Update: Watch the lecture with the video above!
This article was originally published by Common Edge as "The Genius, Heart and Humility of Indian Architect B.V. Doshi."
Architectural photographer Iwan Baan recently honored 2018 Pritzker Prize Laureate Balkrishna (B.V.) Doshi. It has been a little over a month since the Pritzker jury selected the Indian architect as the latest winner, and his work still remains popular within the online world. The genuine materiality and intricate spatial experience associated with Doshi's work are captured by Baan in multiple projects across India. Baan's Instagram (@iwanbaan), which has nearly 120K followers, acts as "a diary of travels with the iPhone."
Architect, urban planner, and educator for the past 70 years, Doshi has been instrumental in shaping the discourse of architecture throughout India and internationally. Influenced by masters of 20th century architecture, Charles-Édouard Jeanneret, known as Le Corbusier, and Louis Kahn, Doshi has been able to interpret architecture and transform it into built works that respect eastern culture while enhancing the quality of living in India. His ethical and personal approach to architecture has touched lives of every socio-economic class across a broad spectrum of genres since the 1950s.
Balkrishna Doshi, also known as B.V. Doshi or simply Doshi, has been named this year’s Pritzker Prize Laureate. His extensive portfolio of educational, cultural, public administration, and residential projects is matched only by his contribution to architectural culture—from founding The School of Architecture at Ahmedabad (now known as the Centre for Environmental Planning and Technology) to co-authoring the Habitat Bill of Rights, among others. Yet, his vividly illustrated conceptual drawings reveal as much, if not more, of the architect’s relationship with building, history, tradition, culture, and modernism.
Pritzker Prize-Winner Balkrishna Doshi Reminds Us That "The Architect Is at the Service of Human Society"
Last Wednesday the world knew the name of the latest Pritzker Prize laureate: Balkrishna Doshi, the first Indian architect to receive architecture’s highest honor. The jury stated that "with an understanding and appreciation of the deep traditions of India’s architecture, Doshi united prefabrication and local craft and developed a vocabulary in harmony with the history, culture, local traditions and the changing times of his home country India".
Balkrishna Doshi, despite his vast number of completed projects, is a little-known name in the Western world. Directed by Premjit Ramachandran, the documentary "Doshi" allows the viewer to appreciate the vision of this important Indian architect, probing his thoughts while getting to know a number of his projects. Filmed in a frank style of conversation, the documentary reveals an original and creative human being who, even in old age, remains passionate about architecture as well as life and learning.
Earlier today, B.V. Doshi was named the winner of the 2018 Pritzker Prize, the profession’s highest accolade. For the past 70 years, Doshi has shaped the discourse of architecture and urban design, with a particularly strong influence in his native India, through projects including private residences, schools, banks, theaters, and low-income housing developments. Here are seven examples of this work that exemplifies Doshi’s respect for eastern culture and his desire to contribute to his country through authentic designs that enhance people's quality of life.
B.V. Doshi, one of modern Indian architecture’s most celebrated practitioners, was born in Pune, India in 1927. Nearly 90 years later, the Pritzker Prize jury chose Doshi as the 2018 Laureate. Get to know about Doshi’s history—including his close relationship to the legendary Le Corbusier—in this list of interesting facts.
This year’s Pritzker jury has selected Indian architect Balkrishna Doshi, often known as B.V. Doshi or Doshi, as the 2018 Pritzker Prize Laureate. Doshi has been a practitioner of architecture for over 70 years. Previously, he had studied and worked with both Le Corbusier and Louis Kahn. Doshi’s poetic architecture draws upon Eastern influences to create a body of work that “has touched lives of every socio-economic class across a broad spectrum of genres since the 1950s,” cites the jury. Doshi is the first Indian architect to receive architecture’s highest honor.
“The Nobel Prize in Architecture.” “The profession’s highest honor.” These are some of the terms used to describe the Pritzker Prize. One day before the 2018 Pritzker Prize winner is to be revealed, ArchDaily’s editors discuss whether the prize still lives up to its hype.
The 2018 Pritzker Architecture Prize will be announced on Wednesday, March 7th at 10am EST. Past Laureates include a roster of architecture's most influential names, including Philip Johnson, Zaha Hadid, Rem Koolhaas, Oscar Niemeyer, Norman Foster, Peter Zumthor, Toyo Ito, Alejandro Aravena and, most recently, Rafael Aranda, Carme Pigem and Ramon Vilalta of RCR Arquitectes (full list).
The end of 2017 is nearly upon us, and with the start of 2018 comes speculation about who will be the next Pritzker Prize winner. Will the jury honor an influential member of the "old guard," as they did in 2015 when they bestowed the award upon the late Frei Otto? Or will they recognize a young architect who is redefining the profession, as they did when they selected Alejandro Aravena? Will the award go to an individual or to two or more architects working together? And will it reward virtuoso spatial design irrespective of context, or will the selection be more political, as it was last year when locally-focused practice RCR Arquitectes took the prize?
Architecture’s most prestigious award, the Pritzker Architecture Prize, has announced the appointment of two new jurors to their distinguished jury: architect Wang Shu and Brazilian ambassador and architectural critic André Aranha Corrêa do Lago.
Alejandro Aravena on Moving Architecture "From the Specificity of the Problem to the Ambiguity of the Question"
This interview with the winner of the 2016 Pritzker Prize, Alejandro Aravena, was published last year in Issue 31 of Revista AOA, a Spanish-language magazine published by the Association of Architecture Offices of Chile. The interview was conducted by the editorial committee of Revista AOA—represented by Yves Besançon, Francisca Pulido and Tomás Swett—and is accompanied by photographs by Álvaro González. Aravena's openness and warmth allowed them to deliver a profound questionnaire about his thoughts and architectural projections, especially in light of Aravena's Venice Biennale which took place last year.
On Saturday, Rafael Aranda, Carme Pigem and Ramon Vilalta of RCR Arquitectes accepted the 2017 Pritzker Prize at a ceremony in the Akasaka Palace in Tokyo. ArchDaily is pleased to share, with the permission of The Hyatt Foundation and The Pritzker Architecture Prize, a transcript of the winners' acceptance speech, delivered by Carme Pigem on behalf of the trio.
Until April 30th, the Louisiana Museum of Modern Art in Denmark is exhibiting the work of Wang Shu. The first in a new series of monographic exhibitions collectively titled "The Architect's Studio," this show of the work of the 2012 Pritzker Prize winner features an exhibition catalog that includes essays from Kenneth Frampton, Ole Bouman, Yiping Dong and Aric Chen. The following excerpt from the exhibition catalog, written by Kenneth Frampton, is republished here with the permission of the author and publisher.