Amsterdam: The Latest Architecture and News

+ 20

The Rijksmuseum, which reopened last year after a decade of restoration and remodelling, is a museum dedicated to “the Dutchness of Dutchness.” Pierre Cuypers, the building's original architect, began designing this neogothic cathedral to Dutch art in 1876; it opened in 1885 and has stood guard over Amsterdam's Museumplein ever since.

Over the centuries, the building suffered a series of poorly executed 'improvements': intricately frescoed walls and ceilings were whitewashed; precious mosaics broken; decorative surfaces plastered over; and false, parasitic ceilings hung from the walls. Speaking in his office overlooking the Rijksmuseum’s monumental south west façade, Director of Collections Taco Dibbits noted how the most appalling damage was incurred during the mid-20th century: “everything had been done to hide the original building […but] Cruz y Ortiz [who won the competition to redesign the Rijks in 2003] embraced the existing architecture by going back to the original volumes of the spaces as much as possible.”

For Seville-based Cruz y Ortiz, choosing what to retain and what to restore, what to remodel and what to ignore were, at times, difficult to balance. Cruz y Ortiz found their answer in the mantra: 'Continue with Cuypers'. They threw the original elements of the building into relief but did not act as aesthetes for the 'ruin'. In contrast to David Chipperfield and Julian Harrap's restoration of Berlin's Neues Museum, for instance, Cruz y Ortiz rigorously implemented a clean visual approach that favoured clarity over confusion. What is original, what is restored, and what is new mingle together in a melting pot of solid, understated architectural elements. Sometimes this approach contradicted Cuyper's original intentions; however, more often than not it complements them in a contemporary way.

+ 34

+ 11

+ 38

+ 21

+ 3

Bunker 599, one of 700 secret bunkers that were used to weaponize artificial hydrology in during the 19th century (see: New Dutch Waterline), recently underwent a radical transformation. RAAAF [Rietveld Architecture-Art-Affordances], in collaboration with Atelier de Lyon, sliced through the seemingly indestructible bunker to link visitors to an existing network of footpaths, create a publicly accessible attraction to those revisiting the NDW, and form a dramatic connection with the flooded plains that were altered more than 200 years ago.

The video above takes you through the process of altering the concrete monolith, ending with film of the stunning result that has been attracting thousands of daily visitors since its completion. To learn more about the project, follow this link.

+ 22

+ 8

+ 5

+ 9

+ 15

+ 13

Amsterdam's famous canal district celebrated its 400th birthday this year. And though the district has grown and evolved throughout the centuries, now, more than ever before, this UNESCO World Heritage site is struggling with how to ensure the past doesn't hold a vice-like grip on its future.

For Jarrik Ouburg, an Amsterdam architect, the problem was more specific: in such a historic district, how do you keep urban transformations from slowing to a stop? This question eventually led him to his ongoing project, “Tussen-ruimte.” Tussen-ruimte (Dutch for ‘between space’) installs pieces of contemporary art and architecture in the hidden alleys and courtyards that have formed over years of building in the canal district.

+ 25

The Waag Society, together with designer and software engineer Bert Spaan, have put the Netherlands back on the map - the data map. After several months of coding and design, the partnership has managed to account for all 9,866,539 buildings in the country, visualized in varying colors to identify old and new buildings. After a user clicks on a specific block, additional building and city information displays square footages, addresses, populations and programs, among other stats. Users can navigate from Amsterdam to the Hague experiencing hundreds of years of urban development along the way, from the pre-1800s to post-2005 buildings, indicated by the red to blue gradient.