With the opening of her latest London project, the Serpentine Sackler Gallery in Hyde Park, Xan Brooks of the Guardian conducted this interview with the enigmatic Zaha Hadid. They discuss some of her greatest successes (The MAXXI museum) and some of the contentious issues around some of her buildings (Galaxy Soho, for example) – before moving on to her approach to designing for oppressive regimes (yes, “if it helps people”) and finally her apprehension over a return trip to Iraq, the homeland which she has not returned to in over 30 years. You can read the full article here.
On September 28, 2013, Zaha Hadid Architects will be celebrating the completion of the Serpentine Sackler Gallery. An extension to London’s famous Serpentine Gallery, the new innovative arts venue will be housed in a 208-year-old, Grade II-listed building, formerly known as The Magazine, in Kensington Gardens just north of the main gallery.
This project will be Zaha Hadid’s first permanent structure in central London and second commission from the Gallery, as she designed the inaugural Serpentine Gallery Pavilion in 2000.
London-based United Visual Artists (UVA) has brought Sou Fujimoto’s “cloud-like” Serpentine Pavilion to life with an “electrical storm” of LEDs. With the intention of making the architecture “breathe” from within, UVA seamlessly integrated a network of LED lights into the latticed, 20mm steel pole structure that mimics the natural forms of an electric storm. In addition, carefully conducted auditory effects further enhance the experience, transforming Fujimoto’s “radical pavilion” into an electrified geometric cloud.
Dazzling viewers with its “tron-like landscape of infinite white,” as described by Guardian critic Oliver Wainwright, Sou Fujimoto’s Serpentine Pavilion in Hyde Park is arguably “one of the most radical pavilions to date.” The 350 square-meter latticed structure melts into its surrounding by fusing together the man-made and natural world, creating a lush, semi-transparent terrain in which transforms into a variety of seating, steps and side tables that complement its interior coffee bar (view more images here).
This video was provided by film maker James Aiken, in collaboration with The Serpentine Gallery, and commissioned by COS.
Sou Fujimoto’s contribution for the 13th edition of the Serpentine Gallery Pavilion is beginning to take shape, as the “geometric, cloud-like form” has slowly made its way towards the height of the trees in the rustic landscape of London’s Kensington Gardens. Upon its completion in June, the 350 square-meter latticed structure will fuse together the man-made and natural world, creating a lush, semi-transparent terrain that will host a series of flexible social spaces and a vibrant collection of plant life.
More images by London photographer Laurence Mackman after the break.
Ahead of the opening of this summer’s Serpentine Gallery Pavilion, Crane.tv gets an exclusive look at the specially commissioned structure designed by Swiss architects Herzog & de Meuron in collaboration with Chinese artist Ai Weiwei. The dream design team responsible for the Beijing National Stadium come together again to create the team’s first collaborative edifice in the UK. Here, Pierre de Meuron talks about the joys of working with Ai Weiwei, while the infamous artist makes a special cameo to share his interest in combining art, design and architecture to introduce new possibilities and social change.
Starting tomorrow, the 12th version of the Serpentine Gallery Pavilion will be open at the Hyde Park in London. As we announced some months ago, the design was commissioned to Herzog & de Meuron and Ai Weiwei. The final proposal was published just at the beginning of this month, showing an interesting ground work. This year’s pavilion is half sunk into the landscape, as if it were carved in the terrain and covered with a liquid layer, reflecting the the surrounding light and landscape.
More info and images after the break
In light of the announcement that Herzog & de Meuron and Ai WeiWei will be designing this year’s Pavilion at the Serpentine Gallery, we take a look back at last year’s Pavilion and the architect behind it, Peter Zumthor.
Last summer London’s Serpentine Gallery unveiled a new architectural feat in the form of the celebrated Pavilion, built to stand for just three months. In the past few years esteemed designers Jean Nouvel, Frank Gehry and Olafur Eliasson have exercised their creative muscles, and last year Swiss architecht Peter Zumthor steps up to the plate to create a relaxing space to encourage conversation. Here, Crane.tv finds out what inspired Zumthor.
The 2011 Serpentine Gallery Pavilion by Pritzker laureate Peter Zumthor was unveiled today. A design that ‘aims to help its audience take the time to relax, to observe and then, perhaps, start to talk again – maybe not’, the materials are significant in aiding the design which emphasizes the role the senses and emotions play in our experience of architecture.
Zumthor added that ‘the concept for this year’s Pavilion is the hortus conclusus, a contemplative room, a garden within a garden. The planted garden enclosed by this dark structure was conceived by the influential Dutch designer Piet Oudolf.
