Known as the state house, the presidential palace, and an assortment of other terms — the building that hosts a country’s seat of government is usually quite architecturally striking. Frequently opulent, grand, and sometimes imposing, the state house is intended to function as a visually distinct marker of a nation — an extension of a state’s identity. In the African continent, a landmass that had seen a significant part of it colonized by European nations, this identity of statehood, in an architectural sense, is complex.
Last November, the annual climate conference COP 27 came to a close in Sharm el-Sheikh with a tentative agreement, reached at the last moment, to set up a “loss and damage” climate fund for Africa and other developing countries. For Africans, this was cause for muted celebration, because for generations the continent has built its climate change agenda almost exclusively around the pursuit of climate justice, a desire to enforce liability on the industrialized nations responsible for the bulk of global carbon emissions. All of this has unfolded, in a sort of willful blindness, while a majority of Africans struggled with the most prosaic challenges: inefficient urban sanitation; poor stormwater management; a paucity of water, sanitation, and hygiene facilities; willful and unabated deforestation; and environmental degradation.
https://www.archdaily.com/996301/its-time-for-africa-to-chart-its-own-climate-change-agendaMathias Agbo, Jr.
A defining feature of the architecture of the Swahili Coast—apart from its coral stone buildings and mangrove poles used to elaborate those structures—is undoubtedly the ornamented door so commonly found across this coastal area. Richly decorated, and historically often layered with meaning, these doors, apart from serving the more utilitarian function of an entrance, were also signifiers of status and wealth. From this Swahili Coast to the Arabian Peninsula, these doors of the coast are very much markers of their location, representative of trade and migration.
Abandoned house in "Touki Bouki". Image Courtesy of Janus Films
Simultaneously gripping, disconcerting, and chaotic, Djibril Diop Mambéty’s Touki Boukiis an exhilarating cinematic ride. The 1973 drama — the first full-length film by the Senegalese director — is the fantastical narration of a young couple in Dakar, eager to escape the Senegalese capital for the allure of Paris. It’s a character-driven film in many ways, primarily centered on the couple’s adventures, but it is also a subtle visual examination of the urbanism of post-independence Dakar, where the city and its architecture are essential fixtures in a surreal storyline.
2022 has been the year of AI image generators. Over the past few years, these machine learning systems have been tweaked and refined, undergoing multiple iterations to find their present popularity with the everyday internet user. These image generators—DALL-E and Midjourney arguably the most prominent—generate imagery from a variety of text prompts, for instance allowing people to create conceptual renditions of architectures of the future, present, and past. But as we exist in a digital landscape filled with human biases—navigating these image generators requires careful reflection.
Tagh Behesht Business Center in Tehran, Iran. Image Courtesy of Rvad Architecture and Design Studio
This week's curated selection of Best Unbuilt Architecture highlights office spaces submitted by the ArchDaily community. From a TV station in Vietnam to a bazaar-inspired business center in Iran, this round-up of unbuilt projects showcases how architects structure corporative spaces to serve as a model for sustainable, innovative, and future-oriented workplaces.
Studio NYALI / ArchiAfrika Pavilion at the 2021 Venice Biennale. Image Courtesy of Studio NYALI
From the Tbilisi Architecture Biennial to the Sharjah Architecture Triennial, architecture exhibitions are ever-increasing fixtures on cultural calendars around the contemporary world. New editions of architecture exhibitions rest on a foundation propagated by exhibitions of the past – and these historical expositions, to a great degree, have shaped the architectural discourse we have today. But as these exhibitions were born out of a western framework, African historical representations on the biennial and triennial architectural stage have often been reductive, with an assortment of cultures flattened into one, and distinct architectural styles meshed in an incoherent manner.
As of today, over 50% of the world’s population lives in urban areas, and by 2050, this urban population will almost double in size, and 7 of 10 people in the world will live in cities. As cities have continued to grow and expand throughout history, a new vocabulary has also emerged, often to better communicate the scale of urban living in a relatively contemporary context. One such example is the term megalopolis – typically defined as a network of large cities that have been interconnected with surrounding metropolitan areas by infrastructure or transportation. In effect, it’s a region perceived as an encompassing urban area, within which there is a constant flow of commerce and migration.
