The philosopher and sociologist Henri Lefebvre coined the notion of "production of space" in 1974, breaking with the vision of space as a container or scenario of objects and social relations, to move towards space understood as a process. From this vision based on the Marxist tradition, space is a product and a producer of social relations and processes.
The new metaverse platform pax.world, set to launch in early 2023, has announced its collaboration with global architecture offices Grimshaw, HWKN, Farshid Moussavi, and WHY to create “Metaserai,” a vast social and cultural hub envisioned as the core of the new virtual community. The hubs are designed to host virtual cultural, social, and educational events such as concerts, theatre shows, digital art galleries, markets, lectures, parties, and festivals.
The pax.world platform aims to develop into a fully functioning society governed by a Decentralized Autonomous Organization, also known as a DAO. The virtual space will be divided into privately-owned plots of land punctuated by Metaserai communal hubs. These take inspiration from the Caravanserai of the ancient Silk Road, which became hubs for commerce and cultural exchange. Each of the architects is designing their own interpretation of Metaserai.
Architecture has been criticized for being a primary elitist indulgence. Most architectural projects are funded by the wealthy and seen as a means of bringing beauty into the surrounding environment. Architecture, however, is a double-sided coin with functionality balancing out aesthetics. With the ability to strategize radical solutions, architects equally find themselves at the forefront of solving complex issues. The context of Southeast Asia offers a demanding challenge with various social problems, giving architects a chance to save the world with humanitarian design.
What kind of city is a people-oriented city? This is a difficult question to answer because humanistic cities evaluate the city by "people”, and people are extremely diverse, producing individual different evaluation standards. For example, a city that is friendly to car drivers, may not be so friendly to pedestrians.
Nonetheless, there is a general perception that some cities seem to be more friendly to people than others. Why is this the situation?
From the 21st to the 25th of September, the Mextrópoli Festival + XII Ibero-American Biennial of Architecture and Urbanism took place in Mexico City. As part of the event, ArchDaily spoke with 2014 Pritzker Prize winner Shigeru Ban about the central theme "Inhabiting at the margins", a proposal that sought to make visible the work of those who are providing solutions to the growing social, environmental, and economic needs at the margins of the system.
LaBoqueria is an architecture studio in Barcelona that has the experience of multiple local and international collaborations. This global, multidisciplinary and participative perspective allows them to have a renewed and different vision of architecture.
Focusing on social, economic and environmental aspects, they seek to approach their projects in a comprehensive way, bringing together the different people involved in the process. Among their works are the housing building La Balma carried out together with the architects' cooperative Lacol; the Reformation of premises together with Marta Peinado Alós; and the Ca's Bouer House together with Jordi Queralt.
ArchDaily, interested in collaborative and participatory processes through the theme Democratization of Design, conducted an interview with LaBoqueria to learn about their main inspirations, challenges and visions.
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Many of us agree that design is still not considered for everyone. That is why we must ask ourselves what is truly democratic in the matters of design - in order to define our vision toward a more just society. From the perspective of architecture and urbanism, we can look at this democratization from different angles, including citizens in participatory processes, in order to find answers to our constant search to improve habitability and accessibility.
After a prolonged period known as the Middle-Ages, a growing desire to both study and mimic nature itself began to emerge, with an inclination to discover and explore the world. Between 1400-1600 A.D. Europe was to witness a significant revival of the fine arts, painting, sculpture, and Architecture. The ‘Renaissance’, meaning ‘rebirth’ in French typically refers to this period of European history, although most closely associated with Italy, countries including England and France went through many of the same cultural changes at varying timescales.
Prior to the dawn of the Renaissance, Europe was dominated by ornate and asymmetrical Gothic Architecture. Devoured by the plague, the continent lost approximately a third of its population, vastly changing society in terms of economic, social and religious effect. Contributing to Europe’s emergence into the Renaissance, the period ushered in a new era of architecture after a phase of Gothic art, with the rise of notions of ‘Humanism’. The idea of attaching much importance to the essence of individualism. The effect of Humanism included the emergence of the individual figure, greater realism and attention to detail, especially in depictions in art.
Last Tuesday, March 15, Francis Kéré became the first African architect to win the Pritzker Prize, the most important award in the architecture discipline.