The building acts as a stage, a backdrop for the interior garden of flowers and light. Through blackness and shadow one enters the building from the lawn and begins the transition into the central garden, a place abstracted from the world of noise and traffic and the smells of London – an interior space within which to sit, to walk, to observe the flowers. This experience will be intense and memorable, as will the materials themselves – full of memory and time.’
More info after the break:
Pritzker Prize winning architect Peter Zumthor’s design for the 11th Serpentine Gallery Pavilion was revealed today. A design that ‘aims to help its audience take the time to relax, to observe and then, perhaps, start to talk again – maybe not’, the materials are significant in aiding the design which emphasizes the role the senses and emotions play in our experience of architecture. The Pavilion will be Zumthor’s first completed building in the UK
Zumthor shared that ‘the concept for this year’s Pavilion is the hortus conclusus, a contemplative room, a garden within a garden. The building acts as a stage, a backdrop for the interior garden of flowers and light. Through blackness and shadow one enters the building from the lawn and begins the transition into the central garden, a place abstracted from the world of noise and traffic and the smells of London – an interior space within which to sit, to walk, to observe the flowers. This experience will be intense and memorable, as will the materials themselves – full of memory and time.’
Stay tuned to ArchDaily for more images and news on Zumthor’s design for the Pavilion. Our previous coverage of the Serpentine Gallery Pavilion can be found here, including Jean Nouvel’s Serpentine Gallery of 2010, and SANAA’s 2009 Serpentine Gallery.
We shared the news of Jean Nouvel’s Serpentine Gallery with you as soon as it was completed at the beginning of July. Today, we’re featuring Jonathan Glancey’s talk with Nouvel about his red ‘sun machine’, the 10th design to grace the Serpentine’s grounds. Nouvel describes the pavilion as a “simple place” that can accommodate the needs of its users, from providing a place to sit down to the amenities for a friendly game of ping-pong.
More about the pavilion after the break.
This just in from the Serpentine Gallery – Jean Nouvel’s pavilion is complete! In honor of the Serpentine’s 40th Anniversary, Nouvel’s pavilion is a bold and strong expression comprised of lightweight materials with dramatic cantilevers. Designing the pavilion allows international architects to experiment with different architectural ideas, and over the years, the commissions’ varied aesthetics have added to the thrill of the exposition. Nouvel’s bright red pavilion is drastically different from SANAA’S subdued silvery curvillinear form of 2009, and its vivid color contrasts the park’s greenery, immediately drawing the eye.
More images and more about the new pavilion after the break.
Since 2010, the Serpentine Gallery has commissioned world’s most renowned architects to design a temporary structure to host summer events. The list includes Zaha Hadid, Frank Ghery, Rem Koolhaas, Toyo Ito, Daniel Libeskind, Oscar Niemeyer, Alvaro Siza + Souto de Moura, SANAA (previously featured at AD), danish artist Olafur Eliasson, and several collaborations with Cecil Balmond and ARUP.
Nouvel proposes a vivid red metal structure, which trough the reflection of its materials (steel, glass, fabric, polycarbonate) remind of classic british icons, such as the phone box or the London buses, while contrasting with the green of the park. A free standing 12m tall wall marks the presence of the pavilion.
More images after the break.
Architecture photographer Iwan Baan has been documenting the Serpentine Gallery Pavilion, a series of temporary structures commissioned to renowned architects that sits on the Gallery’s lawn for three months, hosting a series of public talks and events at the park. And now he just shared with us his photo set for this years pavilion, which opens to the public tomorrow July 12th, and will stay open until October 18.
For this year, the pavilion was commissioned to Kazuyo Sejima and Ryue Nishizawa, SANAA.
An undulating aluminum structure sits on top of a delicate column system, providing a series of connected spaces while keeping a continuous view through the park. The aluminum reflects the trees, the ground and the sky, for a dramatic blending effect as you can see of the photos.
More pictures after the break.
A month ago, we announced that architects Kazuyo Sejima and Ryue Nishizawa, of the leading Japanese practice SANAA, were chosen to design the Serpentine Gallery Pavillion 2009, in the UK. Yesterday, SANAA released the first rendering of their design.
SANAA: “The pavilion is floating aluminum, drifting freely between the trees like smoke. The reflective canopy undulates across the site, expanding the park and sky. Its appearance changes according to the weather, allowing it to melt into the surroundings. It works as a field of activity with no walls, allowing views to extend uninterrupted across the park and encouraging access from all sides. It is a sheltered extension of the park where people can read, relax and enjoy lovely summer days.”
Seen at Bustler.