The International Jury will award the "Golden Lion for Best National Participation", the "Golden Lion for the best participant in the International Exhibition The Laboratory of the Future", as well as the "Silver Lion for a promising young participant in the International Exhibition The Laboratory of the Future". The Jury may also award a maximum of one special mention to a National Participation, and a maximum of two special mentions to the participants in the International Exhibition The Laboratory of the Future. The announcements and awards ceremony will take place in Venice on Saturday, May 20th, 2023.
Seattle-based Olson Kundig is an example of how context and culture can influence a firm's design approach. Founded in 1966 by Jim Olson and now consisting of hundreds of employees and thirteen principals/owners, including Tom Kundig, the firm has an extensive and diverse portfolio that spans different scales and budgets. In lectures and interviews, Kundig in particular often talks about how having grown up in a region with a strong mining and lumbering tradition has influenced the industrial and rational aesthetic of his designs, the use of durable and low-maintenance materials, and a special attention to craftsmanship. In many of the firm's designs, however, the ingenuity and emphasis on moving parts –blurring the boundaries between inside and outside– is striking. This is usually achieved by incorporating hand-held devices that allow users to activate the building directly, connecting them both to the context but also to the building itself and the dynamic mechanisms therein.
The Santa Creu & Sant Pau Hospital Research Institute, designed by Pich Aguilera Arquitectes in conjunction with 2BMFG Arquitectos, stands in the Santa Creu & Sant Pau Hospital complex in Barcelona –one of the biggest Modernist Spanish architectural ensembles, declared a World Heritage Site by the UNESCO.
The Research Institute stands out for its striking ceramic envelope and its capacity to blend in with Sant Pau Hospital’s Modernist buildings, while also focusing on high energy savings and improved comfort inside the building. The ceramic slats were made to measure for the project by Faveker, a specialist in high-tech façade solutions.
The National Pavilion of Ireland will present an exhibition titled “In Search of Hy-Brasil” at the 18th International Architecture Exhibition of La Biennale di Venezia. The pavilion set out to explore diverse cultures, communities, and experiences of Ireland’s remote islands in the search for new ways of inhabiting the world. A team of five architects has been selected as the curators of the exhibition: Peter Carroll, Peter Cody, Elizabeth Hatz, Mary Laheen, and Joseph Mackey. The pavilion will be open to the public from May 20th to November 26th, 2023; afterward, the installation will tour Ireland in 2024, bringing voices from peripheral locations into mainstream conversations around our global future.
Cuadra San Cristóbal, Los Clubes, Atizapán de Zaragoza, State of Mexico, 1966-1968. Perspective sketch of the main courtyard by Luis Barragán. Image via Barragan Foundation
Two years ago, as part of an initiative by the Barragan Foundation, the launch of the institution's renewed website was announced via its Instagram account. This represented an effort to compile all the information that exists so far from the Barragán Archive that enriches the study of his career, opening up the panorama to understand his trajectory and evolution from a clear chronology, experiments, and collaborations, as well as unrealized or demolished projects. The website compiles these five decades of career, presenting a list of 170 works inside and outside the country that is updated as more material is researched and collected.
The importance of lighting in interior design cannot be overstated: done right, it not only accentuates a space's architectural features but also makes inhabitants feel at ease. As Carmelo Zappulla of Lighting Studio External Reference explains in an interview with Architonic, light is a crucial tool to add an emotional element and 'animate a space.'
There are a plethora of artificial lighting options to choose from. Which works best is usually determined by the nature of the interior they're in and the desired spatial effect. One of the most common is indirect lighting. This technique uses fixtures to aim light onto surfaces that act as reflectors, softening the emitted rays to prevent pillar-like, bulky beams in favor of a more evenly distributed glow.
The ninth edition of Concéntrico, the international festival of architecture and design in Logroño, was inaugurated on April 27th to once again promote dialogue between the city, heritage, and contemporary architecture. Until May 2nd, citizens will have the opportunity to rediscover their urban environment alongside the work of more than 60 professionals from 15 different nationalities who have proposed an extensive program with 21 interventions, meetings, and activities.
