The 2030 Progress Report for the American Institute of Architects (AIA)'s 2030 Commitment - a voluntary program for architects who want to commit their practice to advancing the AIA's goal of carbon neutral buildings by the year 2030 - has found a significant increase in the number of projects that meet its current targets for a 60% reduction in carbon emissions, with over 400 buildings in the program meeting the goal. "There is some very encouraging data in this report that shows how architects are making measurable progress towards reducing the carbon emissions in their design projects," said AIA Chief Executive Officer, Robert Ivy, FAIA. Read on after the break for more results of the report.
Limnologen in Växjö, Sweden. Image Courtesy of Midroc Property Development
Among the changes in material technology that are constantly altering the architectural landscape, one of the most popular - and most dramatic - is the idea of the timber skyscraper. And with vocal advocates like Benton Johnson of SOM and Michael Green leading the discussion with projects like the Timber Tower Research Project, the wooden highrise is on the verge of becoming a mainstream approach.
To further the conversation in the USA, the US Department of Agriculture, working in partnership with Softwood Lumber Board (SLB) and Binational Softwood Lumber Council (BSLC), has recently launched the Tall Wood Building Prize Competition, an ideas competition with a $2 million prize. To find out more about tall wood buildings, we caught up with Oscar Faoro, Project Manager of the competition. Read on after the Break for our interview and more details on how to enter.
The LEED rating systems were a great idea in the beginning, but they have become a symbol of all that is wrong with green building today. Getting a LEED rating is slow, difficult, and expensive, and the rating is skewed heavily to Gizmo Green solutions that are completely ignorant of where the building is being built, and for whom. We need the opposite sort of system today: one that is intelligent about where a building is built and who it’s being built for, and that is fast, friendly, and free so that anyone can use it.
Despite Finland’s relatively cool temperatures, climate changes have made heat waves more common in Northern Europe, and the demand for cooling buildings in summer is increasing. Instead of installing air conditioners for individual buildings, Helsinki is pioneering a vast network of underground infrastructure that pumps cold water from lakes and seas into local buildings. Beneath an unassuming park in downtown Helsinki sits a reservoir containing nearly 9 million gallons of water that is recycled and cooled by waste energy after it is used for cooling, replacing the need for air conditioning in the city and cutting carbon pollution by 80%. Read more about this undertaking in this article from Fast Co. Exist.
Francisco Gonzalez-Pulido, chief designer and president of JAHN, has shared with us his net-zero design proposal for the new Mexico City International Airport competition. Similar to the Norman Foster and Fernando Romero's winning design, JAHN's proposal is a symbiotic blend of sensitive cultural meaning and powerful energy efficiency. As per competition requirements to pair an international firm with a Mexican firm, the project was the result of a collaboration with local architects Francisco Lopez-Guerra of LOGUER and Alonso de Garay of ADG.
Anthropic Park: Freshwater ecological reserve and remediation - Saline Joniche, Italy. Image Courtesy of Grupo Aranea
The Holcim Foundation has announced the European winners of its 2014 Holcim Awards for exemplary sustainable design and construction. In light of the complex and interdisciplinary challenges facing the building industry today, the Jury identified target issues of environmental, social, and economical performance alongside architectural excellence and high transferability as intrinsic objectives in the winning projects.
Teams from Italy, France, and Austria were all selected for approaching the challenges of sustainable construction with innovative creativity and social ethos. Each will share over $300,000 in prize money and will be considered for the global awards.
Read more about the winning schemes after the break...
Originally published by Metropolis Magazine, this comprehensive analysis by sustainability expert Lance Hosey examines the current disputes within the green building industry, where market leader LEED currently finds competition from the Living Building Challenge, aiming for the "leading edge" of the market, and the Green Globes at the other end of the scale. Arguing for a more holistic understanding of what makes materials sustainable, Hosey examines the role that materials, and material industries such as the timber and chemical industries, can have in directing the aims and principles of these three sustainability rating systems - for better or for worse.
Solar harvesting systems don’t need to be glaringly obvious. In fact, now they can even be invisible, thanks to researchers at Michigan State University (MSU) who have developed a transparent luminescent solar concentrator (LSC) that can be applied to windows or anything else with a clear surface.
LSC technology is nothing new, but the transparent aspect is. Previous attempts yielded inefficient results with brightly colored materials, and as researcher Richard Lunt, an assistant professor of chemical engineering and materials science at MSU, puts it, “No one wants to sit behind colored glass.” To learn how Lunt and the rest of the research team achieved transparency, keep reading after the break.
In this interview conducted by the Brigtje van der Haak maker of the documentary Lagos Wide & Close, Rem Koolhaas discusses his research on the urbanization of Nigeria's largest city, Lagos. While this research is as yet unpublished, Koolhaas discusses external influences on the city’s architecture, how his visits have affected his view of the profession, and Lagos’ future potential. The documentary by van der Haak, released on DVD in 2004, is an interactive exploration of Lagos from a multitude of scales. Now, it has been adapted for the web, and can be viewed in its entirety here!
Courtesy of National Custom and Self Build Association
Is it possible to build low cost homes in the city that are both sustainable and easy on the eyes? Self Build on a Shoestring in the City, organized by the National Custom & Self Build Association and Grand Designs Live, is an ideas competition in its second year that seeks to answer this question by showcasing innovative designs for a group self build project in an urban location. More details after the break.
