Charles & Ray Eames: The Latest Architecture and News

On Tuesday morning, wildfires erupted in the Pacific Palisades, one of Los Angeles' wealthiest neighborhoods. The catastrophic fire left a significant mark on the infrastructure and neighborhoods of Los Angeles, resembling a war-torn landscape by the morning of January 8, 2025. Iconic locations along Sunset Boulevard transformed into scenes of devastation, with charred buildings. Over 2,000 structures have been destroyed, displacing tens of thousands of residents and sparking urgent appeals for access to homes for medication retrieval. Several hotels in Los Angeles have been taking in displaced residents.

Architecture works such as the celebrated Case Study Homes, the Getty Villa museum and significant works by architects like Richard Neutra, Eero Saarinen, A. Quincy Jones, Charles and Ray Eames, and Charles Moore are all now under threat from the fires fueled by strong Santa Ana winds and drought conditions.

The Museum of Modern Art New York has announced the opening of an exhibition focused on the first realized and unrealized projects that address ecological and environmental concerns. Featuring works by architects who practiced mainly in the United States from the 1930s through the 1990s, the exhibition titled “Emerging Ecologies: Architecture and the Rise of Environmentalism” is on view from September 17, 2023, through January 20, 2024. The over 150 works showcased reveal the rise of the environmental movement through the lens of architectural practice and thought.

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In a way, classic furniture is like a mixture between a work of art and a gold bar: it is a safe investment and can often even increase in value with age. In our second selection of design icons from the 20th century, we present Ray and Charles Eames, Marcel Breuer, Arne Jacobsen and Mario Bellini and some furniture pieces from the past century that remain more modern today than ever, in terms of not only design but also comfort. Find out more on the Architonic Platform.

Metropolis Magazine's Kenneth Caldwell visits the Eames Ranch in Petaluma, California to unpack the goals and secrets of the Eames Institute of Infinite Curiosity. He explains that he may not be the best person to write objectively about the recent public launch of the Eames Institute of Infinite Curiosity, a non-profit formed in 2019 to help us explore Charles and Ray Eames’ legacy; particularly their timeless, iterative design process; the chair he sits in every day was designed by the Eameses the year he was born, and their work has been part of his life since he was a young boy looking for the future in architecture magazines at the local public library.

The Eames Institute of Infinite Curiosity is a new non-profit organization that aims to bring forward the design processes and problem-solving approaches of the two renowned designers with the purpose of equipping a new generation of creatives with the tools for tackling today's challenges. Through archival exhibitions, storytelling, and other programming, the institution will demonstrate the Eameses' iterative process and highlight the lessons to be passed on from their methodology, making a vast collection of objects, prototypes, and personal archives available to the public.

On the heels of the Eames Office’s 80th anniversary marked by an exhibition and a Ray-inspired sneaker, director Eames Demetrios spoke to Metropolis about the matriarch who continues to inspire design.

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In celebration of its eight decades of design history, Eames Office recently inaugurated a new exhibition at Design Gallery Isetan The Space in Tokyo, rememorating Charles and Ray Eames’ human-centred design philosophy. Featuring classic furniture designs, archival works, recreated architectural models as well as new projects developed with brands like Herman Miller, Vitra, Ravensburger or Reebok, The 80 Years of Design exhibition illustrates the prolific and highly diverse work of the studio, highlighting the value of its designs for contemporary living.

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Charles (June 17, 1907 – August 21, 1978) and Ray Eames (December 15, 1912 – August 21, 1988) are best known for their personal and artistic collaboration and their innovative designs that shaped the course of modernism. Their firm worked on a diverse array of projects, with designs for exhibitions, furniture, houses, monuments, and toys. Together they developed manufacturing processes to take advantage of new materials and technology, aiming to produce high-quality everyday objects at a reasonable cost. Many of their furniture designs are considered contemporary classics, particularly the Eames Lounge & Shell Chairs, while the Eames House is a seminal work of architectural modernism.

While women in architecture already face more obstacles than men in their careers, as proven by studies and research from across the globe, the disparities become even more obvious when it comes to partnerships involving both genders. In the history of the profession, there are many examples of office partnerships or collaborations that reveal the discrepancies in terms of recognition achieved by the work, reflected in awards, honors, citations, and salaries.

Many of these collaborations are between intimate couples who, as in any business partnership, design and make work decisions together. But in the particular case of architects in a heterosexual relationship, the role of the "wife" seems to have prevailed over that of collaborator, architect, or equal partner on many occasions.

The Royal Institute of British Architects (RIBA) has unveiled a recording of the day Ray Eames became the first woman ever to receive the Royal Gold Medal. Commemorating a historical ceremony, the audio reveals the acceptance speech of Ray Eames, during the 131st presentation of the Royal Gold Medal to the office of Charles & Ray Eames in 1979.

Architects are often bound by the will of their client, reluctantly sacrificing and compromising design choices in order to suit their needs. But what happens when architects become their own clients? When architects design for themselves, they have the potential to test their ideas freely, explore without creative restriction, and create spaces which wholly define who they are, how they design, and what they stand for. From iconic architect houses like the Gehry Residence in Santa Monica to private houses that double as a public-entry museum, here are 9 fascinating examples of how architects design when they only have themselves to answer to.

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