In time for Women’s Day, the artistic outcome of the first call of the Lilly Reich Grant for Equality in Architecture opened at the Mies van der Rohe Pavilion in Barcelona. Running till the 22nd March 2020, the exhibition entitled Re-enactment, carried out by Laura Martínez de Guereñu, aims to put the spotlight on Reich’s overlooked work.
In honor of International Women’s Day celebrated on March 8, it’s important to reflect upon and acknowledge the progress that women across all design professions have made over the last several years. From more women being appointed to leadership roles in prominent academic institutions around the world, Jeanne Gang being named to Time 100’s Most Influential People in 2019, the all-female team of Counterspace being awarded the design of the Serpentine Pavilion in London, and the first female practice winning the prestigious Pritzker Prize only a few days ago, more women in architecture are gaining the recognition that they deserve in this traditionally male-dominated profession.
Which is more male: a stadium or a nursery? Hannah Rozenberg, a recent graduate of the Royal College of Art, says that it’s the former—and she has an algorithm to prove it.
City Dreamers is a documentary by filmmaker Joseph Hillel that underlines the ever-changing city of tomorrow and the life and work of 4 women architects who reconsidered the urban environment. Phyllis Lambert, Denise Scott Brown, Cornelia Hahn Oberlander and Blanche Lemco van Ginkel are inspiring pioneers that observed and shaped the city of today and tomorrow.
Although cities are supposed to be built for everyone, they are in most of the time, thought, planned and designed by men: “Cities are supposed to be built for all of us, but they aren't built by all of us.”
With basic different needs, men and women expect different outcomes from their urban surroundings. A city should be able to fulfill everyone’s essentials. Lately, the topic that has everyone's attention revolves around cities designed by women. With a female mayor onboard and a feminist agenda, for the past four years, Barcelona has been undergoing major transformations on this subject.
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Archinfo Finland has announced the theme and curatorial team for the Pavilion of Finland at the 17th International Architecture Exhibition of the 2020 Venice Biennale. Entitled New Standards, the exhibition conceived by Laura Berger, Philip Tidwell, and Kristo Vesikansa will explore Finland’s timber industry.
Looking back on architectural history, you could be forgiven for thinking that women were an invention of the 1950s, alongside spandex and power steering - but this couldn’t be further from the truth. Big names like Le Corbusier, Mies, Wright, and Kahn often had equally inspired female peers, but the rigid structure of society meant that their contributions tended to be overlooked.
The Tamayouz Excellence Award revealed the winners of its Women in Architecture and Construction Award 2019, a prize that honors the achievements of female architects in the Near East and North Africa, under 2 categories: Rising Star and Woman of Outstanding Achievement.
Dublin-based Grafton Architects have been announced as the winners of the RIBA 2020 Royal Gold Medal, the UK’s highest honor for architecture. Recognizing the practice’s significant global contribution to architecture, the award is approved personally by Her Majesty The Queen. RIBA acknowledged that the people-centered practice has achieved global recognition and is known especially for its exemplary education buildings.
Accessibility is often approached as a field related to disability, whether physical or mental. When it comes to architectural design, it always comes up as a peripheral consideration of the project and not as something fundamental. However, there are other barriers.
In this edition of Editor's Talk, editors from ArchDaily Brazil share their thoughts on what they understand as accessibility and whether it's possible to create a neutral architecture.
This article was originally published on Metropolismag.com.
Maria Semple’s 2012 novel, Where’d You Go, Bernadette?, is an addictive, high-octane, hilarious summer read about a retired architect in Seattle entering the next phase of her career. Perhaps unsurprisingly, it has resonated with women architects. One texted me hours after picking up the book recently: “I’ve read about ⅓ of Bernadette in one sitting. I’ve squealed out loud with laughter. I’ve bitten my lip. I am currently reading about Bernadette on the job site getting disrespected by a subcontractor. Someone IS seeing me/us. It’s buried in this book.”
Women are imperative members of the design community, creating innovative and inspiring work in the fields of architecture, design, and urban planning. However, even with the rise of the women's movement, their contributions are still being questioned, compared, or taken for granted.
Metropolis Magazine looked back at the history of feminism in architecture, shedding the light on the times when the advocates witnessed unprecedented progress, and times when they lost their advantage.
This article was originally published on Metropolismag.com.
The Bauhaus was founded on the promise of gender equality, but women Bauhauslers had to fight for recognition. A new book recounts the achievements and talents of 45 Bauhaus women.
After the end of World War I, a spirit of optimism and a euphoric mood prevailed in Germany. Thanks to a new republican government and women’s suffrage, the war-torn nation was experiencing a radical new beginning.
As part of that convention-breaking wave, in 1919 German architect Walter Gropius assumed leadership of what would become the legendary Bauhaus. Initially, he declared that there would be “absolute equality” among male and female students.
Light Collective, founders of the project "Women in Lighting", conclude that although female designers seem to make up possibly half of the lighting design profession, their profile appears much lower than men when looking at judges in awards and speakers at major conferences. Sharon Stammers and Martin Lupton started a project with interviews of female lighting designers and contacted conference organizers to enhance their visibility.
Anna Saint Pierre's Granito project is harvesting the ingredients for new architectural building blocks from demolished structures.
Rapid urban change comes and goes without many even noticing it. Entire slices of a city’s history disappear overnight: What was once a wall of hewn stone is now fritted glass and buffed metal. The building site is always, first, a demolition site.
This is the thread that runs through Granito, a project by the young French designer and doctoral researcher Anna Saint Pierre. Developed in response to a late-20th-century Paris office block due for a major retrofit, one involving disassembly, it hinges on a method of material preservation Saint Pierre calls “in situ recycling.” Her proposal posits that harvesting the individual granite panels of the building’s somber gray facade could form the basis of a circular economy. “No longer in fashion,” this glum stone—all 182 tons of it—would be dislodged, pulverized, and sorted on-site, then incorporated into terrazzo flooring in the building update.
ELKA.jpg?1576139754 "Workmen carry a frame panel for a Puutalo house in northern Colombia where some 1,500 houses were constructed from 1955 to 1957 as dwellings for workers. These Puutalo homes can still be found throughout the Simón Bolívar neighborhood of Barranquilla today. Photo from 1956.. Image © ELKA")
ELKA.jpg?1576139683 "Stacks of pre-cut material stand ready and waiting for assembly in northern Colombia in 1956. Some 1,500 houses were constructed in the town of Barranquilla from 1955 to 1957 as dwellings for workers. These Puutalo homes can still be found throughout the Simón Bolívar neighborhood today.. Image © ELKA")
ELKA.jpg?1576140648 "A Puutalo house in Australia sits among a group of tall palm trees in the early 1950s.. Image © ELKA")
ELKA.jpg?1576139623 "A draughtsman finishes work on a sheet of drawings in the early 1950s at the Helsinki office of the Puutalo company.. Image © ELKA")
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