Wivi Lönn (1872-1966) established and ran her own architectural office in Finland, becoming the first woman to do so. Lönn designed a number of significant public facilities and received widespread professional recognition, serving as a role model for aspiring female architects. And in May 1942, while a group of female architects gathered to commemorate Wivi Lönn's 70th birthday, they founded Architecta, the Finnish Association of Women Architects. At that point, up to a hundred women architects had already graduated in Finland. To celebrate the 150th birthday of architect Lönn and the 80th anniversary of the organization, Architecta commissioned interviews that highlight the different types of careers pursued by women in the field. Discover the profiles of 11 female Finnish architects with texts by Paula Holmila, journalist and architecture critic at Helsingin Sanomat, translated by Pirkko-Liisa Schulman.
Renovations are not only a popular way to update and modernize homes, offices, and other structures but also a critical component in reducing carbon emissions and achieving the goals of the Paris Agreement. The existing building stock is responsible for a significant portion of global carbon emissions, with energy inefficient buildings being a major contributor.
According to a report by the Financial Times, there is a large energy efficiency gap in the UK housing stock, with many buildings falling short of their potential energy performance levels. Unsurprisingly, old buildings in the UK are seen as one of the primary factors contributing to this energy efficiency gap.
Since its launch in 2000, the Serpentine Pavilion has been providing renowned and emerging architects with a platform for design experimentation, becoming an important display of contemporary architecture. As we approach the inauguration date of the 2023 Serpentine Pavilion, designed by Lina Ghotmeh and titled “À Table", French for sitting together to eat, we look back at the last six editions of the famous annual structure.
If we were to design an ideal building material, it would look like bamboo. At least, that's what Neil Thomas, director of the London-based structural engineering firm Atelier One, claims. Its tubular shape, vascular bundles, fast growth rate, and ease of manipulation make it ideal for construction. Today, it is even more interesting to the market as a renewable source with low environmental impact compared to other materials. Additionally, it is extremely versatile and can be used in various ways in construction. Here, we list some of them.
Villa Badran. Image Courtesy of Rare Books and Special Collections Library American University in Cairo
While Egyptian architects were exercising their understanding of modernism in the urban fabric in the 1970s, a “chubby rebellion” in the form of Villa Badran defied the standardized curvilinear forms and rigid geometry. Gamal Bakry dived deep into his imagination to construct this unique piece of architecture that still stands as part of the city of Cairo today. With curving and free-flowing facades, Villa Badran drew inspiration from natural forms. In an attempt to create a living space that was more natural in its essence, the bubbly intervention puts in place a monolithic composition that hosts a two-story detached home for an Egyptian family.
Though it has long been assumed that newborns don't see color at all, more recent studies have shown that they can indeed distinguish between different shades. And even though young minds may not fully realize what they're looking at, the impression and effect of a bright visual still elicit a potent response. This remains true throughout our lifetime: colors can influence our feelings in powerful ways. Architects and designers have long employed this to their advantage, especially when it comes to interior spaces. Whether it be to highlight specific architectural features, create certain moods, distinguish areas in open concept layouts, or brighten a room with its finishing touches, colors are a pivotal tool for professionals throughout the design process. The combination of multiple bold shades — color blocking — in particular can be a success if done right.
Some would say it's the fresh air, peace and quiet, and some the constant closeness to nature; nonetheless, we all agree there’s something unique about the countryside. As you step inside a farmhouse, all of these qualities can be reflected through the lense of contemporary interior design, creating a welcoming, light and calm ambiance. Known for their place in rural or agricultural settings and designed for farm living, traditional 1700’s farm houses –also known as “folk” houses– were initially influenced by their geographical conditions, enhancing the relationship with the environment. While conserving traditional approaches such as simple floor-plans, gabled roofs and large porches, farmhouse aesthetics have gone through transformations to adapt to contemporary ways of living. By reusing and using traditional rural architecture as a direct reference, we analyze how current projects follow its singular design strategies: noble materials, spaces connected to the environment, and simple and functional spaces with unique details.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design discuss how to prepare for undergraduate architecture school. The two cover learning different skills and tools such as software programs, sculpture, drawing, and painting; learning about construction; common challenges students face; architectural education in general; dealing with negativity in the profession of architecture; and more.
https://www.archdaily.com/1000578/the-second-studio-podcast-preparing-for-architecture-schoolThe Second Studio Podcast
Minimaforms Presents The Order of Time at the Architectural Association School of Architecture Gallery. It is an immersive installation aimed to connect the preoccupations of physics, art, and architecture by revealing the ordering of spaces and constructed relationships through direct experience.
