In 1982, at a conference on earth building in Tucson, Arizona, an unusual presentation challenged everything architects thought they knew about rural resources. Instead of focusing on construction techniques, the presenter, architect Pliny Fisk III, spread out a series of hand-drawn maps that revealed something extraordinary - rural Texas wasn't resource-poor, as conventional wisdom suggested, but material-rich beyond imagination. The maps showed volcanic ash perfect for lightweight concrete, caliche deposits stretching across vast territories, and mesquite forests that could supply both hardwood flooring and insulation. The revelation redefined prevailing notions of value in architecture.
Located on a farm in southern India, the Rice Museum occupies the upper floor of Syed Ghani's home, nestled in the verdant agricultural landscape of Mandya — a region shaped by brick structures, expansive greenery, and ancestral farming knowledge. Syed Ghani, a farmer, historian, and museologist, has dedicated himself to preserving indigenous rice varieties through seed conservation, proliferation, and educational initiatives. With the support of local farmers, he has helped recover more than 1,000 native paddy (rice) varieties, safeguarding an essential part of India's agricultural heritage.
The desire to see the world from above transcends cultures and time — an almost instinctive impulse to seek new horizons, gain perspective, and momentarily step outside everyday life. Observation towers embody that desire: built in forests, mountains, urban parks, or coastal landscapes, they invite us to pause, look closely, and discover the surroundings in a quiet or playful way. These structures offer more than just views; they offer experiences. As we climb their steps or ramps, our bodies take part in a ritual of transition — from ground to sky.
In an effort to foster a sense of belonging among its inhabitants, to value ancestral cultures, and to preserve identity, the Latin American region embraces an architecture rich in nuances and regional characteristics. The use of local materials and construction techniques, or the dialogue between modular and vernacular approaches, among other aspects, reflect the intention to promote the involvement of native communities, students and their families, Iindigenous peoples, and local builders in the design and construction processes of a wide variety of rural schools throughout Latin America.
The architecture of cultural and community centers in rural areas around the world has become a rich field for experimentation, where tradition and innovation intersect. Rather than replicating standardized urban models, these projects embrace contemporary approaches tailored to local realities, blending bold design, sustainable technologies, and collaborative processes. Often developed in close partnership with local communities, they draw on regional materials and cultural symbols to create spaces that do more than host activities: they express a collective identity and a profound sense of belonging. By reimagining vernacular knowledge through a modern lens, these buildings support and inspire new ways of living in the countryside.
The Mies Crown Hall Americas Prize (MCHAP) has just announced the winners of the fifth MCHAP Americas Prize award: Thaden School, designed by EskewDumezRipple, Marlon Blackwell Architects, and Andropogon Associates. Located in Bentonville, Arkansas, on a 30-acre site, the campus explores the relationship between architecture, landscape, and community within the educational context. The announcement was made after a daylong celebration at S.R. Crown Hall on the Illinois Institute of Technology (IIT) campus. The event featured Masterclass presentations by students from IIT and regional universities, along with a roundtable discussion with the finalists and jury during the MCHAP Symposium.
Upper Lawn's thoughtful interplay between the new and the existing is particularly compelling. Built on the remains of an 18th-century English farmhouse, the pavilion repurposes thick masonry walls from the original structure, incorporating elements such as the well, trees, and lawn into its design. Using prefabricated materials like timber, glass, and aluminum, the Smithsons constructed a light-filled space that harmonizes with its surroundings, embodying their principle of "as found architecture" — a concept rooted in honoring and adapting to preexisting conditions rather than imposing on them.
Selected as one of ArchDaily's Best New Practices for 2024, Mix Architecture bases in Nanjing, China, took their approaches honed from rural China to the city, dealing with projects across different scales that stay true to the identity of the communities they work in, but with a contemporary character that is dealing with projects across different scales that stay true to the identity of the communities they work in, but with a contemporary character that is setting the bar for Chinese architecture. They responded sincerely to the site, to the construction, to the functional needs, and to the expression of sociality. From the name of their studio, one can observe that they are an inclusive design studio.
In an interview with ArchDaily, they summarise their design practice as 'the evolution of scenery', each time drawing design information from the site, not just responding to nature or culture, but becoming part of the landscape. This allows even the casual viewer without a professional background in architecture to perceive the atmosphere created by the design. Treating architecture as a social event, each design maximizes the use of local resources under limited conditions to bring about a relatively good result, responding to the environment, the cultural heritage, the materials, the craftsmanship of the workers, the type of function of the space and the real needs of the owner.
Recognized for completing 36 distinct yet cohesive public projects across Mexico in just 36 months, Colectivo C733 showcases the impact of collaborative design on public spaces and communities. The 36 projects were part of a national effort to revitalize vulnerable urban and rural areas in Mexico, earning them the 2024 Obel Award focused on the theme of "Architectures With". The team behind the designs, Colectivo C733, is a collaborative group formed by the joint offices of architects Gabriela Carrillo (Taller Gabriela Carrillo), Carlos Facio, and José Amozurrutia (TO), along with Eric Valdez (Labg), and Israel Espin. In a recent conversation with ArchDaily's Editor-in-Chief, Christele Harrouk, the collective discussed their approach to public architecture, the process of integrating diverse voices, and remaining flexible to the challenges of local conditions.
In celebration of Urban October, a month dedicated to recognizing the significance of innovative urban spaces, this curated selection presents 8 conceptual projects that demonstrate the transformative potential of public spaces. These projects, submitted by the ArchDaily community, showcase the myriad ways public spaces can enhance cultural identity, community interaction, and environmental quality. Conceptual projects and competition entries serve as a platform for architectural experimentation, challenging the norms and sparking discussions about the future of urban landscapes. From rural settings to layered historical squares or small-scale urban interventions, the designs engage with their contexts, aiming to improve the experience of residents and visitors, highlight the histories of the space, and ensure accessibility for all.
