Renovation work on Egypt’s infamous Menkaura Pyramid at Giza has sparked criticism on online platforms over the past two days. Dubbed by the head of Egypt’s Supreme Council of Antiquities as “the project of the century,” the ongoing renovation aims to restore the pyramid’s original style by reconstructing the granite layer. Initially, the pyramid was encased in granite and lost part of its covering over time.
Public spaces are the beating heart of our cities. They act as the hubs of social and cultural activity where people congregate, interact, and escape the clamor of the city. These areas are crucial in determining a city's identity, character, and citizens' well-being and standard of living. Public spaces can define our communities and significantly impact how we live, work, and interact with one another through their architectural designs, facilities, and activities. Furthermore, they provide leisure, exercise, and recreation opportunities, allowing individuals to escape the confines of their daily routines and connect with nature.
This week's curated selection of Best Unbuilt Architecture highlights projects submitted by the ArchDaily community showcasing different proposals made to enhance public space. Ranging from reimagining central squares to placing massive land art in the urban epicenter, these public spaces enhance the quality of life for the city's locals. In Germany, the redesign of the entire Memorium Nürnberger Trials reimagines this as a place to come together, grounded in its history, while in Havana, the new Cuban Square reimagines the metaphor of unity in the city center. The design and accessibility of public spaces significantly impact our well-being and quality of life. Thoughtfully planned and inclusive spaces with seating, greenery, and pedestrian-friendly infrastructure can promote physical activity, mental health, and community engagement in a city.
The city of Los Angeles has selected six finalists for the competition to design a new memorial dedicated to the victims of the 1871 Chinese Massacre. In one of the darkest chapters in the city’s history, on 21 October 24, roughly ten percent of the city’s Chinese population at the time, at least 18 residents, were murdered by a mob of rioters. The memorial seeks to raise public awareness of the 1871 racially motivated mass killing while simultaneously addressing contemporary concerns regarding race, intolerance, and violence. The memorial was first announced in April 2021, and it is set to be built near the site of the massacre and the Chinese American Museum.
What is the story that your city's public space tells? Who are the people honored in monuments scattered throughout it? Issues like these have led to a series of insurgencies in recent years in several cities. The notions of memory and representation have expanded the reflection on which narrative we build in our spaces, a fact that has triggered an urban question for the future: after all, what do we want to remember (or forget) through the symbols that we rise (or destroy) in cities?
While walking through the city, have you ever felt afraid to be yourself? As strange as the question may sound to some, it is a reality for most LGBTQIA+ people, who at some point have been victims of hostility when they were noticed performing outside the "heteronormative standards" of public spaces. If violence comes from social layers that go beyond the designed space, this does not exempt the importance of thinking about projects that can integrate the physical sphere and insert a symbolic or representational factor to include and educate its citizens. This is the case of Homomonument, which for more than three decades, has become a platform for queer celebration and protest in the heart of Amsterdam.
Canada's Department of National Heritage has announced the five finalists for the LGBTQ2+ National Monument competition, a project meant to honour the community and recall its oppression during the LGBT Purge period. Among the shortlisted designs is SOM's proposal, consisting of an array of flagpoles stripped of their flags, symbolising the trauma, deprivation of culture and concealment of identity that the LGBTQ2+ community was experienced. Designed in collaboration with Rebecca Belmore, Noam Gonick, and HTFC Planning & Design, the design titled Bapiiwin, meaning survival /overcoming in native Ojibwe, seeks to provide a space of remembrance while serving as a symbol of resilience.
Canada’s Department of National Heritage has announced the five finalists for the LGBTQ2+ National Monument competition, a project meant to tell the story of generations of people who have been persecuted, specifically during the LGBT Purge period. Among the shortlisted designs is The Lens, a proposal that turns a symbol of oppression into an identity element and uses the landscape to express the community’s reverberation into society. Designed by a team comprising Canadian office Fathom studio, MVRDV and Two Row Architect, the proposal seeks to express resiliency, creating a space for memorialization and education while providing an inclusive space for the 2SLGBTQQIA+ community.
