Architects are trained to choose materials, compare their properties, and decide how they should be used. Some practices are taking on a different task: developing the material itself.
For Material Cultures, BC architects, and Studio Ossidiana, this can begin with hemp grown for construction, earth excavated from building sites, or mixtures of concrete, pigment, stone, and shells. Their work connects material research with processing, fabrication, and construction.
Specificity has re-emerged as a central language in architectural discourse. In an increasingly globalized field, where projects often follow familiar models regardless of context, architects are now turning toward approaches rooted in the particularities of each site. This renewed attention to context reflects broader social, climatic, and political pressures: cities are facing extreme heat, ecological challenges, shifting demographics, and new forms of collective life that demand responses grounded in their immediate conditions.
Situated architecture describes this shift. It refers to design approaches in which form, program, and materiality emerge from the specific environment that produces them: its microclimates, cultural structures, and everyday rituals. Rather than beginning with universal templates, these practices start with observation, prototyping, and direct engagement with local dynamics. This logic is visible in the climatic and material experiments of TAKK in Spain, such as Portable Garden and 10k House, which operate as lightweight prototypes tuned to thermal and ecological gradients; in Studio Ossidiana's Art Pavilion M, shaped by layered soils and ecological cycles in the Netherlands; in Izaskun Chinchilla's reinterpretations of vernacular objects and her later experiments with 100 Sillas and 3 Salones Urbanos; in the narrative-driven domestic spaces explored by Common Accounts; and in Raumlabor's urban interventions that respond directly to the specificities of post-industrial Berlin.
As architecture moves beyond human-centered design, new practices are rethinking coexistence as an ethical and ecological framework. From political infrastructures to habitats, these approaches invite us to imagine architecture as a shared living system.
Modern architecture has long been written through an anthropocentric lens, placing the human at its center and rendering other species invisible. Yet this paradigm continues to shift, as architects and researchers redefine the role of design in more-than-human worlds. Studios such as Office for Political Innovation, Studio Ossidiana, and Husos Architects are questioning human-centered narratives and reframing design as a shared practice between species. In this context, architecture is no longer a tool of control but a medium for coexistence, a discipline that mediates between species, environments, and cultures.
Opening on World Architecture Day, October 6, 2025, "Age of Nature" is a new exhibition at the Danish Architecture Center (DAC), on view until May 17, 2026. Presented in DAC's largest exhibition space, the show examines how architecture can evolve to support both human life and biodiversity, addressing one of the most pressing challenges of the time: redefining the relationship between the built environment and the natural world.
As climate instability reshapes design priorities, architecture is increasingly drawn into ecological debates not as a spectator but as a participant. Among the concepts gaining traction is rewilding, a practice rooted in the restoration of self-sustaining ecosystems through the reintroduction of biodiversity, the removal of barriers, and the rebalancing of human presence in the landscape. Though often associated with conservation biology, rewilding also opens up new spatial and architectural imaginaries — ones that challenge conventional notions of permanence, authorship, and use.
The fourth edition of the Bruges Triennial: Spaces of Possibility, curated by Shendy Gardin and Sevie Tsampalla, will be held from Saturday 13 April to Sunday 1 September 2024. This event promises to transform the streets and historic center of Bruges, Belgium, into a showcase of contemporary art and architectural interventions. With a focus on exploring the latent potential of this UNESCO World Heritage Site, the festival raises questions about how concepts like change and sustainability can interact with preservation.
The 12 selected artists and architects have been prompted to challenge the existing spaces within Bruges. Among the invited names are Boonserm Premthada’s Bangkok Project Studio, Mona Hatoum, Studio Ossidiana, and Sumayya Vally, founder of Counterspace and curator of the first Islamic Arts Biennale, among others. Until September 1st, they are presenting temporary interventions and large-scale installations that seek to reveal the hidden potential of the city, echoing the festival's theme. Against the backdrop of Bruges' rich history, this edition of the Bruges Triennial underscores the importance of adaptable urban spaces in today's ever-evolving world.
The Bruges Triennial 2024 has announced its theme, “Space of Possibility,” along with a list of participating artists and architects and the locations of the 12 installations. Running from Saturday 13 April to Sunday 1 September 2024, the event will take over the streets and historic center of Bruges. Belgium, showcasing contemporary art and architectural interventions. The curators of this edition, Shendy Gardin and Sevie Tsampalla, have selected a list of 12 artists and architects who will challenge the existing locations within the city’s quarters in response to the theme which asks them to seek to reveal the hidden potential of the city.
Architecture studio ELASTICOFarm, led by Stefano Pujatti, has been awarded the Premio Italiano di Architettura (Italian Architecture Prize), promoted by the Triennale di Milano and MAXXI. The award, now in its fourth edition, is received in recognition of their S-LAB project, a new building in Turin, Italy, for the Istituto Nazionale di Fisica Nucleare (INFN). The prize highlights works of architecture with high design quality and an attentive approach to innovation and the social role of architecture.
Finnish architect Juhani Pallasmaa once said that "architecture is essentially an extension of nature into the man-made realm, providing the ground for perception and the horizon of experiencing and understanding the world."
In the constant hustle and bustle of the modern surroundings, it is more than needed to take a step back and listen to the sounds of something as calmly powerful as nature. Moreover, listening to the beautiful harmonies created by birds chirping and sound waves can make our inner voice louder as well.
Studio Ossidiana, founded by Alessandra Covini and Tomas Dirrix, investigates architectural materials through experimental research projects. Their recent work "Petrified Carpets" explores the "ideal garden" found in Persian carpets and will be showcased at the Dutch Design Festival of 2016 along with other exhibitions.