Each month, ArchDaily's editors select a collection of conceptual projects centered around a theme or program, submitted to ArchDaily. These projects are developed by small and large-scale architecture offices from around the world and submitted openly to the ArchDaily platform, thus forming a worldwide community of practitioners sharing their work, be it purely conceptual, a competition entry, or an early-stage design phase. Submissions are open to everybody. If you wish to contribute, send in your work by following the instructions here.
Rural environments are often difficult to define in administrative and professional contexts and carry notable biases and complexities. Population and density thresholds are the most common determinants for drawing administrative boundaries, yet other factors, such as infrastructure, employment, and services, contribute to the characterization of rural environments. In the United States, the Census Bureau defines rurality, not by its characteristics or resources, but by absences, as "any population, housing, or territory not in an urban area." For the design and planning community, it is important to define the future of rural environments, not through the metrics of urban resources or infrastructure, but to design a new framework for flexibility, adaptation, and health.
In the mountain valleys of China’s Fujian Province, thousands of large, rammed earth fortresses lay abandoned. Once used for both defense and collective housing, the tulou typology is an integral part of the region’s cultural heritage, with 46 of them being recognized by UNESCO as World Heritage Sites. Despite this, the rural communities surrounding them have struggled to find new roles and purposes for these buildings. Going beyond the need for conservation, architect Xu Tiantian of DnA_Design and Architecture set out to develop and adapt this heritage to reintroduce it into community life. The Fujian Tulou | Adaptive Reuse project recently won the Gold Prize of Holcim Awards 2023 for Asia-Pacific, recognized for creating “an exemplary model for building conservation initiatives.”In a video interview for ArchDaily, Xu Tiantian discusses the principles that underpin this initiative and the potential outcomes of adaptive reuse in rural communities.
In recent years, India has seen a resurgence of interest in natural building materials, a movement driven by escalating environmental concerns and a growing desire to revive traditional lifestyles. From the busy streets of Mumbai to the serene villages of Kerala, architects, builders, and communities are coming together to experiment with the potential of earth, bamboo, lime, and other organic materials in shaping contextually relevant structures that also embody India's contemporary ideals. The shift towards using natural materials and other vernacular resources reflects a movement towards sustainability and a deeper connection with nature.
ATELIER XI has been selected for ArchDaily's 2023 New Practices and is one of the few firms still rooted in traditional architectural design. Founded in 2017, ATELIER XI began their practice in Shenzhen, one of the fastest-growing and urbanizing cities in China. Their work represents the current state of a generation of architects, with major projects in small-scale urban architecture, exhibition design, interior design, renovation, and rural architecture. While they may not become urban landmarks, they can still influence the lifestyle of the community through small-scale design.
The studio aspires to create spaces that bring unique poetry and profoundness to contemporary urban and rural environments: "We see architecture as an art of mediation between social, economic, and political interests. We strive to create meaningful places with minimal resources. We aim to convey emotions and memories through spatial poetry. We believe that each space, whether grand or tiny, offers a glimpse into the vastness of our world and serves as a testament to the glory of everyday life. By planting these quiet and resilient spaces one at a time, we envision architecture branching out and flourishing with life and narratives."
https://www.archdaily.com/1007149/how-to-challenge-the-design-brief-an-interview-with-atelier-xi韩爽 - HAN Shuang
India recently overtook its sub-continental neighbor, China, to become the most populous country in the world with a demography of over 1.4286 billion people. As data from the United Nations also estimates an annual population growth rate of 0.7%, the country’s built environment is set to interact with a new discourse of demography and present its own perspective on how to build for billions. It is set to engage with new challenges of infrastructure, transportation, and adequate housing, which on the surface will force cities to constantly expand as a response to these dynamic needs. However, a critical look at the population distribution within the country reveals that the majority of Indians still live in rural areas as it caters to 65% of the population despite increasing rural-urban migration. This suggests a nudge in a different direction. One where the design and development of the rural areas take precedence over the cities. One that explores architecture in rural areas, its relationship with the cities, and its future as a primary framework to house the exploding population.
Some would say it's the fresh air, peace and quiet, and some the constant closeness to nature; nonetheless, we all agree there’s something unique about the countryside. As you step inside a farmhouse, all of these qualities can be reflected through the lense of contemporary interior design, creating a welcoming, light and calm ambiance. Known for their place in rural or agricultural settings and designed for farm living, traditional 1700’s farm houses –also known as “folk” houses– were initially influenced by their geographical conditions, enhancing the relationship with the environment. While conserving traditional approaches such as simple floor-plans, gabled roofs and large porches, farmhouse aesthetics have gone through transformations to adapt to contemporary ways of living. By reusing and using traditional rural architecture as a direct reference, we analyze how current projects follow its singular design strategies: noble materials, spaces connected to the environment, and simple and functional spaces with unique details.
Yasmeen Lari, recognized as the first female architect in Pakistan, has had a significant impact both in her home country and internationally due to her innovative and socially conscious approach to architecture. Through a systemic approach, Lari’s work takes into consideration local culture, site-specific opportunities, and challenges. Born in Pakistan in 1941, Yasmeen Lari moved to London with her family at the age of 15. After graduating from Oxford Brooks School of Architecture, she returned to Pakistan at the age of 23 to establish Lari Associates with her husband, Suhail Zaheer Lari. The couple settled in Karachi. Here, she began to study Pakistan’s ancient towns and the vernacular architecture of earth buildings, igniting her interest in the architectural heritage and traditional techniques of her country. In 1980, she co-founded the Heritage Foundation of Pakistan with her husband, becoming instrumental in the preservation of her country’s rich cultural heritage.