In 1968, the small town of Gibellina in Sicily was flattened by the colossal Belice earthquake, a magnitude 5.5 quake that killed hundreds and left 100,000 homeless. Planners were unable to rebuild Gibellina at its original site, so the new city—Gibellina Nuova—was constructed 11 kilometers (7 miles) away instead. In anticipation of the design and construction of Gibellina Nuova, and in the wake of the Belice earthquake tragedy, the mayor of Gibellina called on several artists to submit proposals for projects to decorate the new city. One of the artists was the prolific “polymaterialist” Italian painter and sculptor Alberto Burri (1915-1995).
Going beyond human scale is not a novelty. For centuries, builders, engineers, and architects have been creating monumental edifices to mark spirituality or political power. Larger than life palaces, governmental buildings, or temples have always attracted people’s admiration and reverence, nourishing the still not fully comprehensible obsession with large scale builds.
Nowadays, some of the largest and most impressive structures relate less to religious or governmental functions and seem to be turning towards more cultural programs. Most importantly though, today’s grandiose works are generally and openly imitative of Nature.
Architecture is often associated with the idea of sheltering, ever since primitive constructions. However, memorials are among the few types of architecture that are not primarily intended to shelter, but to remember. A space that respectfully aims to keep alive the memory of those who have fallen in heroic acts or have been unfortunate victims of cruel historical events, which can, therefore, be perceived as a monument or a building with the purpose of materializing intangible emotions, creating collective memories that can be remembered through time.
Architecture firm Gómez Platero has designed a new memorial to honor those affected by COVID-19. Sited in Uruguay, the monument is made to be an expression of hope in an uncertain time. As the first large-scale monument to the worldwide victims of the COVID-19 pandemic, the project is called the "World Memorial to the Pandemic." It aims to be a space for mourning and reflection that's environmentally conscious and emotionally impactful.
Traditional Iranian architectural monuments are often built low to the ground due to the lack of beam and column technology. Palaces, mosques, and public buildings are thus built with only one or two floors, and Iranian architecture rarely features towers or high-rise buildings as a result.
The United States is abundant with monuments dedicated to historical figures, events, and philosophies. From Mount Rushmore to the Statue of Liberty, the symbolism behind such monuments often outweighs the expense and practicalities behind their construction.
However, the architectural history of the United States contains many monumental intentions that were never realized. To demonstrate this, CashNetUSA has teamed up with NeoMam Studios to visualize five monuments that were never built. Below, we have republished the proposals with a shortened description. For the full story, visit the CashNetUSA website here.
In response to the question of how the United States should treat the monuments to Civil War Confederate figures which are dotted throughout the country, The New York Times commissioned six artists to re-imagine what could replace the controversial statues.
The issue of Confederate statues, which many regard as a glorification of those who fought to preserve slavery, has been brought into sharp public focus as of late due to the white nationalist rally in Charlottesville, Virginia in 2017 which resulted in the killing of counter-protester Heather Heyer.
British researcher Darmon Richter has recently released Monumentalism, a visual study of over 200 photographs featuring socialist architecture and designs built by 20th century regimes around the world. These photos were taken in more than 30 different countries and show a broad range of subject matter, from military parades in the former Soviet Union to revolutionary memorial sites. See more after the break.
Classical design formed our nation's capital. The soaring Washington Monument, the columns of the Lincoln Memorial, and the spectacular dome of the Capitol Building speak to the founders' comprehensive vision of our federal city. Learn about the L'Enfant and McMillan plans for Washington, D.C., and how those designs are reflected in two hundred years of monuments, museums, and representative government. View the statues of our Founding Fathers with the eye of a sculptor and gain insight into the criticism and controversies of modern additions to Washington's monumental structure. Author Michael Curtis guides this tour of the heart of the District