Three Sculptural installations are the highlight of the exhibition. Spherical organizations deployed through mathematical logic and designed to extend space within reflective light boxes, gifting its viewer a new immersive moment at every turn. ArchDaily had the chance to engage in a conversation with Theodore Spyropoulos; Artist & Architect at Minimaforms and Director of the Architectural Association’s Design Research Lab, on issues that tackled the interdisciplinary nature of architecture, the creative process of the installation, and how it influences the creation of spaces, buildings & cities.
Every two years, starting in 1998, the Saint-Gobain International Gypsum Trophy has awarded the most recent developments for quality craftsmanship in drywall systems and plastering. This year, the 13th edition of the Gypsum Trophy took place in Athens on April 28th, 2023. From the Americas to Asia, from Europe to Africa, 73projects from 27countries competed in six categories to win one of the 15prizes of the competition.
Participating contractors combine their know-how and creativity with Saint-Gobain plaster and dry lining systems to carry out high-performance projects. Whereas some are built on existing historical structures, others create something completely new. Similarly, some projects were completed with the help of over a thousand employees/teammates, while others by just a few.
See this year's winners below, as well as the details of the Awards.
Architect Tadao Ando has been commissioned to design this year’s Costume Institute exhibition highlighting the work of Karl Lagerfeld. The opening of the exhibition titled “Karl Lagerfeld: A Line of Beauty” was marked by the world-renown Met Gala, a fundraising event attended by celebrities and personalities perceived to be culturally relevant in the fashion scene. Perceived as a thematic and conceptual essay on Lagerfeld’s work, rather than a traditional retrospective, the exhibition aims to illustrate the designer’s method of creative expression and its significance in the industry.
Organized and hosted by the European Cultural Centre (ECC), a non-profit organization committed to promoting culture through international exchanges, the sixth edition of the Time Space Existence exhibition “will draw attention to the emerging expressions of sustainability in its numerous forms, ranging from a focus on the environment and urban landscape to the unfolding conversations on innovation, reuse, community, and inclusion.”.
Architects, designers, artists, academics, and photographers, from 52 different countries will come together to explore and contemplate the philosophical concepts of Time, Space, and Existence, through different mediums and from diverse perspectives. Highlighting a total of 217 projects, the exhibition will run from the 20th of May until the 26th of November, 2023, at Palazzo Bembo, Palazzo Mora, and the Marinaressa Gardens, in Venice, during the 2023 Venice Architecture Biennale. Throughout the six months of opening, the show will be complemented by a program of talks, conferences, and workshops.
The skin absorbs matter, and the world is contemplated, touched, heard, and measured through our bodily existence. Juhani Pallasmaa, a Finnish architect known for propagating sensory architecture, defends the notion that, unlike vision, touch is the sense of proximity, becoming a main axis by covering the entire body. It is a fact that, when speaking of touch, the first image that comes to mind is usually contact with hands. However, there are other ways to feel architecture that can be developed in projects, such as the touch of bare feet on a particular surface.
The legacy of the Modernist movement is a complicated one. Spanning a diverse assortment of fiercely debated sub-categories and styles, the Modernist style has established its presence in virtually every continent. Although the movement’s origins may be rooted in Europe and the U.S., outside of the Eurocentric canon architects have redefined and re-established the definition of a “Modernist” building. In Sri Lanka, for example, architect Geoffrey Bawa’s sensitive, nature-inspired architectural responses gave rise to the “Tropical Modernism” label. Over in the African continent, it is in the East-African country of Tanzania that some highly unique examples of Modernist architecture are found – headed by architects Anthony Almeida and Beda Amuli.
This year marks the centennial of the first edition of Vers Une Architecture, Le Corbusier’s epoch-making book. Though a new English translation appeared in 2007 to much acclaim, most other practicing architects read the first English edition that appeared in 1928, entitled Towards a New Architecture. Comparing the three editions is instructive, particularly in one crucial respect: the insertion of the word “new” in the title. The book wasn’t really about new architecture, because very little of it showed buildings in the International Style. Instead, it was in many respects a clever diatribe intended to convince Europeans that they had no choice but to renounce every kind of architecture that had been built before the Great War and begin anew. It was remarkably successful in fulfilling that aim.
https://www.archdaily.com/1000499/away-from-old-architecture-what-le-corbusier-really-meantMark Alan Hewitt
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