Currently on display at the Storefront for Art & Architecture gallery in New York, Sharing Models: Manhattanisms is the latest exhibition put on the nonprofit organization, which asked 30 international and up-and-coming firms to answer the question: “How will the sharing movement of today affect the way we inhabit and build the cities of tomorrow?”
Each firm was tasked with creating a drawing and model of their vision for the future of a given slice of the island. When pushed together, the 30 pieces create a single composite figure, a collage of a shared Manhattan that is “simultaneously fictional and real, and one that opens a window to new perceptions of the city’s shared assets.”
The TWA Flight Center, designed by Eero Saarinen, opened to the public in 1962 and has been out of use since 2001. On the evening of Sunday, May 8th, Storefront for Art and Architecture’s 2016 Spring Benefit, BEYOND BORDERS, will be the last public event to be held at the iconic terminal before its redevelopment.
BEYOND BORDERS reflects upon a growing collective consciousness about spaces of difference and the desire to transcend them.
The act of creating new objects from scratch is often no longer possible for the professional architect given the social and economic contexts of our contemporary world. In some societies, building booms during periods of high economic growth have resulted in a collection of contemporary ruins that are now neglected due to a lack of resources or lack of need for their use. In other contexts, architecture emerges as a result of decision-making processes that allocate minimal resources to the basic human need of habitation. A contradiction thus exists between the architecture commonly presented by the media as finished forms frozen in time, and architecture that has the capacity to evolve, adapt, and transform.
This event is organized in collaboration with the project “Unfinished,” curated by Iñaqui Carnicero and Carlos Quintans for the Spanish Pavilion of the 2016 Venice Architecture Biennale.
On Saturday, February 27th, Storefront for Art and Architecture and The Irwin S. Chanin School of Architecture of The Cooper Union will jointly present a public conference, Closed World: Encounters That Never Happened. Presenters and discussants will engage in debate and discussion and the history and future of closed systems in architecture and design. The format of this conference invites participants to impersonate a historical figures who have been major contributors to the discourse of closed systems. Figures include Reyner Banham, Buckminster Fuller, Hans Hollein, Neil Armstrong, Jacques Cousteau, and Walt Disney, among others.
On Tuesday, February 16th, Storefront for Art and Architecture will open Closed Worlds, an exhibition curated by Lydia Kallipoliti that presents an archive of 41 living prototypes of closed resource regeneration systems built over the last century. The archive represents an unexplored genealogy of closed systems in architectural practice. The exhibition will also feature Some World Games, a virtual reality installation by Farzin Farzin that presents a contemporary 42nd
What does it mean to build? Traditionally, building has been defined as the assembly of parts or materials toward the creation of a whole. While to build is often perceived as an Apollonian pursuit, to destroy appears to be its Dionysian counterpart. Understanding that our built environment is the product of many forces, it can dialectically be reduced to the tensions between creation and destruction, addition and subtraction, and erection and demolition.
What do outer space capsules, submarines, and office buildings have in common? Each was conceived as a closed system: a self-sustaining physical environment demarcated from its surroundings by a boundary that does not allow for the transfer of matter or energy.
Critical Halloween is a party, an intellectual debate, a costume competition, and a space for the expression of radical thought. Over the past few years, it has become a referential event that brings people together through music, dance, and costume design to engage in critical discussion in New York City.
"JB1.0: Jamming Bodies" is an immersive installation that transforms Storefront’s gallery space into a laboratory. The installation, a collaboration between science fiction artist Lucy McRae and architect and computational designer Skylar Tibbits with MIT’s Self-Assembly Lab, explores the relationship between human bodies and the matter that surrounds them.
Measure is an exhibition of 30 drawings by 30 international architects presenting 30 edifices of thought. Drawings are of Storefront for Art and Architecture’s gallery space on 97 Kenmare Street in New York. Architectural representation, which draws upon the diagram as a conceptual and abstract component, has historically been criticized as obscure and self referential. The proliferation of data visualization in popular media today, however, allows us to engage a much larger audience in conversations about measurement and representation. The 30 drawings presented at Storefront unveil the challenges of representation and extrapolate them onto the architect’s table and the gallery walls.
Storefront for Art and Architecture hosts Facing East: Chinese Urbanism in Africa, an exhibition by journalist Michiel Hulshof (Tertium, Amsterdam) and architect Daan Roggeveen (MORE Architecture, Shanghai). Facing East investigates the impact of Chinese development on fast-growing African cities, and is built around personal stories of individuals involved in the urbanization process.
SecondMedia has been selected as the winner of Storefront for Art and Architecture's 2015 Street Architecture Prize Competition. Now in its third year, the biennial international competition seeks to implement temporary outdoor installations that facilitate "new forms of collective public gathering." Participants in the 2015 competition were asked to respond to the theme of New York's IDEAS City Festival, "The Invisible City." SecondMedia's winning proposal 'Foamspace' -- which envisions creating an "urban lounge" with Geofoam blocks -- beat out over 70 submissions from teams of artists, engineers, and architects across the globe.
Learn more about the project and view selected images after the break.
BLUEPRINT is the latest exhibition on display at the Storefront for Art and Architecture in New York. Curated by Sebastiaan Bremer, Florian Idenburg and Jing Liu, the exhibition features 50 blueprints from participating artists and architects, ranging from as far back as 1961 to 2013.
On the occasion of Ideas City 2015, the biennial Festival created to explore the future city and to effect change, Storefront for Art and Architecture, along with the New Museum and the New York City Department of Transportation, is launching a competition for the design and construction of an outdoor structure—a work of "Street Architecture" that facilitates new forms of collective gathering and engagement with the city.
Starting September 19th, the ten winners of WorldWide Storefront (WWSf) - an initiative by Storefront for Art and Architecture to create alternative spaces for the expression/exchange of art/architecture - will open across the globe for the next two months. While one winning proposal invites artists to travel the world on commercial freight ships, another will host exhibits and events out of a traveling semi-truck in the United States. For the full list of winners and more information, click here.