Oregon has become the first state in the U.S. to allow timber buildings to rise higher than six stories without special consideration. The recent addendum to the state's building code is the result of Oregon’s statewide alternate method (SAM), a program that allows for alternate building techniques to be used after an advisory council has approved the “technical and scientific facts of the proposed alternate method.” The decision stands as a precedent for future construction across the United States.
High Rise: The Latest Architecture and News
The downtown skyline of a city is perhaps its most symbolic feature. The iconic cityscapes that we know and love are typically formed by skyscrapers, but much of the surrounding context is made up of other high-rise buildings. Yes, there is a difference between a skyscraper and a high-rise. Research company Emporis defines a high-rise as a building at least 35 meters (115 feet) or 12 stories tall. These high-rise buildings play a major role in the more sprawled urban context of larger cities today.
Read on for Emporis' list of the 20 cities in the world with the most high-rises. You might be surprised by which cities made the cut.
Dubai Nhabitat, a mixed-use tower proposed by Ankara-based firm rgg Architects, utilizes its own unique formal system to create "permeability through different materials and building tectonics." The tower is an aggregate of individual modules that can be enlarged or shrunk by an "8mx8m grid" based on programmatic needs, creating views and outdoor spaces unique to each spatial arrangement.
Germany’s first wooden high-rise, the “Wildspitze,” is being designed by Störmer Murphy and Partners. At 18 stories and 64 meters high, this residential tower will be one of Europe’s largest urban development projects.
Located in Elbbrücken, a peninsula neighborhood within Hamburg's HafenCity, Wildspitze will add 189 residential units on its riverside site. Each apartment will feature a loggia behind a double glass facade.
C.F. Møller has been selected as the winners of a competition to design a community-focused highrise in the Stockholm neighborhood of Kista, a district known as the city’s tech hub that is in need of attractive, contemporary living options. Known as Geysir, the 15,000-square-meter building will provide 220 new units of varying size, as well as 2,000 square meters of retail space, helping to develop the urban quarter.
Herzog & de Meuron have completed construction of their latest project, a high-rise luxury residential skyscraper on 56 Leonard Street, New York City. Conceived as a stack of individual houses resembling a Jenga tower, the building is the tallest in its Tribeca neighborhood. With its tall and slender silhouette, 56 Leonard Street is the latest in a series of contemporary skyscrapers punctuating Manhattan’s skyline.
Have you been experiencing motion sickness, depression, sleepiness, and even fear, as you gaze out of your window from the 44th floor? If so, you may be prone to “Sick Building Syndrome” – the informal term for side effects caused by swaying skyscrapers, according to experts at the Universities of Bath and Exeter, who are launching a £7 million ($8.6 million) study into their causes and prevention through testing simulations.
“More and more people are living and working in high-rises and office blocks, but the true impact of vibrations on them is currently very poorly understood,” explained Alex Pavic, Professor of Vibration Engineering at the University of Exeter. “It will for the first time link structural motion, environmental conditions, and human body motion, psychology, and physiology in a fully controllable virtual environment.”
EID Architecture looks to the traditional side of Shanghai when designing CITIC Pacific's high-rise residential neighborhood. The Shanghai downtown area will see six new residential towers and amenities through the development.
Designs for the building encourage social interactions through its amenities, which include leisure facilities, a spa, meeting and conference spaces, and roof gardens overhead. Undulating terraces on the top of each building promote a sense of community in addition to responding to the site's preservation of sunlight.
Photographer Paul Clemence of ARCHI-PHOTO has shared images of 56 Leonard Street by Herzog & de Meuron. Nearing completion, the 60-story residential tower will be the tallest structure in Tribeca when it opens later this year. The concept of 56 Leonard Street is to disrupt the monotony of typical high-rise city buildings with a more varied articulation achieved by stacking recognizable individual houses. Shifted floor slabs create differentiated corners, cantilever, and balcony conditions that provide apartments with their own unique characters. Developed from the inside out, the pixelated rooms are arranged such that the base of the tower reacts to the street conditions and ripples upward to merge with the sky.
Read on for the full photo set.
