Alejandro Aravena and the jury for the 15th International Architecture Exhibition at La Biennale di Venezia have just announced the winning participations.
The Golden Lion for Best National Participation went to Spain for UNFINISHED. The jury cited Carlos Quintáns & Iñaqui Carnicero's "concisely curated selection of emerging architects whose work shows how creativity and commitment can transcend material constraints."
Preliminary Research Office has revealed their entry to a competition to design the new civic center for the city of Ryde, Australia. The project uses a series of boxes at different scales to inform the organization of both the building and the public spaces. Following a competition of 175 entries from 49 countries, the project did not make the shortlist. However, its approach addresses the fundamental needs of a civic center to be dynamic, flexible and human-scale.
Although the year began with a decline, the Architecture Billings Index (ABI) has shown three consecutive months of increasing demand for design activity at architecture firms. The American Institute of Architects (AIA) reported the April ABI score was 50.6. Although down from March's score of 51.9, this score still reflects an increase in design services (any score above 50 indicates an increase in billings). The new projects inquiry index was 56.9, down from 58.1 in the previous month.
New York-based architecture firm, Leong Leong, created an installation inspired by "the experience of moving through landscapes in a Ford Edge," for the third annual Sight Unseen OFFSITE exhibition as a part of the citywide NYCxDESIGN festival.
Titled TOPO, the installation was a scaleless environment composed of more than one thousand foam rollers. Collectively, they form a landscape “that is both an intimate sanctuary and an expansive horizon.” The installation was situated in a room of mirrors, giving the effect that it extends indefinitely.
When hearing the word “skybridge” or “elevated walkway,” what often comes to mind is a narrow, glassed-in pathway perhaps crossing between two office buildings or hospital concourses; a narrow artery whose only purpose seems to be keeping people dry and away from cars as they walk from meeting to meeting. But this wasn’t always the case - in the 1960s, skyways were seen as radical urban inventions that would bring city circulation into the 3rd dimension. Championed in the United States by architect Victor Gruen, following ideals espoused by both CIAM and Team 10 in Europe, the skyway movement took hold in cities all over the world with varying degrees of success, but rarely with the fluid connections between levels originally envisioned by its designers.
Foster + Partners' Craft + Manufacture: Industrial Design exhibition is currently on display at The Aram Gallery in London. It is the firm’s first exhibition dedicated to the industrial design work they have created over the past fifty years. It shows how “the science, art, and craft of making things” has been the foundation of the firm, and how the “collaborative nature of the design team pioneered by Norman Foster” has been translated into their architectural practice.
As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show.
Spain is one of the countries where the practice of architecture has been most affected by the economic crisis. There are few places on earth where such large numbers of buildings were built in such a short period of time. The lack of reflection over whether these projects were necessary or valid resulted in the subsequent abandonment of many buildings when their completion or maintenance was discovered not to be economically viable. Their appearance throughout Spanish territories has generated a collection of unfinished buildings where the factor of time was eliminated from the formula for making architecture.