Competitions: The Latest Architecture and News

Blank Space has announced three winners and ten honorable mentions in their third Fairy Tales Competition. This year's contest drew entries from more than 1,500 participants from 67 countries. Everyone from students to academics and notable studios and designers submitted detailed stories and beautiful visuals for their submissions. The winners were chosen by an interdisciplinary jury of distinguished judges including Hans-Ulrich Obrist, Co-Director of the Serpentine Galleries; Elizabeth Diller, founding partner at Diller Scofidio + Renfro, and ArchDaily’s own Becky Quintal, Executive Editor; and David Basulto, Founder and Editor in Chief.

SO/AP Architectes has released its proposal for the Tokyo Pop Lab competition, which recently announced its winners. Based on the duality of environmental vulnerability and the omnipresence of numeric technology, the 3,500 square meter design focuses on the battle between mankind and nature.

SADAR+VUGA, HHF architekten, and local consultant Archicon have received first prize in the competition for the adaptation and reconstruction of the Dom Revolucije (Home of Revolution) in Nikšić, Montenegro.

The existing structure, built by Slovenian architect Marko Mušič, was originally intended to represent the socio-political structure of Nikšić, Montenegro and Yugoslavia as a whole. Construction began on the building in 1978, and after eleven years, work was suspended, leaving the site uncompleted in the middle of the city for 27 years.

The new proposal will transform the Home of Revolution by utilizing the existing built structure—mainly a shell—and inserting minimal interventions to create a new type of urban space.

The three winners of the Tokyo Pop Lab competition, which called for the development of an institution for popular culture, have been announced.

Centered on the phenomena of pop culture, the competition examined how “popular culture migrates and changes from person to person and place to place,” and invited entrants “to critically evaluate fundamental correlations between cultural production and architecture.”

Entrants varied in typology from pragmatic to ideological, with successful proposals including “a well considered and articulated definition of popular culture, clarity in representation of both architecture and culture, and a clear programmatic agenda.”

The three winners of the Tokyo Pop Lab competition are:

Bee Breeders has announced the winner of the Krakow Oxygen Home competition, which asked designers to reconsider contemporary architectural conventions with respect to current cultural and global issues in the city of Krakow, Poland. Due to the large number of coal-burning furnaces in the city, residents of Krakow are threatened by air pollution, which has resulted in a sky-rocketing number of cases of asthma, lung disease, and lung cancer. The competition brief called for the “design of a care center for lung cancer patients as part of the Maria Sklodowska-Curie Memorial Institute of Oncology.”

Metals in Construction Magazine and a jury of architects and engineers have announced the winners of the “Reimagine a New York City Icon” competition. The 2016 Design Challenge, which was sponsored by Metals in Construction magazine and the Ornamental Metal Institute of New York, called for submissions from architects, engineers, students, and designers from around the globe to reimagine the cladding of 200 Park Avenue (formerly the Pan Am Building, now the MetLife Building), with a “resource-conserving, eco-friendly enclosure” that simultaneously creates transparency and preserves the building’s original aesthetic.

White Arkitekter has been selected as one of four finalists in the open Nordic Built Challenge competition for the Faroe Islands in Denmark, with their proposal, “The Eyes of Runavik.” Developed in collaboration with Norwegian engineering company DIFK / Florian Kosche, the design centers on a new “landmark building typology adaptable to a variety of steep terrains, and specifically designed for the climatic conditions of the Faroe Islands.”

The project draws inspiration from traditional Faeroese agriculture, in which an outfield, or “hagi,” is used for summer grazing, while cultivated land—“bøur”—is used for growing crops. Thus, each building ring, or “eye,” of the design “can be seen as a settlement in itself, with the outfield ‘hagi’ as the wild landscape all around, and the infield ‘bøur’ as the cultivated microclimate in the center.”

Five major firms have been shortlisted for the Albright-Knox Art Gallery's $80 million expansion in Buffalo, New York. Chosen for their "design intellect" and ability to collaborate, the competing firms will envision ways to expand the gallery's exhibition space and create a new public urban area that maximizes the site's potential, as the Albright-Knox campus is located on the edge of Delaware Park - one of Frederick Law Olmsted’s major works.

“The selection of the architects reflects that malleability, because none of them has a fingerprint style,” Albright-Knox director Janne Sirén said. “All of them, almost, specialize in an ability to build for a given context.”

