Cinema: The Latest Architecture and News

This article was originally published on July 29, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.

Upon opening its doors for the first time on a rainy winter’s night in 1932, the Radio City Music Hall in Manhattan was proclaimed so extraordinarily beautiful as to need no performers at all. The first built component of the massive Rockefeller Center, the Music Hall has been the world’s largest indoor theater for over eighty years. With its elegant Art Deco interiors and complex stage machinery, the theater defied tradition to set a new standard for modern entertainment venues that remains to this day.

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The link between architecture and cinema is unquestionable, as is the magic of seeing a film in a place structured specifically for this contemplative activity. The design requires architectural solutions that not only respond to the distribution of seats and visibility of movie-goers but also to acoustics and lighting.

Various projects published on our site highlight how architects have responded to this challenge in innovative ways. Below, stunning 10 movie theaters with their plans and drawings. 

How does the built environment--whether fictitious or entirely founded in reality--impact how we experience and process film? From lesser-known indies to blockbuster movies, the ways in which architecture and the built environment inform everything from scene and setting, to dialogue and character development has far-reaching effects on the audience’s cinematic experience. Below, a roundup of everything from recent releases to classic cinephile favorites uncovers the myriad ways in which film utilizes architecture as a means of achieving a more authentic and all-encompassing form of storytelling.

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The mastery of stone is one of the most impressive features of Portuguese architecture. From the precise cut in fittings to beautiful floor designs, Portuguese architecture carries in its womb an almost born talent to manipulate one of -- if not the oldest material used in the history of construction.

In celebration of this material, experimentadesign, a research project focused on design and architecture founded in Lisbon, developed Primeira Pedra, or First Stone. This multimedia platform explores the characteristics and qualities of Portuguese stone.

Photographer Stefanie Zoche of Haubitz-Zoche has captured a series of vibrant images showcasing the “hybrid modernist” movie theaters of Southern India. The images below, also available on the artist’s website, capture the large number of cinemas built in both rural and urban areas of South India in the 1950s, 60s, and 70s, all conveying an “unconventional mix of local building styles and Western influences."

As Zoche describes, the colorful facades, “suggestive of theatrical sets, provide a foretaste of the cinematic experience in the hall itself, in which extravagant shapes and ornamentation are continued and put the viewer in the right mood for the cinematic world before the screening itself.”

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UNStudio has been selected as the winner of the largest ever private initiative architectural competition to be held in France – for the keystone ‘Centre Culturel’ of the new EuropaCity development currently being developed in the Triangle de Gonesse region just north of Paris.

As a brand new ground-up district, in 2017 EuropaCity launched a call for the design of 8 key buildings to be located within BIG’s competition winning master plan, including a concert hall, hotels, contemporary circus and exhibition hall. UNStudio was chosen to design the new Centre Culturel Dédié Au 7è Art, which will house a cinema complex and “cultural laboratory.”

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Designed for the V-A-C Foundation, Venice-Based Israeli architect Omri Revesz’s adjustable Street Cinema rests lightly next to a canal in Venice, Italy, expanding, contracting, opening, and closing as its program changes.

Acting as a social gathering point during the day and an open-air cinema at night, the structure was open for the 74^th Venice Film Festival as part of the V-A-C’s Venice Art Biennale 2017 exhibition Space Force Construction – a reflection on the centenary of the Soviet Revolution.

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The overlap between cinema and architecture is a topic that has already been debated and even addressed in several articles published in ArchDaily. It is difficult to imagine a film that is not related in any way to the architecture, either through the construction of scenarios, the locations, or even the compositions within each plane and sequence - that make use of light, shadow, varied scales, and characters.

In many films, architecture and the city play a much more decisive role than the mere backdrop or stage for the narrative, acting as crucial elements or even characters. Next, we selected five films in which landscape and urban spaces are essential for the construction of the plot.

When it comes to expensive artforms, architecture undoubtedly tops the list (even if the artistic merits of some of the absolute priciest buildings are sometimes dubious). But what may not be so obvious is that many of architecture’s iconic works have been completed on budgets not so dissimilar to the work of another artistic industry: filmmaking. Each with their own set of merits, works from both categories have transcended time, confirming that (in most cases) they have more than returned on their initial investment.

To illustrate this point, we’ve complied a list of buildings from eras past, paired with movies of similar budgets completed in the same calendar year. Which buildings or movies have contributed the most based on their initial costs?

The Cineroleum, a self-initiated project built in 2010 by London based practice Assemble Studio, transformed a derelict petrol station into a "hand-built" cinema on one of capital's busiest roads. Aimed at raising awareness to the wider potential for reusing the 4,000 empty petrol stations across the UK for public use, the adapted structure on Clerkenwell Road was "enclosed by an ornate curtain" strung from the "roof of the petrol station's forecourt. Described as an "improvisation of the decadent interiors that greeted audiences during cinema’s golden age," classic infusions of cinematic iconography were integrated into a space built from only cheap, reclaimed or donated materials.

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