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Stefano Boeri has used his guest speech at the New York Times Cities of Tomorrow forum to focus on the role that green and urban forests can have in improving the quality of life and air in cities around the world. Speaking at the event in New Orleans, the acclaimed architect highlighted the impact of carbon emissions produced by buildings, while also stressing the potential for architects to use the built environment as a vehicle for positive social and environmental change.

Drawing from experiences such as the Tirana 2030 masterplan and the Bosco Verticale in Milan, Boeri suggested that “cities have the resources and the potential to become protagonists of a radical change aimed at countering the dramatic effects [of carbon emissions] becoming greener, healthier, and more integrated.”

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This article was originally published on CommonEdge as "When Buildings Are Shaped More by Code than by Architects."

Architects are often driven by forces which are stronger than aesthetics or even client whims and desires. To some extent we’re captive to the tools and materials we use, and the legal limitations placed on us as architects. Today a new code definition has changed one type of building in all of the ways architects usually control.

“A drawing should be a key to the understanding of architecture – what is there to like or dislike, where do architects’ ideas come from, how do these ideas make it to paper, and what is important in this process.” - Sergei Tchoban

For the past month the Russian-German architect, artist, and collector Sergei Tchoban has been the focus of the exhibition, Sergei Tchoban: Drawing Buildings/Building Drawings, bringing together fifty of the architect’s large-scale urban fantasy drawings. These drawings, while intriguing for their technical and artistic value, also reflect Tchoban's deeply personal contemplations about the past, present, and future of his favorite cities - Saint Petersburg, Rome, Amsterdam, Venice, Berlin, New York – along with in-depth documentation of five realized projects (two museums, two exhibition pavilions, and a theater stage design.)

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The Fundació Mies van der Rohe and European Commission have revealed the 383 projects nominated for the 2019 European Union Prize for Contemporary Architecture – Mies van der Rohe Award. The projects, which hail from 38 countries across the European Continent represent a wide range of typologies and office types. Of the countries included, the most projects come are located in Spain and Belgium (27 and 21 nominees, respectively.) London, home to 12 nominees, boasts the most nominated projects of any single city followed by Vilnius (9) and Paris (8).

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Studio Fuksas has won the competition to design the new Gelendzhik Airport in Gelendzhik, Russia. Gelendzhik is considered the third most popular resort city on the Black Sea coast. Prioritizing the landscape and an interior garden of local pine trees, the project is set to become the new gateway into the city. Inspired by the flight of birds when they change direction, the airport was made to be a new landmark for Gelendzhik.

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