The five practices include:

The PERI Foundation have announced the winners of their 10-day “Space for Future Education” workshop in Dagestan, Russia. Organized in conjunction with the Moscow School of Architecture, the workshop selected 30 young architects under 30 from a pool of over 100 applicants from around the globe to develop concepts for a new PERI facility, the Perimeter Center for Culture and Education, in historic Makhachkala overlooking the Caspian Sea.

With help from mentors including Yaroslav Kovalchuk, a teacher from the Moscow School of Architecture; Hiroki Matsuura of MASA Architects; and Narine Tyutcheva and Peter Popov from Russia’s Rozhdestvenka Architectural Studio, 8 teams of 3 to 4 architects developed plans for the new building, containing offices, classrooms, conference rooms, coworking space, an innovation lab and a cafe. Read on for a look at each of the 8 projects.

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The London School of Economics (LSE) and RIBA have revealed the six shortlisted proposals for their next major development: 44 Lincoln’s Inn Fields/The Paul Marshall. With designs from David Chipperfield, Diller Scofidio + Renfro with Penoyre & Prasad and Herzog & de Meuron, LSE is hoping their new building's "world-class architecture" will appropriately reflect the university's "global academic reputation." AL_A, Grafton Architects, and Niall McLaughlin with Scott Brownrigg complete the shortlist.

“The amount of analysis and intellectual effort that has gone into the designs from each team is staggering and the results are impressive and very exciting. Given its size and prime location on Lincoln’s Inn Fields we want this to be a seminal university building; its legacy will endure for many generations so it is vital that we make the right decision,” said Julian Robinson, LSE’s Director of Estates.

All six schemes are being publicly exhibited at the LSE's Saw Swee Hock Student Centre through March 17. Read on for a glimpse of each. 

Hong Kong-based architecture firm TheeAe has released the plans for its entry to the competition for the Varna Regional Library in Varna, Bulgaria. The competition called for proposals to combine six regional libraries into one new site, ultimately awarding Architects for Urbanity the first prize.

BPD Marignan and XTU Architects, in association with SNI Group and MU Architecture, have won the Réinventer.Paris competition for Paris Rive Gauche site M5A2. The winning project, called In Vivo, seeks to “[promote] social mix and openness between citizens and [integrate] nature into cities, to achieve a fairer, more sustainable, and resilient city,” through three buildings for humans, and one to raise earthworms for vermicomposting of inhabitants’ organic waste.

For decades, architectural competitions have been recognized as a great way for architecture firms to get their big break, or to make a name for themselves in the types of projects they might not have been considered for before. However, competitions come with a downside: it’s not always easy for firms to build them in to their culture. Design competitions take time, often don’t translate to billable hours, and aren’t always clear pathways to strengthening the firm’s balance sheet, and as a result they have seen something of a backlash in recent years.

Still, as the architecture profession evolves, it’s important we never lose sight of the remarkable value design competitions can bring to architects, firms and design culture. Regardless of their type, scale or structure, design competitions are key creative opportunities that can enrich our efforts personally and professionally, and as design leader of CannonDesign’s New York City office, I’ve worked with my colleagues to embed them into our work. We see numerous ways in which they can add value to our work, our firm and our clients – and they could do the same for you too.

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Zaha Hadid, Coop Himmelb(l)au, and OMA are some of 15 major practices that have been shortlisted in the second (and final) stage of a competition to design the new Museum of Ethnography in Budapest. The building will be one of four new museums being built in Hungary's 200-year-old Városliget (City Park) as part of the Liget Budapest project, which includes SANAA's Ludwig Museum and Sou Fujimoto’s House of Hungarian Music.

"For the first time since the foundation of the Museum of Ethnography that is, for over 140 years now, it has become possible to permanently place the museum in a building worthy for the collection, to be built specifically for this function. In addition, the construction of the new building of the Museum of Ethnography will solve another more than half a century problem: by relocating the institution, the Kúria (former Ministry of Justice) building, recently housing the museum, can regain its original function," says Liget Budapest.

The 15 finalists include: 

Oxford University has released five shortlisted proposals to overhaul and extend its St Hilda's College. Part of the invited competition Redefining St Hilda's, the concepts are designed to expand student and Fellow accommodation, while providing new social and teaching spaces, Middle Common Room, Porters' Lodge and entrance for the college.

“We are keenly aware of the legacy we give to future generations as well as the opportunity to enhance Oxford itself. This initiative is all about reimagining this beautiful site and creating an academic environment which is pleasing and satisfying to use, and which enables the College to flourish over the next hundred years,” says St Hilda’s College Principal, Professor Sir Gordon Duff.

Read on for a glance at the five shortlisted proposals...