The Power of Data is an exhibition created in a virtual building, conceived by three-dimensional geometries based on various artificial intelligence algorithms. The project was created by the OLA (Online Lab of Architecture) team of research architects formed by Jennifer Durand (Peru), Daniel Escobar (Colombia), Claudia Garcia (Spain), Giovanna Pillaca (Peru) and Jose Luis Vintimilla (Ecuador).
Representation: The Latest Architecture and News
On the Latest Representation Trends and Immersive Experiences in Virtual Design Platforms: SpaceForm x CRA
In 2021, CRA-Carlo Ratti Associati’s proposal to create sustainable alternatives for urban heating networks was selected as one of four winners of the global Helsinki Energy Challenge. The project entitled Hot Heart proposed “island-like, floating seawater reservoirs to heat the city of Helsinki in a green way”. Using Twinmotion, Epic Games’ real-time visualization platform for the architecture industry to design the intervention, the large scale infrastructural project needed a digital representation tool to possibly put scale into perspective, offer a real immersive experience to engage the client, and exhibit instant changes related to natural factors such as daylight. Come SpaceForm, a data-driven virtual presentation and design tool. Created to facilitate remote cooperation, the technology allows clients or stakeholders to be more immersed in the story of the design.
How many times have you been faced with the challenge of designing a cultural center? While this may seem like quite a feat, many architects have had to design a program that blends a community center with culture.
Among the projects published on our site, we have found numerous examples that highlight different responses, from flexible configurations to sites that prioritize central gathering areas for citizens and activities. See our series of 50 community centers and their plans and sections below.
As Francis D. K. Ching explains in his book Architectural Graphics, unlike the traditional, two-dimensional orthographic drawings used to represent layouts, sections, and floorplans, which only allow a project to be glimpsed through a series of fragmented images, axonometries, or axonometric projections, offer unique, simultaneous three-dimensional views of a project with all the depth and spatiality of tried and true technical illustrations.
This article was originally published on Common Edge.
Stefan Fuchs & Raphael Dillhof interview Adam Nathaniel Furman and discuss the role and importance of facades in today's urban fabric, "in the context of a broader range of social, economic, and political issues". Part of a more in-depth study examining the role of facades in the 21st century, this discussion also raises the question of why buildings always embody the values of their creators.
Rendered floor plans and sections are a kind of translation of technical construction drawings into a language more accessible to people who are not familiar with architectural design. In other words, they are responsible for introducing the human scale to the project, not only through the human figure but also by displaying furniture, textures, and other aspects of architecture that are more realistic and humanizing, making the representation more understandable.
When we approached the Flores & Prats firm, we wanted to focus on their precise drawing just as much as their detailed mock-ups. We wanted to see a project that not only "values the time invested and accumulated in it but also sees said time as a virtue and not a defect;" an indication of paying attention to the process as well as the unexpected. (In this sense, it reminds me of reading about how to draw a forest, among other things, in "Las tardes de dibujo en el estudio Miralles & Pinós").
We conducted a long-distance interview with the Eva Prats and Ricardo Flores studio for this reason; to get a better idea of their thoughts on the impact of drawing on architectural representation.Their input makes clear the "why" of their decisions, and explains not only how they operate in a contemporary context but also indicates their relationship with construction among other disciplines.
Federico Babina has published the latest series from his extensive collection of architectural imagery. “Abstructure: architectural embryos” seeks to question the use of architecture in creating a drawing, rather than the use of a drawing in creating architecture.
Through the compositions, Babina proposes an ideal link between architecture as a form of representation and the representation used in the drawings. Volumes of architecture are broken down to achieve an “abstract” representation, without losing the essence of the design.
The visual presentation of a project, which architects are responsible for, must effectively communicate and analyze the organization of the project's material elements. This essential creative process allows those involved to effectively identify and even modify key aspects and components of the building during all phases of its conception.
Because of the inherent challenges of material selection and other practical issues, the development of what exactly will be built tends to be relegated to the end of the design process. But a true understanding of minor yet invaluable details is among the most interesting and important aspects of the best architectural projects.
In our search for the most outstanding recent examples of construction detail representations, we've collected a series of ten drawings that celebrate different styles and approaches.
*Editor's note: the following article was written by an editor of ArchDaily in Spanish. Some project descriptions mentioned have not yet been translated into English, but we are actively working to make this information available to our global readers.
Amer Ismail, architect-turned-artist based in London, has developed a spectacular set of intricate “Globe Drawings” of cities around the world. Beginning in 2016, Ismail developed these 5-point-perspective drawings with heavy inspiration from artist Stephen Wiltshire. Having spent many years drawings architecture, including time at Foster+Partners, Ismail tasked himself with developing a series that encompassed his “interest for architecture, city planning, travel, drawings, and Star Wars.”
The functional distribution plays a fundamental role in the contemporary design of offices and places for work. The study of the architecture plan shows an interesting form of approach; not only allows for proper logistics and circulation but find efficient variations and innovations that will enable better workspaces that adapt to the current needs.
We have selected more than 50 plans of projects that will inspire you, recognizing the different ways in which architects have faced the challenge to design offices, in all different scale ranges.
Enquanto meio de representação da arquitetura, a fotografia apresenta qualidades indiscutíveis. Com ela, é possível apresentar a um público distante obras erguidas em qualquer lugar do mundo, de vistas gerais a espaços internos e pormenores construtivos - ampliando o alcance e, de certo modo, o acesso à arquitetura.
Entretanto, como qualquer outra forma de representação, não é infalível. Na medida que avanços tecnológicos permitem fazer imagens cada vez mais bem definidas e softwares de edição oferecem ferramentas para retocar e, por vezes, alterar aspectos substanciais do espaço construído, a fotografia, por sua própria natureza, carece de meios para transmitir aspectos sensoriais e táteis da arquitetura. Não é possível - ao menos não satisfatoriamente - experienciar as texturas, sons, temperatura e cheiros dos espaços através de imagens estáticas.
The Fundació Joan Miró presents Lina Bo Bardi Drawing, the first exhibition to focus specifically on the role of drawing in the life and work of the Italian-born Brazilian architect.
The exhibition features a carefully selected collection of a hundred drawings from the Instituto Lina Bo e P. M. Bardi, bearing witness to the importance of drawing in all the stages of Bo Bardi’s multifaceted career. The project has been curated by another architect, Zeuler Rocha Lima - also an artist, researcher, and international expert on Bo Bardi - with support from the Fundació Banco Sabadell.