On January 31st, construction scaffolding and barriers were disassembled from the site at 56 Leonard Street, revealing Anish Kapoor’s first permanent artwork in New York City. The 48-foot-long, 19-foot-tall, 40-ton sculpture is nestled partially beneath the Herzog & de Meuron-designed residential building in the Tribeca neighborhood in Lower Manhattan. The mirrored sculpture is reminiscent of Kapoor;’s work called Cloud Gate, also known as “The Bean,” in Chicago, US.
550 Madison Avenue (née the AT&T Building, more recently Sony Plaza) is among the more recognizable figures on New York’s skyline. Designed by architect-provocateur Philip Johnson, the 37-story skyscraper stands out thanks to its curious headgear: a classical pediment broken by a circular notch, inviting frequent comparisons to the top of a Chippendale grandfather clock. A singular, if largely inoffensive presence on today’s icon-heavy streetscape, the design was positively shocking on its debut in 1979, when Johnson himself appeared on the cover of Time holding a model of the project, then still four years from completion. The image heralded the arrival of something new in American architecture: the fading of the flat-crowned Modernist towers of the midcentury and the onset of the Postmodernist wave.
Almost a century ago, the world was introduced to a new architectural typology that changed the entire construction industry. Starting off with the Home Insurance Building in 1885, leading to the Empire State and Chrysler Buildings in Manhattan, skyscrapers became a symbol of power and financial abundance. Soon enough, they were being constructed in almost every city across the world with state-of-the-art designs that defy engineering norms. But with all the changes taking place in the architecture practice, what does the future hold for these heavily criticized yet constantly developed buildings?
The Port Authority of New York and New Jersey have announced the selection of Foster + Partners and U.S.-based multi-disciplinary design firm A. Epstein and Sons International Inc to reimagine the city's state-of-the-art Midtown Bus Terminal in Manhattan, the busiest bus terminal in the world. The project aims to expand the terminal's accommodation capacity, replacing the aging 72-year-old bus terminal with a new world-class facility. The new terminal will be designed to provide a best-in-class customer experience that serves the region’s 21st century public transportation needs, while enhancing the surrounding community and allowing for the removal of intercity buses from local streets.
This article was originally published on Common Edge.
The new, online NYC Climate Dashboard confirms that New York City is not doing enough to meet its climate goals. What’s worse, the goals don’t measure up to the challenge citizens face. A growing consensus among scientists says the world has only until the end of this decade to avert catastrophic climate change. Here in New York, the biggest contributions to greenhouse gasses come from our buildings and our driving. As an architect and urban designer, John Massengale shares what he believes the world is missing and some significant changes that the world can make for the sake of future generations.
Recreating the artist studio in an exhibition has always been a challenge for curators and exhibition designers––bringing in the right amount of “mess,” intricately revealing the workings of artistry, and maintaining the visual coherence are all boxes to be checked while letting the audience behind the curtain. Kazuko Miyamoto: To perform a line, Japan Society’s survey of the artist’s five-decade career in sculpture, drawing, and performance solves this challenge in ways that are both practical and poetic.
How can Universal Design bridge the divides that have left many Americans stranded in their own communities? In its latest exhibition, Manhattan’s Center for Architecture calls for a “reset.” On view until September 3, Reset: Towards a New Commons, displays projects that “encourage new modes of living collaboratively” and “more holistic approaches to inclusion.”
Daniel Libeskind (b. 1946, Lodz, Poland) studied architecture at Cooper Union in New York, graduating in 1970, and received his post-graduate degree from Essex University in England in 1972. While pursuing a teaching career he won the 1989 international competition to design the Jewish Museum in Berlin before ever realizing a single building. He then moved his family there to establish a practice with his wife Nina and devoted the next decade to the completion of the museum that opened in 2001. The project led to a series of other museum commissions that explored such notions as memory and history in architecture.
Is the third time truly the charm for Two World Trade Center? New renderings spotted by New York YIMBY on February 1 seem to reveal the long-delayed tower’s new look, a marked departure from what was first unveiled by Foster + Partners back in 2005.
