Inspired by the 13th International Architecture Exhibition‘s theme Common Ground, Peter Eisenman has formed a team to revisit, examine and reimagine Giovanni Battista Piranesi’s 1762 folio collection of etchings, Campo Marzio dell’antica Roma. Derived from years of fieldwork spent measuring the remains of ancient Roman buildings, these six etchings depict Piranesi’s fantastical vision of what ancient Rome might have looked like and represent a landmark in the shift from a traditionalist, antiquarian view of history to the scientific, archaeological view.
Eisenman’s team consists of Eisenman Architects, students from Yale University, Jeffrey Kipnis with his colleagues and students of the Ohio State University, and Belgian architecture practice, Dogma. Each group has contributed a response to Piranesi’s work through models and drawings that stimulate discourse on contemporary architecture. In particular, they explore architecture’s relationship to the ground and the political, social, and philosophical consequences that develop from that relationship.
Described as “precise, specific, yet impossible”, Piranesi’s images have been a source of speculation, inspiration, research and contention for architects, urban designers and scholars since their publication 250 years ago. Continue after the break to learn more.
This year’s 13th Venice Architecture Biennale provided the backdrop to the British Pavilion’s Venice Takeaway exhibition. Commissioned by the British Council and curated by Vanessa Norwood and Vicky Richardson, Venice Takeaway responds to Biennale director David Chipperfield’s theme of Common Ground. The project began in April this year when ten teams went to ten countries to gather ideas to change British architecture. Crane.tv interviewed the ten teams, including Aberrant Architecture and Smout Allen, to hear about their findings and their proposals for the future of British architecture. The exhibition will run in Venice until 25 November 2013 before relocating to London where it will be housed at RIBA from 25 February-27 April 2012.
The National Building Museum has named Paul Goldberger as the fourteenth laureate of the Vincent Scully Prize for “his lifetime work of encouraging thoughtful discourse and debate about the importance of design”. The Pulitzer Prize-winning architecture critic is currently a contributing editor at Vanity Fair and has written for a number of publications, including The New York Times and The New Yorker.
Vincent Scully Prize jury commended Goldberger for understanding that “architecture is in itself a form of public discourse”. Jury member Elizabeth Plater-Zyberk further explained that Goldberger has a unique ability to “explain architecture to the popular readership in a way that bridges the perceiver and the designer.”
Continue reading for Goldberger’s response.
Studio Mode are excited to share the launch of their new Facebook Page and news regarding their upcoming NON-LINEAR LAB: Growth Systems and Digital Fabrication Workshop. If you “Like” them on Facebook, you can enter a Sweepstakes to win a complimentary seat in the NON-LINEAR LAB on September 8th. For all the workshop details and registration, please click here.
Architect: Taniguchi and Associates
Location: Houston, Texas, United States
Architect of Record: Kendall/Heaton Associates
Project Manager: Project Control
Contractor: W. S. Bellows Construction Corp.
Consultants: GBA Architecture, Ingenium Inc., CHPA Consulting Engineers, Walter P. Moore, Office of James Burnett, Fisher Marantz Stone, Minor Design Group, Theater Projects Consultants, Inc., Waterscape Consultants, Inc., Shen Milsom Wilke, CDC Curtain Wall Design and Consulting, Persohn/Hahn Associates, Ulrich Engineers, Inc.
Project Area: 3,716 sqm
Project Year: 2011
Photographs: Hester & Hardaway
Commencing. A Brief History of Balconies entails the examination of subjectivities above ground, on little bits of buildings in air, looking down, at pennies on the sidewalk, oddly visible from the 34th floor, which appears to be the same level as jumbo jets coming into Logan from wherever they were coming from and above the sea. I once stood parallel with the jets as they banked and tipped their wingtips a little.
It’s an odd sensation to be in the air at such heights, stationary. It feels more natural to be in motion, to be flying. Chin on the warm aluminum extrusion of railing, I could fit my knees through the verticals. Just a slight web of metal anchored into concrete. I was once fearless at such heights and would sometimes stand on a patio chair to have the sensation of being clear of the rail. Was back a safe distance, or so assumed, with palms pressed to the balcony above. Holding myself in the in-between space like a jack, wedged between two floors and looking out over the rail to the vanishing point.
With their early work inspired by Russian Suprematism, Zaha Hadid Architects’ pays homage to the historical lineages of collective research that has led to the major works of today’s contemporary architecture at the 2012 Venice Biennale with the installation ‘Arum’. The pleated metal structure is derived from the work of German architect Frei Otto, who paved the way for material-structural form-finding processes. This installation is a response to David Chipperfield’s belief that the theme of ‘Common Ground’ is meant to “reassert the existence of an architectural culture, made up not just of singular talents but a rich continuity of diverse ideas united in a common history.”
Beautifully crafted, the installation at the Corderie of the Arsenale also includes models and explorations of ZHA, related to the work of Frei Otto, Felix Candela, Heinz Isler. In this aspect the firm has able to expose visitors to the inspiration and research from modern architects that can be found on ZHA’s contemporary works. We saw Patrik Schumacher before the Biennale’s preview on top of every detail, leading to an impecable result.
Videos, photos and more from the architects after the break:
Armi OPEN Workshop – Urban Brain Stream is an international workshop that aims to develop our urban environment. It is part of the program of both World Design Capital Helsinki 2012 and the Helsinki Design Week. In a series of…
Organized by Singapore Institute of Architects, the annual month-long architecture festival is back for the sixth year running to celebrate the urban environment and the communities that make it alive. With the theme of ‘Rethink Singapore’, the event aims to…
Architects: Jordi Herrero Arquitecto
Location: Palma de Mallorca, Spain
Equipo De Diseño: Jordi Herrero Campo, Sebastián Escanellas Genovard, Juan Gabriel Valls Palmer, Gabriel Palmer Socías
Project Year: 2009
Photographs: Jaime Sicilia, Courtesy of Jordi Herrero Arquitecto, Juan Gabriel Valls Palmer
The jury of the 2012 Venice Architecture Biennale has awarded the United States pavilion a “Special Mention” for it’s innovative installation, titled Spontaneous Interventions: Design Actions for the Common Good. Curated and commissioned by Cathy Lang Ho, along with David Van Der Leer and Ned Cramer, the exhibition presents 124 socially-minded urban interventions that have brought immediate improvements to the public realm.
Brooklyn-based practice Freecell collaborated closely with the Sausalito-based design studio M-A-D, led by Erik Adigard and Patricia McShane, to design a kinetic system of color-coded banners, weights and pulleys, that showcase each urban intervention. Learn more after the break.