FeaturedodD House 1.0 / odD+
Editor's Choice6 Classical Buildings That Are Younger Than You Think
The organisers behind The Next Helsinki, an ‘anti-competition’ masterminded by architect and critic Michael Sorkin, have highlighted a number of entries from 217 international submissions. Launched as an alternative to the controversial, “imperialised” Guggenheim Helsinki project, the call for ideas asked architects, urbanists, artists, and environmentalists to imagine how Helsinki and its South Harbour could be transformed for the maximum benefit of the city’s residents and visitors. It “sought to ask first if a massive foreign museum was the highest and best use for public resources, especially in an aspiration-focused egalitarian social democracy like Finland.”
See a shortlist of eight entries that, according to the jury, “reflect the variety and depth of the submissions” after the break. “These entries are not to be viewed as refined and final proposals, but rather ideas.”
Architects: Andrés Jaque
Location: Calle de San Andrés, 1, 28004 Madrid, Madrid, Spain
Design, Coordination: Sebastian Bech-Ravn, Ljubo Dragomirov, Roberto González García, Senne Meesters, William Mondejar, Jorge Noguera Facuseh, Silvia Rueda Cuellar, Jarča Slamova
Project Year: 2014
Photographs: Miguel de Guzmán
Jean Nouvel has lost a court battle aimed to remove his name from the newly opened Philharmonie de Paris. As The Telegraph reports, Nouvel claimed that the £280 million concert hall was inaugurated prematurely and parts of the building was “sabotaged” in doing so, thus believing it to be morally inapt from him be associated with the building.
“The architecture is martyred, the details sabotaged,” he said in a Le Monde editorial, “so taxpayers will have to pay, once again, to correct these aberrational decisions.”
Now for its third year, Portugal‘s famed Faculty of Architecture of the University of Porto (FAUP) will host ”Porto Academy“ - a week-long summer session of lectures, workshop studios and trips open to students internationally that provides the opportunity to work with the profession’s finest. Planned to take place from July 20th through the 27th, this year’s class will have the chance to work closely with the architects of Pezo von Ellrichshausen, Menos é Mais and many others. See a complete list of participating architects and find more details, after the break.
To demonstrate the structural potential of “pulp,” Ball-Nogues Studio built an experimental reclaimed paper pavilion this year at Coachella. The lightweight, self-supported structure, known as the ”Pulp Pavilion,” was made from a low-cost blend of recycled paper, water and pigment sprayed onto lattices of organic rope. After its use as a place of refuge for festival goers, it will be either composted or recycled. See the pavilion illuminated at night, after the break.
At ArchDaily, we work hard to give you the best overview we can of architecture around the world, publishing inspiring work and intriguing points of view from all seven continents (yes, even Antarctica). But of course, there are also hundreds of thousands of much-loved buildings in city centers, on residential streets and in rural communities that we can’t cover.
That’s why we need you, the ArchDaily community, to show us what inspiring architecture means to you – whether that’s where you live or a place you have traveled to see. From the skyscrapers of well-known metropolises to the cottages of quaint villages, send us your Instagram and Twitter photos of the architecture that motivates you every day.
It’s easy to participate! On Instagram and/or Twitter, submit photos or videos of the architecture you encounter on a daily basis using the hashtag #YourArchDaily and mentioning @archdaily.
The French duo of Anne Lacaton and Jean-Philippe Vassal are known for their delicate interventions, repurposing neglected structures with apparent effortlessness. Originally published on the Harvard Gazette website entitled “They Build, But Modestly,” this article recounts the lessons which they offered students in a recent lecture at the Harvard Graduate School of Design.
Around 1980, two young architects finished their training in Bordeaux, France, and moved to Nigeria. In that African nation’s remote regions, they were inspired by the simple structures they saw amid the stark, stunning desert landscapes. The houses were open to the air, had utilitarian thatched roofs, and were made with bits of local wood. Modesty prevailed in structures that also invited beauty.
The lessons of building in Africa stayed with Anne Lacaton and Jean-Philippe Vassal in their Paris-based practice, Lacaton & Vassal: use what is there, stay simple, embrace open air, and honor light, freedom, and grace. They practice social architecture based on economy, modesty, and the found beauty of environments.
Historically, the ability to draw by hand – both to create precise technical drawings and expressive sketches – has been central to the architecture profession. But, with the release and subsequent popularization of Computer Aided Design (CAD) programs since the early 1980s, the prestige of hand drawing has been under siege. Today, with increasingly sophisticated design and presentation software, from Revit to Rhinoceros, gaining in popularity, the importance of hand drawing has become a topic of heated discussion. Even so, when we published the short article “Hand vs. Computer Drawing: A Student’s Opinion” last week, the number of people offering their thoughts in the comments was far beyond what we expected.