The Serpentine Gallery in London has unveiled the designs for this year's prestigious Serpentine Gallery Pavilion, designed by BIG, showing an "unzipped wall" which rises to a point above the entrance. In addition to the pavilion, this year the Serpentine gallery will host four smaller "summer houses" designed by Kunlé Adeyemi - NLÉ, Barkow Leibinger, Yona Friedman and Asif Khan. For these summer houses, the Serpentine Gallery asked the participants to take inspiration from Queen Caroline's Temple, a small, classical summer house near to the gallery that was built in 1734.
The Serpentine Galleries have revealed that the 2016 Serpentine Pavilion will be designed by Bjarke Ingels Group (BIG), alongside a surprise announcement that four "Summer Houses" will also be built by internationally acclaimed practices. Kunlé Adeyemi – NLÉ (Amsterdam/Lagos), Barkow Leibinger (Berlin/New York), Yona Friedman (Paris), and Asif Khan (London) will each design a 25sqm structure inspired by the nearby Queen Caroline’s Temple, a neo-Classical summer house built in 1734 and "a stone’s throw from the Serpentine Gallery." In line with the criteria for the selection of the Serpentine Pavilion architect, each chosen to design a Summer House has yet to realise a permanent building in England.
Photographer Nikhilesh Haval of nikreations has shared with us this virtual tour of the 2015 Serpentine Pavilion. Taking viewers through a series of 360-degree panoramas shot on a mercifully sunny day, the tour shows off the pavilion's striking colors to good effect and gives some indication of the complex and dynamic arrangement of the design's double skin.
For those won't get the opportunity to visit for themselves, Haval's virtual tour is a great way to experience SelgasCano's psychedelic space as it gives a reasonable impression of what it feels like to actually be there. I can say that with some authority because, since I last wrote about the pavilion, I got the chance to visit it myself - and what I found was completely different to the pavilion I might have expected had I been taking cues from our comments section. I'd like to talk to our readers about that directly, if I may.
We're just three days into the four-month display of SelgasCano's 2015 Serpentine Gallery Pavilion and the comments it has generated from ArchDaily readers have already been as colorful as the pavilion itself - with criticisms ranging from "worst Serpentine Gallery Pavilion ever" to "trash bag monster" and a few other comparisons that I'd rather not even repeat. This may surprise some people, but at ArchDaily we do actually read the comments section, and we get it: unless you're the brave and persistent soul who comments as "notyourproblem," who thinks "it must be exciting getting inside those tunnels," there's a good chance that you hate this pavilion - and I don't use the word "hate" lightly.
But is this violent dismissal warranted? In short, is SelgasCano's pavilion as bad as you probably think it is? Fortunately, we're not the only publication giving the pavilion extensive coverage: as usual the Serpentine Gallery has attracted a number of the UK's most well-known critics. Find out what they thought of the pavilion after the break.
With the opening ceremony of SelgasCano's Serpentine Gallery pavilion earlier today, the Serpentine Gallery has released a set of images by Iwan Baan, capturing the riotous color explosion delivered by the pavilion's ETFE wrapping. Always one of London's most popular architectural attractions over the summer, this year marks the pavilion's 15th anniversary, and will be on display until October 18th.
Read on after the break for more images - and stay tuned to this posts for updates throughout the day!
The 2015 Serpentine Gallery Pavilion was revealed today in London, showcasing the colorful plastic design by SelgasCano to the public for the first time. Consisting of a minimal steel frame wrapped in multi-colored ETFE sheets and webbing, the design is encompassed by "secret corridors" which provide access to the main internal space, inspired by the multi-layered and sometimes chaotic network of the London underground.
With this year's Serpentine Pavilion in London scheduled to open next week, the Serpentine Gallery has released construction images of SelgasCano's multi-colored plastic shelter. The images by NAARO show the double-skinned ETFE-coated structure taking shape, and give an impression of the spatial experience offered by the "secret corridors" which circumnavigate and provide access to the interior space.
Chilean architect Smiljan Radić’s shell-shaped Serpentine Pavilion has been relocated from Hyde Park to the gardens of Hauser & Wirth Somerset in Bruton. Just under three hours from London, the new site positions the translucent fiberglass structure in short proximity to a main gallery complex designed by Paris-based Argentine architect Luis Laplace and within an lush garden designed by Dutch landscape architect Piet Oudolf.
Although designs for the 2015 pavilion will not be released until February, SelgasCano have promised "to use only one material... the Transparency," adding that "the most advanced technologies will be needed to be employed to accomplish that transparency." This coy description perhaps calls to mind the design of their own office, a partially sunken tube of a building with one side made entirely of curved glass, which won them widespread recognition in 2009.
To give a better idea of the design style that SelgasCano will bring to the 2015 Serpentine Pavilion, we've rounded up a number of their major projects for your viewing pleasure, after the break.
Funded primarily by the recently established Naomi Milgrom Foundation, with assistance and support from the Serpentine Gallery itself, the pavilion is the first step in the Naomi Milgrom Foundation's goal to position Melbourne as "Asia-Pacific’s hub of design and architecture." The first instalment by Godsell features a simple frame covered with automated aluminium panels, which open and close in response to the sunlight.
One of the latest installations at London'sSerpentine Gallery, where Smiljan Radicrecently unveiled an ethereal pavilion, is Marina Abramović's performance installation entitled 512 Hours. Creating what has been described as "the simplest of settings" in one of the gallery's large spaces, the artwork employs Abramović's most frequently used material: herself. Coupled with the audience and a selection of common objects, the constantly changing sequence of events on display is the very first live installation by the artist displayed in the UK. Upon arrival, visitors are asked leave their baggage (including mobile phones, cameras and any other electronic equipment) behind in order to enter the exhibition. Find out more about what you can expect from it here.
UPDATE: Check out video from today's press conference at the Serpentine Pavilion!
The 2014 Serpentine Gallery Pavilion, designed by Chilean architect Smiljan Radic, opened this morning in London's Hyde Park. The pavilion, a glass-fibre reinforced plastic shell resting on large quarry stones, was inspired by a papier mâché model which Radic created four years ago as a response to the Oscar Wilde story 'The Selfish Giant'.