When applying “major surgery” to a beloved, 20th century “masterpiece”, you’re going to face some harsh criticism. Such is the case for Norman Foster, as the legendary British architect has been receiving intense backlash from New York’s toughest critics for his proposed renovation to the New York Public Library. First, the late Ada Louise Huxtable exclaimed, “You don’t “update” a masterpiece.” Now, the New York Time’s architecture critic Michael Kimmelman claims the design is “not worthy” of Foster and believes the rising budget to be suspect.
More on Kimmelman’s critique and Foster’s response after the break…
Organized by Christopher Marcinkoski and Javier Arpa, in cooperation with the Architectural League of New York, ‘The City That Never Was’ symposium will be taking place Friday, February 22, from 9:00am-5:30pm EST at the Scholastic Building in New York. The one day event will use the current economic and housing crisis in Spain as a lens to reconsider how planners, designers, politicians, and financiers conceive of and realize large-scale contemporary urbanization and settlement. It will be organized through four primary themes — infrastructure, waste, landscape, and instant urbanism – in order to explore new possibilities for how future patterns of urbanization can be conceived, financed, planned, deployed, and inhabited. For more details, including the complete itinerary and speaker information, please visit here.
With many museums worldwide seeking to extend to accommodate larger collections, Athens-based Oiio Architecture Office has asked: “What if we decided we needed a little more of Guggenheim?”
More on the design after the break…
Martin Barry, founder and director of reSITE in Prague and associate at W Architecture and Landscape Architecture in New York, will give an evening lecture at 6:30pm EST on February 7th. Taking place at the NYU Silver Center, his lecture will focus on how organization is advocating for more transparent, contemporary and sustainable urban planning in Czech cities. Martin will discuss the outcomes of reSITE 2012 and describe their plans for reSITE Festival and Conference to take place in June 2013. The event is presented by NYU Department of Art History & Urban Design and Architecture Studies with Czech House NYU. For more information, please visit here.
Location: 601 Lexington Avenue, New York, NY, USA
Design Team: Ajmal Aqtash, Richard Sarrach, Tamaki Uchikawa
Fabrication Team: Tai-Li Lee, Brian Chu, Zack Fine, Arianna Lebed, Andrew Reitz, David Kim
Collaborators: Sebastian Misiurek
Contractor: John Gallin & Son
Area: 1,000 sq ft
Photographs: Barkow Photo
New York City Mayor Michael Bloomberg has announced the winner of adAPT NYC - a city-sponsored competition that challenged developer-led teams to design an innovative micro-apartment that responds to 21st century housing problems. With an all time high of 8.4 million people, and an expected million more by 2030, New York City’s shortfall of affordable one and two person apartments is continuing to grow at a staggering rate. In an effort to solve this imbalance, the winner of adAPT NYC will build an experimental project on a piece of city-owned land in Kips Bay, Manhattan, that has been alleviated from the 1987 density restriction that requires all new apartments to be greater than 400 square feet.
“The growth rate for one- and two-person households greatly exceeds that of households with three or more people, and addressing that housing challenge requires us to think creatively and beyond our current regulations,” said Bloomberg.
So, who won adAPT NYC? Find out after the break!
New York City’s Midtown West will be experiencing a large makeover over the coming years. Shortly after Hudson Yards broke ground in late 2012, Brookfield Properties initiated the first phase of its 5.4 million-square-foot master plan for Manhattan West on the corner of 33rd Street and 9th Ave. Hovering over Penn Station’s Railroad tracks, an engineering feat will support two 60-story towers that will encompass residential and commercial functions, as well as public and community space.
Taking place January 23rd from 2:00pm-7:oopm EST, the Reyner Banham Symposium, ‘On Error’, focuses on how error can be many things. In its most common display, however, it is something we are taught to avoid. It is often characterized by mannerisms that were once trends but are now condemned or qualified by a lack of command over formal logic, material tolerances, construction techniques, and space planning, to name but a few. The accepted belief is that by avoiding error we promote progress. It seems only fitting to surrender to this logic as it is much easier to agree on what constitutes a mistake than it is to admit to a measure of success. The event is organized by the University at Buffalo School of Architecture and Planning and will be held at the Darwin Martin House’s Greatbatch Pavilion. For more information, please visit here.
The Museum of Modern Art and MoMA PS1 has selected CODA’s (Caroline O’Donnell, Ithaca, NY) large-scale, self-supporting Party Wall, made from leftover shreds of skateboard material, as winner of the 2013 Young Architects Program (YAP). Drawn from five finalists, the porous skin of CODA’s temporary urban landscape will shade visitors of the Warm Up Summer Music series with its reclaimed woven screen, while providing water in refreshing cooling stations and seating with its detachable wooden skin on the lower half of the linear structure.
“CODA’s proposal was selected because of its clever identification and use of locally available resources – the waste products of skateboard-making – to make an impactful and poetic architectural statement within MoMA PS1′s courtyard,” said Pedro Gadanho, Curator in MoMA’s Department of Architecture and Design. “Party Wall arches over the various available spaces, activating them for different purposes, while making evident that even the most unexpected materials can always be reinvented to originate architectural form and its ability to communicate with the public.”
