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Africa: The Latest Architecture and News

The Graphic Novel as Architectural Narrative: Berlin and Aya

The comic strip, la bande dessinée, the graphic novel. These are all part of a medium with an intrinsic connection to architectural storytelling. It’s a medium that has long been used to fantasise and speculate on possible architectural futures, or in a less spectacular context, used as a device to simply show the perspectival journey through an architectural project. When the comic strip meshes fiction with architectural imagination, however, it’s not only the speculation on future architectural scenarios that takes place. It’s also the recording and the critiquing of the urban conditions of either our contemporary cities or the cities of the past.

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21 African Nations Fight Desertification with 8,000 Kilometer Long Great Green Wall

African nations are fighting climate change with an 8,000 kilometer long Great Green Wall meant to combat the desertification of the Sahel region, home to over 100 million people. Spanning the entire width of the African continent, the movement aims to restore 100 million hectares of degraded land, sequester 250 million tonnes of carbon and create 10 million jobs in rural Africa by 2030. Stretching from Senegal in the West to Djibouti in the East, the project is the joint effort of 21 African nations that strive to restore the once lush region and protect the livelihoods of local communities.

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Design Ethics: Rethinking Practice in 2021

Ethical practice spans all parts of architecture. From intersectionality and labor to the climate crisis, a designer must work with a range of conditions and contexts that inform the built environment and the process of its creation. Across cultures, policies and climates, architecture is as much functional and aesthetic as it is political, social, economic, and ecological. By addressing the ethics of practice, designers can reimagine the discipline's impact and who it serves. 

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Colors Of the Earth: Ghana's Incredible, Rammed Earth Walls

Rammed earth constructions are not a novelty, on the contrary, some sections of the Great Wall of China were made using this technique. Relegated and replaced by modern methods of construction, the mud walls are currently re-emerging as an economic, sustainable solution, with low environmental impact. Even Joelle Eyeson, a young African entrepreneur, is betting that it may be the answer to the housing deficit in her region.

This is a rudimentary construction system in which earth is compressed into wooden boxes. The clay is horizontally placed in layers of 15 cm in height, and compacted with manual or pneumatic tools, to achieve its ideal density creating a resistant and durable structure.

Contested Territory: The Climate Crisis and Land Ownership

Architecture, by its very definition, involves the construction of structures. Structures that are meant to serve as spaces for work, living, religious devotion, amongst many other purposes. Architectural projects and interventions, however, need land – and it is this intrinsic relationship, between land and architecture, that has massive ramifications not only regarding reducing carbon emissions but more importantly in forming an equitable future rooted in climate justice.

What is a Traditional Windcatcher?

Before fossil-fuel powered air-conditioning became widely available, people living in harsh climates had nothing but natural means to ventilate their spaces and control the interior temperature. To do so, they took into account several external factors such as their location, orientation with respect to the sun and wind, their area's climate conditions, and local materials. In this article, we explore how ancient civilizations in Western Asia and North Africa have used windcatchers to adapt to the region's harsh climate and provide passive cooling solutions that are still being used in contemporary architecture, proving that local approaches to climate adaptability are fundamental to the development of today's built environment.

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The Spatial Stories of Ousmane Sembène

When examining the world of African cinema, there are few names more prominent than that of Senegalese director Ousmane Sembène. His films ‘La Noire de…’ and ‘Mandabi’, released in 1966 and 1968 respectively, are films that tell evocative stories on the legacies of colonialism, identity, and immigration. And whilst these two films are relatively slow-spaced, ‘slice-of-life stories, they also offer a valuable spatial critique of the setting where the films are based, providing a helpful framework to understand the intricacies of the post-colonial African city, and the contrast between the African and European metropolises.

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African Urbanism: Preserving Cultural Heritage in the Age of Megacities

This article was originally published on Common Edge.

In spite of the lull in the global construction industry over the last couple of years, megacity projects in Africa have continued unabated, as new developments are springing up in major cities all over the continent. Though we’re inspired by the growth of modern African cities and the opportunities offered to city residents, we shouldn’t ignore their shortcomings, the glaring disconnect between the utopian visions of local city officials and the economic and cultural realities of the local populations who live here. Many questions whether these new cities could be built in other ways, or if Africans will ever have an alternative to the current model of placemaking, hodgepodge urbanism foisted on it, largely by colonialists.