiwei. The final proposal was published just at the beginning of this month, showing an interesting ground work. This year’s pavilion is half sunk into the landscape, as if it were carved in the terrain and covered with a liquid layer, reflecting the the surrounding light and landscape.
More info and images after the break
In light of the announcement that Herzog & de Meuron and Ai WeiWei will be designing this year’s Pavilion at the Serpentine Gallery, we take a look back at last year’s Pavilion and the architect behind it, Peter Zumthor.
Last summer London’s Serpentine Gallery unveiled a new architectural feat in the form of the celebrated Pavilion, built to stand for just three months. In the past few years esteemed designers Jean Nouvel, Frank Gehry and Olafur Eliasson have exercised their creative muscles, and last year Swiss architecht Peter Zumthor steps up to the plate to create a relaxing space to encourage conversation. Here, Crane.tv finds out what inspired Zumthor.
The 2011 Serpentine Gallery Pavilion by Pritzker laureate Peter Zumthor was unveiled today. A design that ‘aims to help its audience take the time to relax, to observe and then, perhaps, start to talk again – maybe not’, the materials are significant in aiding the design which emphasizes the role the senses and emotions play in our experience of architecture.
Zumthor added that ‘the concept for this year’s Pavilion is the hortus conclusus, a contemplative room, a garden within a garden. The planted garden enclosed by this dark structure was conceived by the influential Dutch designer Piet Oudolf.
The building acts as a stage, a backdrop for the interior garden of flowers and light. Through blackness and shadow one enters the building from the lawn and begins the transition into the central garden, a place abstracted from the world of noise and traffic and the smells of London – an interior space within which to sit, to walk, to observe the flowers. This experience will be intense and memorable, as will the materials themselves – full of memory and time.’
More info after the break:
Pritzker Prize winning architect Peter Zumthor’s design for the 11th Serpentine Gallery Pavilion was revealed today. A design that ‘aims to help its audience take the time to relax, to observe and then, perhaps, start to talk again – maybe not’, the materials are significant in aiding the design which emphasizes the role the senses and emotions play in our experience of architecture. The Pavilion will be Zumthor’s first completed building in the UK
Zumthor shared that ‘the concept for this year’s Pavilion is the hortus conclusus, a contemplative room, a garden within a garden. The building acts as a stage, a backdrop for the interior garden of flowers and light. Through blackness and shadow one enters the building from the lawn and begins the transition into the central garden, a place abstracted from the world of noise and traffic and the smells of London – an interior space within which to sit, to walk, to observe the flowers. This experience will be intense and memorable, as will the materials themselves – full of memory and time.’
Stay tuned to ArchDaily for more images and news on Zumthor’s design for the Pavilion. Our previous coverage of the Serpentine Gallery Pavilion can be found here, including Jean Nouvel’s Serpentine Gallery of 2010, and SANAA’s 2009 Serpentine Gallery.
We shared the news of Jean Nouvel’s Serpentine Gallery with you as soon as it was completed at the beginning of July. Today, we’re featuring Jonathan Glancey’s talk with Nouvel about his red ‘sun machine’, the 10th design to grace the Serpentine’s grounds. Nouvel describes the pavilion as a “simple place” that can accommodate the needs of its users, from providing a place to sit down to the amenities for a friendly game of ping-pong.
More about the pavilion after the break.