The skyscraper: representative of spatial economy and a symbol of power. This building typology has a storied, turbulent and even contested past. Here, we bring you a selection some of the skyscrapers and high-rise buildings featured in our AD Classics section.
eVolo Magazine is pleased to invite architects, students, engineers, designers, and artists from around the globe to take part in the 2017 Skyscraper Competition. Established in 2006, the annual Skyscraper Competition is one of the world’s most prestigious awards for high-rise architecture. It recognizes outstanding ideas that redefine skyscraper design through the implementation of novel technologies, materials, programs, aesthetics, and spatial organizations along with studies on globalization, flexibility, adaptability, and the digital revolution. It is a forum that examines the relationship between the skyscraper and the natural world, the skyscraper and the community, and the skyscraper and the city.
As Seoul’s population boomed, apartment blocks became commonplace. Photographer Manuel Alvarez Diestro spent 6 months exploring the city’s new towns, aiming to “reveal in visual terms the expansive nature of urbanization and the transformation of the landscape through the construction of these new housing developments of massive scale.”
For architects, if I may generalize an entire professional community, there are few novelists as cultishly beloved as J.G. Ballard. Borges or Calvino have their fair share of admirers, but to borrow an adjective more frequently applied to buildings, Ballard is the most iconic of literary figures—especially for readers of a concrete-expansion-joint persuasion. Witnessing war as a child, training in medicine, and thereafter writing from a rather bloodless middle-class patch of suburbia, Ballard spun tales of urban life that continue to be uncomfortably visceral.
“Ever wanted something more?” asks Robert Laing, the character played by Tom Hiddleston in the new trailer for “High Rise” - an upcoming film based off of the 1975 novel by new wave science fiction author J.G. Ballard. Filmed as a advertisement for the brutalist tower, the complex boasts that with its numerous amenities, “there is almost no reason to leave,” prefiguring the story's unsettling premise.
Befitting the architecturally-inspired tale, the architecture seen in the snapshots shows off a concrete megastructure, with beautiful board-formed concrete walls elegantly highlighting and contrasting with the modernist furniture and shag surfaces of the interiors. Not unlike the real-life brutalist residential megastructure The Barbican, the High Rise features a supermarket, gym, swimming pool, spa, and school. Perhaps that is why Laing describes the film’s setting as “distinctly and definitively British.” Watch the video for a first look at film, to be released in theaters in 2016, and find out more at the tongue-in-cheek website for the building's fictional designer, anthonyroyalarchitecture.co.uk.
Since the emergence of the modern multi-storey building in the late 19th century, screenwriters and art directors have embraced the high-rise building as both backdrop and prop in the drama of feature films. It’s easy to understand the fascination. The precarious nature of a skyscraper – their height, their reliance on competent engineering and emergency systems, and their all-controlling security – provide abundant opportunities for action and disaster. And all with a built-in view.
But while Hollywood loves a high rise, it hasn’t treated them well. Plot lines usually tap into a general scepticism about the kind of engineering feats which make them possible and often carry some underlying moral message about the dangers of technology and advancement.
When one thinks of the stereotypical "American" life, images of Suburbia, of small homes with white picket fences, immediately come to mind. But beyond the stereotype is the lived experience of millions of Americans, who have grown up in cities across the country, and indeed, the world.
Ever wonder why the skyline of Los Angeles is peppered with flat top skyscrapers? Or for that matter, why does such a global cosmopolitan city have so relatively few skyscrapers dotting its cityscape, the majority residing in downtown LA?
The answer lies in a section of the Los Angeles Municipal Code introduced in 1974 – Sec. 57.118.12 – “Emergency Helicopter Landing Facility.” The code stipulates that “Each building shall have a rooftop emergency helicopter landing facility in a location approved by the Chief.” The text also dictates that the helipads measure 50′x50′ in addition to a 25′ safety buffer. The resulting skyline thus far has been dominated by flat roof skyscrapers that would only make it through the planning process if in strict accordance with this code. However, a newly introduced proposal called the Hollywood Community Plan would allow skyscrapers to be constructed along the subway served “Hollywood Corridor.” In lieu of embarking on a plan that would surely result in more box type towers, an amendment has been introduced into the plan that would exempt skyscrapers within the corridor from having to conform to Sec. 57.118.12 helipad requirements. More After the break.