Setting the Table is an illustrated reflection by architects Florencia Köncke and Paula Olea Fonti. In the following paragraphs, the authors develop a first approach to the study of the table as "the centre of our notion of domesticity"(1). In the relationship between space, objects and people and as a social catalyst for gathering and exchange.
Illustration: The Latest Architecture and News
Armenian graphic designer and illustrator Nvard Yerkanian has created a new series exploring modernist architecture in Armenia. The illustration series aims to reveal the beauty and value of modernism to the public through the power of colors that accentuate the simple yet fantastic forms of these monuments. The series is an ode to the architectural heritage that has been lost and undervalued.
Hacking the home to make play part of everyday
(a) Competition Overview
Play is an essential part of all our lives, whether child or adult. Be it playing sports, a board game or simply sharing jokes with friends, play is just as important to adults as building a den or playing dress-up is to a child.
The Coronavirus outbreak has left many of us having to spend extended periods of time at home in lockdown, restricting the opportunity to socialise and play in ways that we are used to.
How can we use creativity to encourage play at these unique
Drawing as an architectural tool serves not only as a means of communication, but through drawing we can also gain a deeper understanding of the subject. To this purpose, Alessandro Luporino has created the Illustrated Dictionary of Architecture. The series of beautiful and evocative illustrations serve as companions for the book “Dictionary of Architecture,” by Nikolaus Pevsner, John Fleming, and Hugh Honor.
Graphic designers Eurydyka Kata & Rafał Szczawiński from re:design have shared with us some of their most recent designs celebrating Bauhaus' 100th Anniversary. Inspiration for these posters was taken directly from Bauhaus' most iconic designs. "For this poster, we researched some of the most famous designs from the Bauhaus school: furniture, toys, appliances, and recreated them isometrically. Both the drawing style and colors are inspired by Bauhaus art and style. This was great fun to work on and we're glad we could pay tribute to one of the most important institutions in the history of design."
“Hudson Yards’ Large Honeycomb… Hudson Yards’ New Shawarma Sculpture…”
Call it what you want, but the Vessel has created quite a buzz over the past couple of weeks, and it is not just because of its impressive architecture, or the panoramic view at the top (to which some claimed that getting there was an uncalled for work-out).
After coming across different nicknames of Hudson Yards’ now-famous point of attraction, architectural designer and illustrator Chanel Dehond selected some of the most amusing ones and transformed them into sketches.
Tell us, ArchDaily readers, what do you call the Vessel?
The human figure is fundamental in order to understand scale in illustrations, hyper-realistic renders, collages and three-dimensional representations. However, it often seems to be one of the last elements to be incorporated, when it should be a thoughtful decision, intrinsically related to the project. What do human figures transmit beyond the scale of a project?
As imaginative and hypothetical as their work may seem to some people, many visionaries have created admirable artwork that look beyond the ordinary and rethink architecture and urban spaces. Xinran Ma, the New York-based architectural designer and illustrator has visualized his architectural fantasies, and created numerous series of drawings, two of which were entries for Fairy Tales 2016 and 2017 by Blank Space."
Drawing inspiration from Italian artist Giovanni Battista Piranesi, known for his imaginative etches of Rome, and the collaborative works of Alexander Brodsky and Ilya Utkin, who produced avant-garde depictions of cities and landscapes, the illustrator has once again shared his creations with Archdaily, expressing his passion “to vision architectural fantasies that transcends time through graphic narratives”.
View the republished content from Orbitz' list complete with an interactive timeline of Chicago's tallest buildings.
Instagram and social media are fundamentally changing the way we design in the 21st century. There is an inspirational component to the content we see and cite on the internet, but beyond the pretty pictures lies an opportunity for growth and learning. Zean Macfarlane (@zeanmacfarlane) has found his niche on Instagram somewhere in the middle. The "daily architecture" posts feature process sketches, articulated elevations, and graphic design; but the fun doesn't stop there.
Macfarlane's account also includes a link to tutorial ebooks where you can learn his unique graphic style and begin to apply the effects and techniques into your own drawings. The entire grid of posts acts as a digital artboard, rich with playful forms and careful composition. See for yourself why he has amassed a following of nearly 50k people.
You can see more of Zean's work after the break.
Tishk Barzanji's Illustrations Envision Complex Universes Inspired By Surrealism And Modern Architecture
It is rare to find artists who can instigate critical reflection on architecture by combining references such as 'The Red Wall' (La Muralla Roja) by Ricardo Boffil, with the complex illustrations of Giovanni Battista Piranesi and pop culture icons. But Tishk Barzanji, a London artist, is one who does.
