Rendered floor plans and sections are a kind of translation of technical construction drawings into a language more accessible to people who are not familiar with architectural design. In other words, they are responsible for introducing the human scale to the project, not only through the human figure but also by displaying furniture, textures, and other aspects of architecture that are more realistic and humanizing, making the representation more understandable.
Who has not felt the anxiety of using a restroom outside the comfort of their home? Various architects have experimented with proposals that address these stressful situations, addressing the efficiency of public restrooms from their sanitary facilities, spatial distribution and, mainly, privacy and comfort.
These variations can be seen in the planimetry of numerous examples published on our site. We've selected a number of projects that can inspire your next design.
When we approached the Flores & Prats firm, we wanted to focus on their precise drawing just as much as their detailed mock-ups. We wanted to see a project that not only "values the time invested and accumulated in it but also sees said time as a virtue and not a defect;" an indication of paying attention to the process as well as the unexpected. (In this sense, it reminds me of reading about how to draw a forest, among other things, in "Las tardes de dibujo en el estudio Miralles & Pinós").
We conducted a long-distance interview with the Eva Prats and Ricardo Flores studio for this reason; to get a better idea of their thoughts on the impact of drawing on architectural representation.Their input makes clear the "why" of their decisions, and explains not only how they operate in a contemporary context but also indicates their relationship with construction among other disciplines.
The history of the spaces presents an important diversity throughout the world, which corresponds to different geographical, economic and cultural moments and conditions. Technology plays an important role since the constructions through which time has passed also work with a kind of sample that breaks down all the advances and ambitions in force of the time, leaving reflections that it are important to keep today.
Federico Babina has published the latest series from his extensive collection of architectural imagery. “Abstructure: architectural embryos” seeks to question the use of architecture in creating a drawing, rather than the use of a drawing in creating architecture.
Through the compositions, Babina proposes an ideal link between architecture as a form of representation and the representation used in the drawings. Volumes of architecture are broken down to achieve an “abstract” representation, without losing the essence of the design.
Airports require architectural solutions that not only respond to the efficiency of their spaces and circulations - both operational and passenger - but also to their connection with other transport systems and terminals.
Take a look at 10 airports/terminals and their plans and section below.
The visual presentation of a project, which architects are responsible for, must effectively communicate and analyze the organization of the project's material elements. This essential creative process allows those involved to effectively identify and even modify key aspects and components of the building during all phases of its conception.
Because of the inherent challenges of material selection and other practical issues, the development of what exactly will be built tends to be relegated to the end of the design process. But a true understanding of minor yet invaluable details is among the most interesting and important aspects of the best architectural projects.
In our search for the most outstanding recent examples of construction detail representations, we've collected a series of ten drawings that celebrate different styles and approaches.
*Editor's note: the following article was written by an editor of ArchDaily in Spanish. Some project descriptions mentioned have not yet been translated into English, but we are actively working to make this information available to our global readers.
Amer Ismail, architect-turned-artist based in London, has developed a spectacular set of intricate “Globe Drawings” of cities around the world. Beginning in 2016, Ismail developed these 5-point-perspective drawings with heavy inspiration from artist Stephen Wiltshire. Having spent many years drawings architecture, including time at Foster+Partners, Ismail tasked himself with developing a series that encompassed his “interest for architecture, city planning, travel, drawings, and Star Wars.”
The functional distribution plays a fundamental role in the contemporary design of offices and places for work. The study of the architecture plan shows an interesting form of approach; not only allows for proper logistics and circulation but find efficient variations and innovations that will enable better workspaces that adapt to the current needs.
We have selected more than 50 plans of projects that will inspire you, recognizing the different ways in which architects have faced the challenge to design offices, in all different scale ranges.
Enquanto meio de representação da arquitetura, a fotografia apresenta qualidades indiscutíveis. Com ela, é possível apresentar a um público distante obras erguidas em qualquer lugar do mundo, de vistas gerais a espaços internos e pormenores construtivos - ampliando o alcance e, de certo modo, o acesso à arquitetura.