A few days ago, the world gathered at Sharm El Sheik, Egypt, for its annual climate change summit: COP27. Like the rest of Africa, Nigeria is represented by its retinue of bureaucrats, climate advocates, and other interest groups. Since the last meeting in Scotland (COP26), Nigeria signed the Climate Change Act into law, setting a target of attaining net-zero greenhouse gas emissions between 2050 and 2070. In the interim, Nigeria has developed an ambitious energy plan that would see it transition from fossil fuels to renewable energy, using its vast reserve of natural gas as a hedge. The country is at the forefront of the African Carbon Markets Initiative and plans to raise at least $500 million from carbon crediting trading to offset emitted carbon.
https://www.archdaily.com/992422/nigerias-ambitious-climate-agenda-and-its-misplaced-fixation-on-carbon-footprintMathias Agbo, Jr.
It’s an essential component of the design process, where spatial ideations are translated into built form – the design of the prototype. Architectural projects, throughout history and in contemporary practice, have been prototyped to carry out both technical and aesthetic tests, where further insight is gained into the integrity of the design. It’s the blurred line between the experimental and the practical.
URB has unveiled plans to develop Africa's most sustainable city, a development that can host 150,000 residents. Known as The Parks, the city plans to produce 100% of its energy, water & food on-site through biodomes, solar-powered air-to-water generators, and biogas production. The 1,700-hectare project will feature residential, medical, ecotourism, and educational hubs to become one of the significant contributors to the growing green and tech economy in South Africa.
German-based architecture firm OMT designed Africa's tallest hybrid timber tower in Zanzibar City, Tanzania. In partnership with Birk Heilmeyer Frenzel Architects, engineering firm Knippers Helbig Advanced Engineers, and CPS Developers, the "Burj Zanzibar" will rise 96 meters tall to accommodate 266 residences and recreational and conferencing facilities. The mixed-use tower will promote the locally available wood and support the growing urban infrastructure that, according to the government plans, expects to attract tech companies to turn the island into a leading hub for Africa's technology companies.
Doreen Adengo, Ugandan architect and trailblazer, passed away on July the 22nd of this year, after battling a long-term illness. She founded Adengo Architecture, a studio based out of her home city of Kampala. A designer who studied in the United States, worked in firms in New York, Washington, and London, and was teaching at Uganda Martyrs University – her legacy is nothing short of extraordinary. It is a legacy that spans disciplines and geographies – but a legacy, too, that is deeply rooted in the context of Africa, Uganda, and Kampala.
Doreen Adengo. Image Courtesy of Adengo Architecture
Doreen Adengo, architect from Kampala, Uganda has passed away, as reported by African Futures Institute’s Instagram Account, after a long battle with cancer. Founder of Adengo Architecture in 2015, a research-based multi-disciplinary practice operating out of her hometown Kampala, Doreen, a registered architect in the United States and Uganda, had earned her undergraduate at the Catholic University (Bachelor of Science in Architecture) and graduate studies at Yale (Masters of Architecture). She has taught at The New School and Pratt Institute in New York, the University of Johannesburg’s Graduate School of Architecture, and was currently teaching at Uganda Martyrs University. In celebration of International Women’s Day 2022, Doreen Adengo was recognized by ArchDaily as one of the established practitioners implicated in change.
The luxury hotel, as an architectural typology, is distinctive. In effect, it's a self-contained community, a building that immerses the well-off visitor into their local context. Self-contained communities they might be, but these hotels are also vessels of the wider socioeconomic character of a place, where luxury living is often next door to informal settlements in the most extreme examples of social inequality.
The United Nations Development Programme (UNDP) is working with the Nigerian Government to develop Rebuilding Ngarannam, a stabilization program in Northeast Nigeria that offers a new village to a community displaced by Boko Haram. The new urban plan and infrastructure were designed by Nigerian Consultant Architect Tosin Oshninowo, who consulted with the community to create a settlement that reflects and speaks to their culture. The first phase, which includes housing and essential services like education and healthcare facilities, is set to be complete in the summer of 2022.