A silk co-operative clad with acres of PV solar panels, one of several illustrations exhibited at the Korean Pavilion in Venice. Image Courtesy of Koryo Tours
Originally published on Metropolis Magazine as "The Future of Architecture, According to a North Korean Architect," this interview with Nick Bonner, Curator of the North Korean Portion of the Venice Biennale's Korean Pavilion, delves into the realities of architectural work in one of the world's most secretive countries.
There's good chance you'll never step foot in North Korea, which isn't the same as saying you can't. Interest in the socialist state is increasingly high, a fact reflected by a rise in tourists eager to discover the sites and spectacles of Pyongyang. Nick Bonner, founder of Koryo Tours, has been bringing visitors to the Democratic People’s Republic of Korea (DPRK) for over two decades. He recently curated a small exhibition in the Korean Pavilion at this year’s Venice Architecture Biennale.
For “Utopian Tours” Bonner commissioned designs from an unidentified North Korean architect, asking him to envision a whole new infrastructure for accommodating larger and larger groups of tourists. The resulting handdrawn illustrations are fascinating: the future of architecture—at least in North Korea—looks a lot like yesterday's future, where tourists travel in hovercraft RVs, and workers live in ziggurat-shaped hotels inspired by mountains and trees.
Metropolis asked the trained landscape architect to give us a tour inside the present architecture scene of one of the world’s most isolated countries today.
Kinetic Architecture: Designs for Active Envelopes is a book about energy. We have written it to explore the new ways architecture has developed in the last decade to respond to the flow of energy, both natural and man-made, that primarily affects building performance and the comfort of the people in them. Buildings regulate energy flow in several ways, but in this book we explore the approaches that innovative architects, engineers, and consultants have taken with building envelopes, façades, and other types of enclosures that modulate the internal environment of architecture to various ends. Architects have expressed this regulation in ways both visible and invisible, using the media of air, water, and the thermal mass of a variety of materials, and often a combination of all three.
https://www.archdaily.com/537359/kinetic-architecture-designs-for-active-envelopesRussell Fortmeyer & Charles Linn
At its World Congress event in Durban last week, the International Union of Architects (UIA)'s 124 member organizations declared their commitment to sustainable architecture by unanimously adopting the 2050 Imperative, a plan to reduce carbon dioxide emissions from the built environment to zero by mid-century.
The adoption of the 2050 Imperative was planned to coincide with the United Nations Framework Convention on Climate Change (UNFCCC) conference that will reconvene in Paris in 2015, and has as one of its aims a plan to phase out CO2 emissions from the power and industrial sectors by 2050. The UIA stated their aim to "send a strong message to the Parties of the UNFCCC, and to the world, that we are committed to a truly sustainable and equitable future."
Read on after the break for more detail from the 2050 Imperative, including 5 key objectives
We sat down with Leong Leong Architecture, designers of the US Pavilion at the 2014 Venice Biennale to discuss their concept for OfficeUS. Commissioned by Storefront for Art and Architecture, Leong Leong was tasked with designing a temporary and multi-functional space for architectural practice and exhibition. The minimal, airy US Pavilion features over 1000 projects designed by American architects abroad, set amongst a functional office space.
On Saturday night, the awards were announced in the 2014 Solar Decathlon Europe, which is currently ongoing in the grounds of the Versailles Palace in France. The competition challenges university teams to build and run a full scale solar powered house, with awards being judged on a range of requirements including sustainability factors, architecture and comfort, with a different jury of three experts judging each requirement.
The overall winner, based on a combination of all the factors, was "Rhome for Dencity", by the team from Roma Tre University, with a proposal that seeks to "re-densify and re-qualify the boundaries of Rome" by applying principles of density and sustainability to this area where "housing, country, archaeology and illegal buildings are interwoven."
Read on after the break for images of all the winners
On a purely aesthetic level, 3D printing holds great potential for buildings – all the possibilities of sculpted concrete without the bulky and expensive formwork. Taken to an extreme, it could someday make Hadid-like forms so cheap to execute that they become mundane (even for a non-architect) -- maybe even causing the profession to re-evaluate what qualifies as high design.
However, the more important advantage of 3D printing, what could spur its acceptance as a viable means of construction, is its supposed sustainability. Among its oft-cited advantages are a use of “green” materials and a reduction in construction waste. However, is 3D Printing really as sustainable as its defenders contend?
Urban farming is nothing new, but Aprilli Design Studio's proposal for a completely open-air skyscraper does put a novel spin on the sustainable ideal. Instead of tacking greenery onto roofs and balconies, they incorporate agriculture into cities by dedicating entire buildings to the cause. To learn more about the tree-like design, check out Fast Company's article here.
In the following interview, presented by ArchDaily Materials and originally published by Sixty7 Architecture Road, Canadian firm Campos Leckie Studio defines their process for designing site-specific, beautiful architecture that speaks for itself. Enjoy the firm's stunning projects and read the full interview after the break.
We asked Michael Leckie, one of the principals of Vancouver-based Campos Leckie Studio, about the importance of discovery in design and the textural differences between projects. Your website states that your firm is committed to a rigorous process of discovery. How do you explain that to clients?
Process is extremely important in our work. When we meet with clients we do not immediately provide napkin sketches or an indication of what form the work will ultimately take on. Rather, we focus on the formulation of the ‘design problem’ and the conditions that establish the basis for exploration and discovery. These contextual starting points include the site, program, materiality, budget, as well as cultural reference points. This is challenging for some clients, as our culture generally conditions people to expect to see the final product before they commit to something.
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