Waugh Thistleton Architects’ ten-story Dalston Works project stands proudly as the world’s largest Cross Laminated Timber building in Hackney, London, having been completed in 2017. The 121-unit development made entirely of CLT from external to core walls, the scheme weighs one-fifth of an equivalent concrete building.
In addition to tackling London’s need for dense, high-quality housing, the scheme offers a methodology for implementing timber technology with a significantly reduced carbon footprint, such as an 80% reduction in the number of deliveries during construction.
José Esparza Chong Cuy has been appointed as the new Executive Director and Chief Curator at Storefront for Art and Architecture. Following the departure of former director Eva Franch i Gilabert to London as the new Director of the Architectural Association, the extensive international search to fill her shoes began. An architect, curator, and writer, originally from Mexico, Esparza Chong Cuy was named and will assume the position starting November 1st.
Storefront, a non-profit organization based in New York City, engages in the advancement of design and architecture with interdisciplinary dialogue through exhibitions and projects that aim to transcend geographic and ideological boundaries. Charles Renfro, President of Storefront's Board of Directors, remarks, "We are thrilled to welcome José to the helm of Storefront, the very institution where he began his curatorial career over a decade ago."
Venturi Scott-Brown’s National Gallery Sainsbury Wing extension (1991) was born into a precarious no-man’s land between the warring camps of neo-Modernists and traditionalists who had been tussling over the direction of Britain’s cities for much of the prior decade. The site of the extension had come to be one of the most symbolic battlefields in British architecture since a campaign to halt its redevelopment with a Hi-Tech scheme by Ahrends Burton Koralek had led to that project’s refusal at planning in 1984.
The Ritterman Building. Image courtesy of bpr architects.
For bpr architects, BIM Level 2 is becoming business as usual. This medium-sized, employee-owned firm based in the UK focuses on how good design can add value to a client’s vision. Led by Directors Paul Beaty-Pownall and Steve Cowell, the firm specializes in three core sectors: higher education, rail stations, and regeneration.
The 2018 London Design Festival is now underway, having returned for its 16th year. Running from 15th to 23rd September, and spread across the city, the Festival features works such as Snøhetta’s rotating book pavilion and a series of installations at the V&A celebrating the venue’s 10th year as the Festival’s official hub.
Below, we have compiled a list of collaborations to look out for throughout the week, including investigations into issues such as climate change and plastic pollution, and artistic themes such as Cubism and classical music.
https://www.archdaily.com/902215/7-installations-to-watch-out-for-at-the-2018-london-design-festivalNiall Patrick Walsh
Zaha Hadid Architects have released images of their latest project, a sculptural billboard named for its location in Kensington, London. The project, a collaboration between the late Zaha Hadid and partner Patrik Schumacher, marks the firm’s first direct foray into advertising.
https://www.archdaily.com/901776/zaha-hadid-architects-reveal-twisting-steel-billboard-in-west-londonKatherine Allen
Experimental design practice Studio INI's has designed a kinetic installation to represent this year's Greek Pavilion for the 2018 London Design Biennale. Entitled ΑΝΥΠΑΚΟΗ (Disobedience), the installation responds to the Biennale theme of Emotional States. Selected for the central courtyard exhibit, the design is comprised of a 17 meter-long wall constructed from a steel spring skeleton built up with recycled plastic which flexes, morphs and breathes around the human body.
20 Ambleside Avenue, London / Pace Jefford Moore Architects. Image via Building Design
They say that bad publicity is good publicity. Nevertheless, late August is a time for baited breath among UK architects, as the readers of Building Design generate the shortlist for Britain’s "ugliest" building. Beauty is certainly in the eye of the beholder and judgment towards these unpopular designs shouldn't necessarily be generalized. However, this competition opens up important dialogues about architectural aesthetics and public reception of new projects.
The Barbican, London’s iconic Brutalist estate designed by Chamberlin, Powell and Bon Architects, has launched a range of jewelry and homeware designed by creative studio Tom Pigeon, paying tribute to the vibrant aesthetic which put the scheme on London’s architectural map.
Manuel N. Zornoza grew up in Alicante, Spain and, following studies in Madrid (UAX) and London (the AA), relocated to China in 2010 to avoid the economic crisis stifling architectural work in his home country. Over the last eight years, the young architect’s small but thriving studio has built more than a dozen projects, from shops, to factory space conversions, to a traditional Chinese hutong - all in China. But that’s not to say Zornoza’s left his roots behind. He now also maintains a small practice in Madrid, which handles projects in both China and Spain.
This interview was conducted on a bullet train ride from Beijing to Tianjin, where we ventured in search of the recent architecture that has brought so much media attention to this emerging metropolis.
Open House London 2018 has officially released the list of over 800 buildings open to the public this September. Now in its 27th edition, the weekend-long festival offers free guided tours and open doors to buildings and architecture across the city. This year, a range of exciting architecture will be featured, including the new US Embassy by KieranTimberlake, Maggie's Barts by Steven Holl Architects, and Bloomberg European Headquarters by Foster + Partners, the world's most sustainable office building. Find out our list of the top 10 must-see buildings to discover at this year's Open House.
The scheme was chosen from 132 entries to the competition run by Shiva Ltd and the Architecture Foundation, which asked participants to engage with “the heritage of the Regent’s Canal in innovative ways.”