That’s not too much of a surprise. Although Foster + Partners was awarded the project 17 years ago and the foundation was laid in 2013, work has been proceeding at a slow clip and the original team was replaced by BIG in 2015 after developer Silverstein Properties decided to take a more contemporary approach and position the tower as the future home of Rupert Murdoch’s News Corporation and 21st Century Fox.
New York City is under the threat of several geographical and social crises, most notably the rising sea levels, floods, storm surges, as well as the need for affordable housing. While previous and current New York mayors have announced several action plans to tackle the housing and climate crisis of the city, none of them were able to tackle these issues on a big scale, particularly after the pandemic worsened the situation as many citizens found themselves without a job and unable to pay rent. As a response, world-renowned architects and academics have proposed new urban developments and master plans that provide long term solutions to these crises.
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Skidmore, Owings & Merrill (SOM) and Brookfield Properties' Manhattan West, a six-building project, has opened to the public. Nestled in the heart of New York City’s Far West Side, the mixed-use development aims to link several New York neighborhoods and transform unutilized spaces above rail lines into new dynamic destinations.
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Columbia University’s Manhattanville Campus expansion has ushered in a crystalline district of glass-clad buildings amid the masonry vernacular architecture of Harlem. The latest additions to the 17-acre, $6.3 billion campus, which was master-planned by SOM, are two buildings designed by Diller Scofidio + Renfro (DS+R) in collaboration with FXCollaborative that provide a new home for the Columbia Business School. Set to open in early 2022, Henry R. Kravis Hall and the East Building rise 11 and 8 stories, respectively, and provide 492,000 square feet of classrooms, public space, and faculty offices.
ODA New York have released images of their newest project "Era", Manhattan's largest residential cantilever building. Located in the Upper West Side, the 20-storey condo features a striking 50-foot cantilever structure and the neighborhood's only rooftop pool. The project’s unique cantilever design allows for more expansive views as it ascends, wide common spaces, grand residences, and a rooftop recreational space.
Paul Clemence has released a new series of images, showcasing the on-going construction works on Manhattan's Central Park Tower. The project is designed by Adrian Smith + Gordon Gill architecture and is set to be the tallest residential building in the world once completed. The building, as seen in the photographs, has neared completion and is set to open later this year.
After completing One Vanderbilt, the tallest office building in New York, Kohn Pedersen Fox Associates has unveiled plans for a new skyscraper in Midtown Manhattan. The 320-metre high office tower at 343 Madison Avenue makes the most out of its relatively small plot and the silhouette mandated by the New York City zoning laws, featuring a series of receding volumes that leave a way to gardens and terraces at different levels. When completed, the project will also create an important new transit entrance to the Long Island Rail Road and the Grand Central Complex.
Situated at the northern part of Brooklyn where Newton Creek and the East River intersect, OMA New York / Jason Long's Greenpoint Landing residential towers have reached their latest phase of development; The North Tower is currently at 300 ft. and the South Tower is at 400 ft. The buildings are expected to provide 745 units of mixed-income housing, and will expand an acre beyond the existing esplanade, creating a new section of public waterfront that overlooks the Manhattan skyline.
After several event cancellations due to the pandemic, Manhattan’s Lincoln Center for the Performing Arts complex have transformed their outdoor plaza into a green park and outdoor performance venue called The Green. As of May 10, the Restart Stages initiative will add fake grass across the 14,000-square-foot (1,300 sqm) Josie Robertson Plaza. The plaza, which was originally designed by Philip Johnson, Wallace K. Harrison, and Max Abramovitz, and renovated by award-winning architecture firm DS+R in 2010, will transform into a public urban space of gathering, leisure, and entertainment.
The 50 Hudson Yards skyscraper by Foster + Partners has topped out in New York. As one of the largest office buildings in the city, the project has become the fourth-biggest office tower by square footage. The 58-story office tower includes very large floor plates for up to 500 employees on each floor. The tower is the latest in a series of projects rounding out the Hudson Yards on the western edge of Manhattan.
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