Through his digital illustrations, he explores elements of modern architecture from a filtered view by using references that create a dreamlike and surreal universe, producing compositions that express an austere and somewhat disturbing atmosphere.
Trained in Architecture, Urban Design, and Theory, Alina Sonea illustrates the complex and often paradoxical nature of the cities we inhabit. The Feldkirch-based artist and architect has, since 2013, completed a series of detailed illustrations that employ graphic yet delicate black lines to render dense images of fantastical metropolises.
The Arc de Triomphe as an Elephant?! These Illustrations Reveal What Famous Monuments Could Have Been
A city’s monuments are integral parts of its metropolitan identity. They stand proud and tall and are often the subject of a few of your vacation photos. It is their form and design which makes them instantly recognizable, but what if their design had turned out differently?
Paris’ iconic and stunning Arc de Triomphe could have been a giant elephant, large enough to hold banquets and balls, and the Lincoln Memorial in Washington D.C. could have featured an impressive pyramid.
GoCompare has compiled and illustrated a series of rejected designs for monuments and placed them in a modern context to commemorate what could have been. Here are a few of our favorites:
Architect and illustrator, Marta Vilarinho de Freitas has yet again enchanted us with her intricate drawings of cities in thin-line-pen on paper. The Portuguese architect has been exercising her passion in drawing through a series of drawings entitled, Cities and Memory - the Architecture and the City.
Fascinated by cities, Marta’s illustrations express her connection with architecture while still capturing the romantic and qualitative aspects of each city, its patterns, colors, atmosphere, and light.
Marta Vilarinho de Freitas combines fantasy with detailed accuracy in her compositions of stacked building facades, roof pitches, plans and sections along with elements distinct to the city depicted such as Dutch windmills, boats, books, and instruments.The process of creating these drawings is cyclical in that they continue to inform Marta of the spirit of each city as she draws each art piece.
Not just meatballs and Vikings; Scandinavia has always been the epicentre of design across the world - just look at the growing impact of Bjarke Ingels and Ikea's future living lab SPACE10. To showcase their significant influence, Expedia has illustrated the works of four famous architects from Denmark, Finland, Norway and Sweden and how they shaped international architectural movements of the 20th and 21st centuries in a collection of posters called Monumental Minds.
Abu Dhabi-based Brazilian designer and artist Fábio Araujo has a fascination with abandoned places – the mystery of where the man made clashes with the natural to create unique colors, textures and compositions.
These places are the subject of his series, aptly titled “Abandoned Places,” in which he uses a series of digital manipulations to create small islands floating within and contrasting with their clean, solid backgrounds.
Other works by Araujo include “Favela,” where the Brazilian housing typology has been reimagined as located within the sky, and miniature models of scenes and buildings including the Burj al Arab hotel in Dubai.
“An image is a sight which has been recreated or reproduced. It is an appearance, or a set of appearances, which has been detached from the place and time in which it first made its appearance and preserved – for a few moments or a few centuries. Every image embodies a way of seeing.” - John Berger / 1972 / Ways of seeing
Digital tools have given architecture the ability to manipulate information, allowing architects to interact with existing information and reshape it in a different way according to the author’s ideals or thoughts about architecture.
Representation becomes a project itself; it is a graphic manifesto of what the author wants to deliver, a critical vision of a design intervention in a particular context.
In this path, collage has become an active tool to facilitate the reproduction of multi-layered atmospheres made by the curated assemblage of different forms to create a complex stage for an architectural idea.
A collage engages all senses to define the experience of a space. The symbolic and tactical associations between fragments of images provide a way to understand all the stories behind a space, transgressing the limits of perception to reach an intuitive process that exhibits the atmosphere of a project.
Here we introduce 12 architecture offices that describe atmospheres by using complex collage compositions to express social, cultural and political environments for their designs.
Chilean architect and illustrator Francisca Álvarez Ainzúa created "Architecture of the Portrait": a series of illustrations of renowned architects drawn with the precision and accuracy of a fineliner. In order to choose the protagonists of her geometrical analyses, the architect states a preference for strong character and the presence of imperfections, which imparts a certain richness to the representation.
The architectural construction of the face is done using lines to create a hatch effect. Next, she adds color that pays tribute to the traditional default CAD shades: yellow, cyan and magenta.