For young creatives, curious explorers, or simply multitaskers, The Midnight Charette's weekly podcasts provide a provocative and entertaining take on design and architectural discourse. Hosted by David Lee and Marina Bourderonnet, the segments aim to explore ideas beyond everyday conversation and engage with a multitude of individuals in the design field.
In their recent discussion featuring Marc Neveu, the Executive Editor of the Journal of Architectural Education(JAE)and head of the Architecture Program at Arizona State University (ASU), the duo covers a broad range of topics related to professional practice and architectural pedagogies.
It’s easy to feel jaded about modernism. What started as a radically rational and analytical approach to design - one not beholden to the architectural traditions of place or history - has become a smokescreen behind which designers and developers alike can hide. The language of logic (genuine or not) is a shield against criticism and satisfies questions about the bottom line. The border between minimalism and a value-engineered bare minimum has been blurred to the point of invisibility.
https://www.archdaily.com/904726/this-week-in-architecture-what-does-modernism-mean-todayKatherine Allen
To activate the historical and cultural significance of music in the city of Yekaterinburg, a design competition to create a new concert hall was announced earlier in April. From the 47 proposals that were submitted, the top three architectural concepts were recently selected by the jury committee, awarding first place to Zaha Hadid Architects, and the two runner-up positions to Alvisi Kirimoto + Partners and Robert Gutowski Architects respectively.
Despite selecting ZHA's proposal as the project laureate, all three projects are still in contention as the feasibility studies are ongoing. For the snowy climate of this Russian city, the buildability of the design continues to be under debate.
Heatherwick Studio’s Coal Drops Yard in London’s King's Cross was unveiled today ahead of the new shopping districts public opening on Friday, October 26. The studio reinvented two heritage rail buildings from the 1850s as a new shopping district while opening up the site to the public for the first time. The design extends the inner gabled roofs of Victorian coal drops to link the two viaducts together around shopping and public space.
With the aim to create the self-proclaimed "Central Park of Lakeland," global design firm Sasaki is converting Bonnet Springs Park in Central Florida from a former CSX railyards property to an ecological hub. Initially, a vacant brownfield, the site is currently undergoing environmental remediation to tackle the years of industrial damage, with plans to be open to the public by 2020.
What comes to mind when you encounter the term “sensory design”? Chances are it is an image: a rain room, a funky eating utensil, a conspicuously textured chair. But the way things actually feel, smell, even taste, is much harder to capture. This difficulty points to how deeply ingrained the tyranny of vision is. Might the other senses be the keys to unlocking broader empirical truths? Does the ocular-centric bias of art, architecture, and design actually preclude a deeper collective experience?
Soon to become the tallest building in Quito, IQON is Bjarke Ingels Group's first project to be built in South America. Currently undergoing construction, the largely residential building is a curved tower with gradually protruding balconies. Encased between the dense city and the park, the self-dubbed "urban tree farm" aims not only to encompass the surrounding views of the volcanoes and nature beyond but also to integrate the landscape within the building itself.
The dominating news of the week came courtesy of RIBA and IIT, with the two announcing this year’s laureates of the Stirling Prize and Mies Crown Hall Americas Prize, respectively. Foster + Partners were awarded RIBA’s Stirling Prize for their Bloomberg HQ in London. Said jury member Sir David Adjaye, “Bloomberg is a once-in-a-generation project which has pushed the boundaries of research and innovation in architecture.” The project has been a controversial choice, with some citing the tension between the building’s massive price tag and the current UK housing crisis.
https://www.archdaily.com/903837/this-week-in-architecture-awards-seasonKatherine Allen
After a season packed with significant architecture news, Melbourne has announced the opening of the 2018 MPavilion designed by Carme Pinós. The pavilion is widely considered to be the southern hemisphere’s answer to the Serpentine Pavilion, and has featured designers such as Rem Koolhaas, Bijoy Jain, and Amanda Levete.
This year’s design, from Spanish architect Carme Pinós, takes its inspiration from origami, with wings opening out to welcome the city into the pavilion itself. The roof, made of two distinct halves, is perched upon three mounds incorporating public seating.
The tale began with a simple idea - a toy that every child, regardless of age and ability, can play, dream, and learn with. But things turned out less than simple. Fights, lawsuits, and even a death all mark the road it took to make a now-ubiquitous toy a reality. The object in question? Lego.
It’s tales such as this one that Alexandra Lange explores in her new book, The Design of Childhood: How the Material World Shapes Independent Kids. Some may scoff at the seemingly trivial subject matter. Surely children, with their boundless imaginations and appetite for play, can discover ways to find fun in anything.
Created by the Union International des Architects (UIA)in 2005, World Architecture Day is celebrated on the first Monday of October, aiming to highlight and remind the world of the architecture's collective responsibility in designing the world's future cities and settlements. To celebrate, ArchDaily's editors have chosen stories from the year so far that have interested, excited, or inspired them. Read on to see the stories.
https://www.archdaily.com/903015/world-architecture-day-2018-our-editors-celebrate-with-their-favorite-stories-and-projectsKatherine Allen
It’s well understood that a sense of place is an essential value for people, architecture, and cities. Everyone from designers to planners to city governments speak breathlessly of the power of places to transform cities for the better - but it’s not clear what placemaking really means.
https://www.archdaily.com/902961/this-week-in-architecture-what-makes-a-placeKatherine Allen
After carefully deliberating in their annual session, UNESCO's World Heritage Committee selected 19 new sites to inscribe on the World Heritage List in the city of Manama in Bahrain. Featuring 13 cultural sites such as Buddhist mountain monasteries in Korea, the industrial city of Ivrea in Italy, and the Caliphate city of Medina Azahara in Spain, alongside three natural sites and three mixed sites (classified as both cultural and natural heritage), the list now aggregates to 1092 sites in 167 countries.
From the historical Sultan Ahmed Mosque in Istanbul to the contemporary city of Brasilia orchestrated by Oscar Niemeyer, the World Heritage List has continuously exhibited varied examples of architecture and urban planning from different eras and movements from around the world. Amongst the new additions, there are several sites of religious importance, city organization, and natural conservation.
Matthias Jung's "Houses" series depicts finely stitched architectural facades against the picturesque landscapes of Northern Germany to create surreal architecture. Commencing as a childhood pastime in his father's photo lab, his passion for collaging has evolved into his career as a designer and artist.
Videos
A still from PLANE-SITE's video of Jorge Hernandez' installation at the Palazzo Bembo in Venice. Image Courtesy of PLANE-SITE
The European Culture Center’s Time Space Exhibition during the Venice Biennale 2018 features a new short film depicting the spatial qualities of light in architectural design, both as a material and metaphor.
This collaboration between architect and professor Jorge L. Hernández and photographer Carlos Domenech explores their endeavors in providing a lighting-based design solution for the Williamsburg, Virginia courthouse. Battling the issues of security and privacy of the court with the need for natural daylight, Hernández recreated the cupola, a vernacular roof turret intended for ventilation for illumination instead. Light, entering the courtroom from above, transforms the previously dull space and becomes, “an allegory for justice”.
Robert Venturi - and the postmodernist movement he helped to form - was occasionally a divisive figure. For hardcore modernists, the referencing of prior styles was an affront to the future-facing architecture they had tried to promote. For traditionalists, the ebullient and kitschy take on classicism was an insult to the elegance of the past.
https://www.archdaily.com/902446/this-week-in-architecture-complexity-and-contradictionKatherine Allen