OMA: The Latest Architecture and News

AMO, the think tank of the Office for Metropolitan Architecture (OMA), co-founded by Rem Koolhaas and led by Samir Bantal, has announced a recent research collaboration with Volkswagen. Focused on rural areas and the countryside, the partnership will look into the future of rural mobility, through a first conceptual study on electric tractors.

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OMA and partner Reinier de Graaf, together with Jaspers-Eyers Architects, have won the competition to design the new headquarters of Belgium's National Railway Company in Brussels. The design preserves three monumental buildings in the Brussels-South train station along Fonsny Avenue. At 75,000 square meters, the headquarters project brings all departments under the same roof with work space for 4,000 employees.

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Opening in February 2020, the Solomon R. Guggenheim Museum is showcasing an exhibition by Rem Koolhaas and AMO, the think tank of the Office for Metropolitan Architecture (OMA). Entitled Countryside, The Future the exhibition seeks to investigate urgent environmental, political, and socioeconomic transformations in the nonurban areas.

OMA and designer Shohei Shigematsu have released the design for 10,000 sq. feet of new and renovated galleries for the Denver Art Museum (DAM). The project is part of the phased reopening of the newly renovated Gio Ponti-designed Martin Building. OMA's work is done within the building’s original footprint, and the project is part of an overall campus reunification and building renovation project led by Machado Silvetti and Fentress Architects.

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OMA'S architect and urbanist Ippolito Pestellini Laparelli will serve as the curator of the Russian Pavilion at the Venice Biennale 2020. Moreover, Teresa Iarocci Mavica, co-founder, and director of the V-A-C Foundation was appointed as commissioner of the Pavilion by the Russian Ministry of Culture. The exhibition entitled Open! will showcase young Russian architects and will focus on the renovation of the century-old building of the pavilion, built by renowned Russian architect Alexey Shchusev in 1914.

OMA have completed their construction works on their latest addition to the Dutch Skyline. The building composed of stacked three shifted triangular volumes will host the Nhow Amsterdam RAI Hotel, expected to become the largest hotel of the Benelux union once inaugurated.

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In collaboration with Being development, OMA has won a competition to redevelop Van der Meulen-Ansemsterrein (VDMA) in central Eindhoven, in the Netherlands. The central site will be rehabilitated into “a vibrant urban hub with housing, offices, and public spaces.”

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OMA / Iyad Alsaka have unveiled their design for a major educational masterplan in Dubai. Designed for the Government of Dubai Knowledge Fund, on a site located in the centre of Dubai International Academic City (DIAC), the scheme aims to be the world’s largest free zone dedicated to higher education.

With the extensive list of acclaimed alumni of his firm, OMA, it is not a stretch to call Rem Koolhaas (born 17 November 1944) the godfather of contemporary architecture. Equal parts theorist and designer, over his 40-year career Koolhaas has revolutionized the way architects look at program and interaction of space, and today continues to design buildings that push the capabilities of architecture to new places.

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OMA revealed the KUBE, an installation located in front of the main entrance of K11 MUSEA, on Hong Kong’s waterfront. The multi-functional installation creates an urban landmark, amidst the dense skyline of the city, through very simple yet engaging geometry.

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Led by Iyad Alsaka, Reinier de Graaf, Jad Semaan, and Adrianne Fisher, OMA’s proposal was selected as the winning entry for a residential project on Kuwait City’s waterfront. In collaboration with local partner Kuwait-based consultant Pace, The Wafra tower will be OMA's first venture in the country upon its completion.

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OMA's proposal won the competition for the new KaDeWe department store and hotel in Vienna’s Museumsquartier. Led by Ellen van Loon, Ippolito Pestellini Laparelli, and Laurence Bolhaar, the project will be OMA’s first venture in Vienna, upon its completion.

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For Paul Lewis, Marc Tsurumaki and David J. Lewis, the section “is often understood as a reductive drawing type, produced at the end of the design process to depict structural and material conditions in service of the construction contract.” A definition that will be familiar to most of those who have studied or worked in architecture at some point. We often think primarily of the plan, for it allows us to embrace the programmatic expectations of a project and provide a summary of the various functions required. In the modern age, digital modelling software programs offer ever more possibilities when it comes to creating complex three dimensional objects, making the section even more of an afterthought.

With their Manual of Section (2016), the three founding partners of LTL architects engage with section as an essential tool of architectural design, and let’s admit it, this reading might change your mind on the topic. For the co-authors, “thinking and designing through section requires the building of a discourse about section, recognizing it as a site of intervention.” Perhaps, indeed, we need to understand the capabilities of section drawings both to use them more efficiently and to enjoy doing so.

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