Continue after the break for the complete project description.
Created and conceived by Patrick Duffy, the creative director of the OUT NYC, and designed by award-winning Italian designer and architect Antonio Pio Saracino, the Arches of Hope installation will be launched at its opening reception on Thursday, January 17, from 6:30pm-8:30pm at the OUT NYC and be on display until January 24. In collaboration with Lifebeat: Music Fights HIV/AIDS and the MTV Staying Alive Foundation, the stunning and inspiring interactive art installation will be unveiled on the eve of President Obama’s second inauguration as part of a multi-faceted campaign aimed at raising awareness of the rise of HIV and AIDS in young people. More images and information after the break.
Situ Studio has been selected from eight competitors as winner of the fifth annual Times Square Valentine Heart Design, cosponsored by Times Square Arts, the public art program of the Times Square Alliance, along with Design Trust for Public Space. The young, Brooklyn-based practice won the jury over with their Heartwalk proposal made of New York and New Jersey boardwalk boards that were salvaged from the aftermath of Hurricane Sandy.
The installation will be unveiled on Tuesday, February 12, 2013, and remain on view until March 8, 2013.
Learn more about Situ Studio’s winning proposal after the break.
Taking place February 1-2 at Abby and Howard Milstein Auditorium, Milstein Hall at Cornell University, the Design for Biodiversity Symposium will focus on the extended threshold between building and environment. Since its emergence in the 1970s, the field of Urban Ecology has investigated relations between living organisms and their urban environments, and has primarily addressed the city at the scale of urban planning. Within this framework, architecture, at the building scale, has thus far not been extensively tackled. How might architecture actively support multi-species habitats? Can these habitats help us replace existing, fossil fuel dependent, mechanistic systems with low impact, ecologically integrated systems that leverage natural sources? How does reimagining the city in this way change how we think about urban form and phenomenology? And finally, what are the appropriate models to study? These questions will be answered at the event and more. For more information, please visit here.
Quickly rising on the corner of 14th Street and 5th Avenue in Manhattan, this new, multipurpose facility will soon become the “heart” of The New School – an avant-garde university in New York City. The University Center, designed by Skidmore, Owings & Merrill (SOM), combines all aspects of a traditional campus into a single, 16-story building, offering 200,000 square feet of academic space on the first seven floors and 150,000 square feet for a 600-bed dormitory on the levels above.
The brass-and-glass structure, which is the largest construction project in the university’s 91-year history in Greenwich Village, is scheduled for completion in 2014.
In progress images and more information after the break.
When plans for the High Line were first revealed it made quite an impression on the design community. The converted elevated rail line, long abandoned by New York City, was threatened by demolition until a group of activists fought for its revival and helped transform it into one of the most renowned public spaces in Manhattan. Now Queens, a borough with its own abandoned infrastructure is on its way to redeveloping the land for its own version of the High Line, to be known as the Queensway Cultural Gateway.
In late December, the Trust for Public Land announced that New York Governor Andrew Cuomo has awarded a $467,000 grant to the organization to begin a feasibility study on the 3.5 mile Long Island rail line. Early proposals reveal a new pedestrian and bike path, public green space and a cultural gateway that will celebrate Queens’ diversity in art, sculpture and food, serving the 250,000 residents that live in the neighborhoods along the route, which include Rego Park, Forest Hills, Richmond Hill, Ozone Park and Forest Park.
Join us after the break for more.
In response an outrage that broke out amongst Democrats and Republicans, after House Speaker John Boehner failed to vote for Sandy relief before the end of the Congressional session two days ago, the House of Representatives have approved a $9.7 billion relief measure to aid flood victims of Hurricane Sandy. This is good news, as the Federal Emergency Management Agency’s (FEMA) recently warned that it would soon run out of funding if no measures were taken. Senate approval is likely to come later in the day and a second congressional vote is scheduled to take place on January 15 for a larger $51 billion request.
Understanding the importance of issuing this federal support, AIA President Mickey Jacob has offer Congress three key objects for helping these communities recover.
Read AIA President Jacob’s letter to congress and his three objectives after the break…
Designed by architecture students, Ian M. Ellis and Frances Peterson, their proposal for the North Brother Island School for Autistic Children in New York City aims to provide a necessary resource for the Bronx, which is heavily underserved in terms of school for children with Autism Spectrum Disorder. The project is also designed with the intention that it will dissolve the negative stigma of the island, stabilize its naturalized growth as habitat for the birds, and introduce research and education programs to provide a cutting edge learning environment for the public, parents, and children. More images and architects’ description after the break.
The Principles just recently completed an interactive project, titled the “Workshop”, for the clothing brand Everlane in the Meatpacking district of New York. As part of the Everlane’s “Not-a-Shop” series, which focuses on selling only online, “the space was a physical manifestation of their primarily digital presence; replacing coded interaction with physical interaction,” described The Principals co-founder Drew Seskunas.