Stanley Tigerman, an outspoken force on the Chicago architecture scene, was recently bestowed (much to his amazement) AIA Chicago's highest honour: the Lifetime Achievement Award. "I’ve done some damage to them and I’m aware of it. I’ve challenged them..." he explains to Meg Graham of Chicago Grid. "So that they then turn around in a way and turn the other cheek and give me this award does not go unnoticed by me. And I’m thrilled by it." You can find the full, wonderfully entertaining interview, in which he discusses the award, keeping up in a digital world, and getting older (without becoming "ridiculous"),here.
https://www.archdaily.com/432225/a-delightfully-candid-interview-with-chicago-s-lifetime-achievement-winner-stanley-tigermanKatherine Allen
Amsterdam's famous canal district celebrated its 400th birthday this year. And though the district has grown and evolved throughout the centuries, now, more than ever before, this UNESCO World Heritage site is struggling with how to ensure the past doesn't hold a vice-like grip on its future.
For Jarrik Ouburg, an Amsterdam architect, the problem was more specific: in such a historic district, how do you keep urban transformations from slowing to a stop? This question eventually led him to his ongoing project, “Tussen-ruimte.” Tussen-ruimte (Dutch for ‘between space’) installs pieces of contemporary art and architecture in the hidden alleys and courtyards that have formed over years of building in the canal district.
https://www.archdaily.com/431720/between-the-buildings-of-historic-amsterdam-an-urban-interventionKatherine Allen
London-based studio Weston Williamson has been announced the winner of the Brasilia Athletics Stadium competition. The international competition, associated with the 2016 Olympic Games in Rio, called for designers to envision a 70,000 seat stadium in the nation's capital.
https://www.archdaily.com/432366/brasilia-stadium-winner-features-responsive-petalsKatherine Allen
The Marsan Mediatheque, overall winner of the 2013 LEAF Awards. Image Courtesy of archi5
Now in its tenth year, the Emirates Glass LEAF Awards honor the architects designing the buildings and solutions that are setting the benchmark for the international architectural community. Founded in 2001, the competition is organized by the Leading European Architects Forum (LEAF) and recognizes innovative architectural design. 17 different awards were given to various projects and architects, with one overall winner. Check out the winners after the break…
The 2013 RIBA Stirling Prize has been won by Witherford Watson Mann for Astley Castle (Nuneaton, Warwickshire). The winner was just announced at a ceremony at London's Central Saint Martins, a building designed by last year's winner Stanton Williams. Astley Castle was also voted as BBC readers' favourite earlier this week. Jury-member Stephen Hodder stated that "engaging with the building was such a surprise for [the jury]," and described it as an "unassuming" building with great "rigour."
With the news earlier this year that San Francisco's Presidio Trust was planning a new cultural centre on the former site of a military base, now a national park, further details have emerged on the three finalists. The competition has attracted proposals from George Lucas (for the Lucas Cultural Arts Museum), WRNS Studio and the Chora Group (for 'The Bridge'), and the Golden Gate National Parks Conservancy (for the Presidio Exchange). Each proposals offer different visions for the eight acre site, the ex-military building of which currently hosts the retailer Sports Basement.
View from Station. Image Courtesy of Henning Larsen Architects
Henning Larsen Architects has won a competition to design a new city hall for Kiruna in northern Sweden. The design, which has already been named Krystallen (The Crystal), is intended to "become the city's natural gathering point, where the traditions of democracy will be united with a vision about a dynamic meeting place for politics as well as social and cultural events". Comprising of two buildings, the outermost circular in form and the innermost "shaped like a crystal", the design has been "inspired by the enormous concentration of iron ore" that can be found beneath the site, the discovery of which led to the founding of Sweden's northernmost city.
A year ago, Nick Olson and Lilah Horwitz quit their jobs to build a cabin in the West Virginia mountains. Today, that gamble seems to have paid off: their cabin sits in the exact spot where they first discussed building it. However, while the interior of the cabin is like almost any other, a mix of old wooden furniture and more modern decorations, the front facade - is anything but.
The west-facing facade is made entirely of window pieces, stitched together; Olson and Horwitz wanted to be able to capture every inch of the sunset, without having to limit their view to the confines of a single window.
See more images and a video of this house made of windows, after the break...
https://www.archdaily.com/429014/a-house-made-of-windowsKatherine Allen
With the recent news that Rafael Viñoly Architects'20 Fenchurch Street (or the "Walkie Talkie") in London has been producing an unusually hot solar reflection, dubbed the "Death Ray," we've put together a list of seven architectural blunders around the world - from the worrying to the downright absurd.
The term 'green' is notoriously difficult to define, and even more so when it comes to architecture. An often overused and fashionable way of describing (or selling) new projects, 'green' design seems to have permeated into every strand of the design and construction industries. Kaid Benfield (The Atlantic City) has put together a fascinating case study of a 1,700 dwelling housing estate near San Diego, challenging what is meant by a 'green' development in an attempt to understand the importance of location and transport (among other factors) in making a project truly environmentally sustainable. In a similar vein, Philip Nobel (The New York Times) explores how 'green' architecture is less about isolated structures and far more about "the larger systems in which they function". Read the full article from Kaid Benfield here, and Philip Nobel's full article here.
From "Paper Architect" to employing over 400 staff working on 950 projects in 44 countries, Zaha Hadid has proven that her avant-garde ideas are not only buildable, but also the most popular architectural brand in the world. China, Russia and Saudi Arabia are among the countries first in line to commission Hadid icons. Rowan Moore, however, claims that her recent accolades have come at the cost of her original ideals, becoming trapped in her own public persona. Read the full article, Zaha Hadid: queen of the curve.
https://www.archdaily.com/427148/zaha-hadid-has-international-fame-come-at-a-costJose Luis Gabriel Cruz
With Birmingham's new public library opening last week, Mecanoo's latest large-scale public building has received mixed reviews from critics in the UK. Check out the critical responses from Hugh Pearman, The Telegraph's Stephen Bayley, The Guardian's Oliver Wainwright, The Observer's Rowan Moore, and The Financial Times' Edwin Heathcote after the break...
Ever expanding population growth coupled with the continuous development of urban centres mean that buildings, in general, will continue to get taller. With the topping out of One World Trade Centre in May this year the worldwide competition to construct towers with soaring altitudes doesn’t seem to be slowing, especially in China and the UAE. The question on many people’s lips, however, is how much of these colossal buildings is actual usable space?
The advent of electrical lighting has allowed us to colonise the night. Not only have kilometres of street lighting ensured higher levels of safety, but signs, advertisements, etc. continue to draw us into nocturnal landscapes. As Rem Koolhaas explored in Delirious New York, Manhattan and Coney Island were the early luminous prototypes for today’s continuously vibrant metropolises: cities that establish new rhythms, a new balance between work and life.
But what happens when lighting upsets our natural balance? When we lose the beauty of the dark sky, the stars? What happens when lighting turns into pollution?
Would you ever want live in the Keret House - the world's skinniest dwelling - in Warsaw, Poland? Well, now's your chance. The Polish Modern Art Foundation has announced an open call for resident applications to artists (under age 35) practicing in the fields of architecture, visual arts, literature, music or film. If selected, artists will have the opportunity to live in the Keret House for up to 21 days to realize a project of their own design. The residency aims to foster individual artistic expression, promote creative exchange, and expose artists to the cultural environment of Poland while offering them the chance to experience what many believe to be an "impossible architecture." See if you are eligible to apply here.