The election of Kéré is not only symbolic in a time of identity demands, where the institutions that make up the mainstream are required to more faithfully represent the social, cultural, and sexual realities that make up our societies, but it also confirms the recent approach of the Pritzker Prize jury.
"I Draw on Paper, but I Prefer to Draw on the Ground". This phrase caught my eye during Diébédo Francis Kéré's speech at the AAICO (Architecture and Art International Congress), which took place in Porto, Portugal from September 3 to 8, 2018. After being introduced by none other than Eduardo Souto de Moura, Kéré began his speech with the simplicity and humility that guides his work. His best-known works were built in remote places, where materials are scarce and the workforce is of the residents themselves, using local resources and techniques.
Following decades of ongoing socio-cultural and economic crises across the globe, the design community has realized that it is time to “design like they give a damn”. And with that, they embraced a movement that saw architects and designers use their acquired skills to develop design-based solutions to humanitarian crises, ranging from building modular housing and mapping landscapes, to developing mobile applications and documentaries, all from an altruistic standpoint. But since pro bono work is not yet ingrained in the ethos of architecture, how have architects broken out of the traditional model of “corporate” architecture and established a way to ensure ethical responsibility for human welfare?
The emergence of the Digital Twin phenomenon has heralded a great change in terms of urban planning. It essentially presents the city as dynamic, in virtual form. Ensuring every element from the historic fabric, new construction, and public transit is accounted for in one three-dimensional model. Not only does it present key elements in terms of the landscape, but it also encompasses often overlooked conditions such as the presence of light throughout the day, shadows, and the presence of vegetation and trees. All of which contribute to a better preliminary process of site analysis.
Many of us have already lived, are living, or will live in a shared student house - a good mix of cheap housing and intense socializing with friends and school mates. For a reasonable price, it is possible to have a single private room and share common spaces. In fact, not only university students are living this way nowadays. The concept of co-living is becoming more and more an attractive and effective solution.
In the introduction of Cities for People, Jan Gehl stated clearly that most cities have neglected the human aspect when planning the built space. While technologies have allowed us to build large, our focus shifted from creating architecture for humans to erecting structures that look like they are meant for a different kind of species. Top-down urban planning decisions have ignored scales adapted to the senses and organic growth, and new ideologies prioritized speed, functionality, and profitability.
Dictating our city experience, scale, this major spatial component related to the human dimension, stimulates our senses, and influences our well-being. In this article, we lay down historical changes and underline scientific facts to highlight how scale can impact our daily city life, guided by Eden of the Orient, a series of photos by Belgian photographer Kris Provoost, portraying a battle of scale in Hong Kong.
The series of articles developed by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy and Ernesto Philibert-Petit researches the peculiarities of social housing in Latin America. This time, examples of strategies and planning in their construction are reviewed, such as the importance of collaborative social processes and the specific sequences of stages.
The series of articles developed by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy and Ernesto Philibert-Petit researches the peculiarities of social housing in Latin America. This time the authors explain a construction strategy through iterative design and the emergence of form.
The series of articles developed by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy and Ernesto Philibert-Petit researches the peculiarities of social housing in Latin America. This time, the authors focus on the role of participation in design processes and in the construction of a healthy urban fabric based on the experience of Christopher Alexander.
"Public space" is a legal terminology that tackles the notion of land ownership, suggesting that this type of parcel does not belong to anyone in particular, but to the state itself. Open, free, accessible to all, and financed by public money, these spaces are not only the results of planning, but the consequences of the public practices they hold. Actually, people define how public space is used and what it means.
Protests - powerful political tools for change - from the March on Washington in 1963, the Arab Spring in the early 2000s to recent Black Lives Matter Movements, are altering the world. In times like these, while people still need to "take their issues to the streets" to be heard and seen, public spaces have resurfaced as a topic of discussion.
.jpg?1647823485 "Gando Primary School Extension / Kéré Architecture. Image © Erik Jan Ouwerkerk")
.jpg?1647822667 "Serpentine Pavilion / Kéré Architecture. Image")
.jpg?1647822697 "Startup Lions Campus / Kéré Architecture. Image")
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