The Philadelphia Museum of Art has broken ground on the Core Project, a $196 million transformation of its main building led by Frank Gehry. In total, the renovation will add a total of 90,000 square feet to the museum, including 67,000 square feet of new public space, 11,500 square feet of gallery space for the museum’s American Art collection, and another 11,500 square feet of contemporary art display space.
As suggested by its name, The Core Project will focus on the heart of the museum; the main circulation of the building will be completely reorganized and museum infrastructure will receive much-needed upgrades, improving access to the community and enhancing the visitor experience.
New renderings and information have been revealed for SHoP and West 8’s Schuylkill Yards masterplan envisioned for University City in Philadelphia. Announced last March, the project comprises 14 new buildings on a 14-acre site off the Schuylkill River and around 30th Street Station, the country’s third busiest Amtrak station.
A Chicago-based artist and community developer, Gates is the founder of the Rebuild Foundation, which focuses on improving the quality of urban life by planning and designing active and engaged communities. “Under Gates’ leadership, the Rebuild Foundation currently manages projects in the Greater Grand Crossing neighborhood of Chicago. Program sites include the Stony Island Arts Bank, the Black Cinema House, the Dorchester Art + Housing Collaborative, Archive House, and Listening House.”
BIG has completed their second building on U.S. soil, a 92,000-square-foot office building at 1200 Intrepid Avenue in Philadelphia, Pennsylvania that also marks the firm’s first realized office building design. Located within the revitalized Philadelphia Navy Yard master plan (designed by Robert Stern), the four-story building features a bowing, double-curved facade and a supersized “periscope” inspired by the historic battleships docked a few blocks away.
Skidmore, Owings & Merrill (SOM) has released plans for a new mixed-use urban district for Philadelphia’s 30th Street Station Precinct. In response to projections showing significant increases in transit activity in the coming decades, the project calls for a transformation of the existing Beaux Arts train station and surrounding neighborhood of University City. The design will improve transportation throughout the city, and will activate the area with new shops, restaurants and public plazas.
Currently on display at the Philadelphia Museum of Modern Art, Award-winning African architect Diébédo Francis Kéré has created Colorscape, a installation made from steel and brightly-colored fiber, to accompany his first solo show in the United States. The exhibition is titled The Architecture of Francis Kéré: Building with Community, and features of a retrospective of the architect’s career that includes material artifacts, tools and scale-models created for stand-out projects in both Africa and Europe.
Temple University’s new library designed by Snøhetta, in collaboration with Stantec, is now under construction after a groundbreaking ceremony in April. The 21,000 square meter (225,000 square foot) building is adjacent to what will become a future campus quadrangle that is currently occupied by other buildings slated for demolition. The library sits at the intersection of two major pedestrian pathways, Polett Walk and Liacouras Walk, attesting to the University’s hope that the facility will be a new social and academic heart for 37,800 students.
Speaking on the subject of Louis Kahn, who died the same year Ingels was born, in 1974, he remarked, “I wouldn't say that my work is linear of Louis' but I think that he rediscovered symbolism and designed super-functional architecture that's been lost and has been re-created by pragmatism." This fits into Ingels' own views on his practice, Bjarke Ingels Group (BIG), which he described as “pragmatic utopianism,” asserting a belief that architecture is “the art and science of turning fiction into fact.”
AIA Convention 2016 is the architecture and design event of the year.
A provocative lineup of celebrity speakers. An awe-inspiring array of tours, parties, exhibitors, seminars, and more. All happening in a legendary American city known for attitude, passion and perspective.
Working with Drexel University and master developer Brandywine Realty Trust, SHoP and West 8 will transform 14-acres of existing underutilized land with 6.5-acres of public open space to create a collaborative mixed-use neighborhood in Philadelphia’s University City submarket. Schuylkill Yards will feature a mix of 24/7 entrepreneurial spaces, educational facilities and research laboratories, corporate offices, residential and retail spaces, hospitality and cultural venues, as well as a robust public realm network that connects the existing neighborhoods with the adjacent Amtrak 30th Street Station.
Situated next to the third-busiest passenger rail station in the country, Schuylkill Yards will be connected to Philadelphia’s international airport and major cities along the Northeast corridor, making it a major innovation hub on the East Coast.
Update: In addition to the previous announcement of Neri Oxman and Kevin Spacey as keynote speakers, the AIA has now announced Rem Koolhaas as the headline speaker for day three of this year's convention in Philadelphia. Koolhaas' speech will be titled "Delirious Philadelphia," a playful twist on his seminal book Delirious New York. The following article was originally published on February 11th.
Snøhetta is collaborating with Stantec to design a library for Temple University in Philadelphia, Pennsylvania. Envisioned as the campus' "social and academic heart" for students and the surrounding community, the new building will house a "variety of study spaces, resource centers, sophisticated information technology, public spaces and event hall" upon completion in Fall 2018.
Louis Kahn's Richards Medical Research Laboratory at the University of Pennsylvania, once deemed "the most consequential building constructed in the United States" since World War II by MoMA, has been notoriously hated by its users; scientists claim the building lacks privacy, has too much exposure to sunlight and is not suitable for lab experiments. Thus, the University's architect has just completed a full renovation of Richards' four brick towers, converting them into offices and computer labs for researchers, while, as Philly.com reports, restoring the structure to its original essence.
"The renovation has pared Kahn's spaces down to their essence, restoring a Zenlike calm, and revealing the muscular concrete structure that made the design such a revelation in the early 1960s, when International Style glass towers were all the rage," says Philly.com. Read the complete article here.