Entretanto, como qualquer outra forma de representação, não é infalível. Na medida que avanços tecnológicos permitem fazer imagens cada vez mais bem definidas e softwares de edição oferecem ferramentas para retocar e, por vezes, alterar aspectos substanciais do espaço construído, a fotografia, por sua própria natureza, carece de meios para transmitir aspectos sensoriais e táteis da arquitetura. Não é possível - ao menos não satisfatoriamente - experienciar as texturas, sons, temperatura e cheiros dos espaços através de imagens estáticas.
The Fundació Joan Miró presents Lina Bo Bardi Drawing, the first exhibition to focus specifically on the role of drawing in the life and work of the Italian-born Brazilian architect.
The exhibition features a carefully selected collection of a hundred drawings from the Instituto Lina Bo e P. M. Bardi, bearing witness to the importance of drawing in all the stages of Bo Bardi’s multifaceted career. The project has been curated by another architect, Zeuler Rocha Lima - also an artist, researcher, and international expert on Bo Bardi - with support from the Fundació Banco Sabadell.
A while ago I was researching material on the internet for a project about representation in architecture, so I started reviewing the websites of different architecture offices. Several passed quickly, without much notice, however, I found some that kept me completely immersed. I explored and appreciated the sensibilities of their authors, whose penchant for drawings and freehand sketches I hadn’t previously known. Within those libraries of mental excursions, I discovered Alberto Campo Baeza’s drawing library; I loved it so much that I decided to share it with you.
I was part of the last generation of architectural students who didn't use computers (we’re only talking the early 1990’s here; there was electricity, color TV’s, rockets, just no renderings.) In my final year at college I miscalculated how long it would take me to finish my thesis project. As the deadline approached, I realized it was too late for me to match my fellow students’ presentations. At the time Zaha Hadid, and her deconstructivist paintings, set the style for architectural illustration. That meant many student projects being rendered in oil paints on large canvases.
As mentioned in our previous article on retail stores under 100 square meters, the spatial distribution of commercial spaces is a determinant for its success. Not only does it address adequate logistics and the circulation of customers, but the variations and innovations that will enable a more efficient and original space.
Below, we've selected projects from our site, with their plan and section, that can help inspire your next project.
Designing commercial spaces has historically been a challenge. In these environments, spatial distribution plays a fundamental role, even more so if we have a few extra square meters. With this being said, the study of these spaces in plan and section can be a great starting point. It not only allows us to analyze the logistics and circulation of customers but also helps us find efficient variations and innovations that will enable your store to stand out from the others.
Below, we've selected a series of 25 examples in plan and section that can help you understand how different architects faced the challenge.
The Cooper Union is to host a new exhibition showcasing the impact of technology on architectural drawing. “Drawing Codes: Experimental Protocols of Architectural Representation: Volume II” will examine how “emerging design and production technologies impact the ways in which architects engage with traditional practices of architectural drawing and how rules inform the ways the built environment is documented, analyzed, represented, and designed."
The exhibition will feature 24 experimental drawings by firms such as Aranda\Lasch, Höweler + Yoon, and Outpost Office. The artists were challenged by the curators to consider at least one concept that expands on the notion of “code” in design and representation. A strict set of rules was enforced, including black and white media, and limiting the drawing to two dimensions.
Throughout history, markets have provided an important function in the exchange of foods, books, spices, everyday items, and even ideas. From Mexican Tianguis to North African Souks, they played an essential element in the configuration of urban spaces.
Different architects have approached this challenge, where spatial distribution plays a fundamental role in creating adequate logistics and circulation.
We've selected 20 markets and their plan and section to inspire your next project.
We all have that childhood memory of drawing a little house with a door and a window, a gabled roof, and a tree. But what sets architects apart from the rest of the population is that we continue to draw this after childhood, usually with a bit more technique. And just as our residential designs were becoming more complex and complete, the design of our trees needed to improve a bit as well (that broccoli-like shape would not please customers and teachers alike.) Although generally, trees are not the main focus of drawings, they play an important role in the composition of sketches, mainly to represent the scale, intended shading, or some intention of landscaping.
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