In this third dispatch from New York, Kosme de Barañano shares the current state of construction on two structures that will undoubtedly become new milestones in the network of globalized public space—a symptom of the sculptural turn in architectures designed for this type of consumption. The shed and the staircase: two very different constructions that somehow pose an age-old question: are they sculptures, or are they architecture?
The New York City local government is one of the largest of its kind, with hundreds of city agencies and elected offices. The Mayor, city agencies, the city council, the comptroller, the public advocate, the borough presidents, and community boards organize to provide services and improve the quality of life in the biggest city in the United States and a primary tourist destination. Like other metropolises in the world, urban developers and authorities in New York are facing common challenges: the atmospheric effects and permanent consequences of the climate crisis, the saturation of transport systems, the lack of housing units, and barriers to accessing adequate housing. During June, the New York City mayor's office announcements addressed traffic and mobility, sports events, immigration, and extreme heat. In recent months, a series of policies have been announced to address a larger problem: ensuring access to housing for a greater number of people through government action.
When addressing accessibility in architecture, codes set the baseline, while design defines the ceiling. Although numerous guidelines exist, creating spaces for everyone goes beyond mere adherence to standards. It requires a deep understanding of the environment and a broad perspective, recognizing that what we design will be used by people with diverse bodies, abilities, and conditions far beyond those traditionally considered typical users.
Furthermore, designing environments poses the challenge of inclusivity, ensuring that individuals who do not fit the standard profile—such as people with disabilities, pregnant women, those using assistive devices, and individuals of varying ages, body types, etc—are not excluded. The principles of Universal Design, established in 1997 by the NC State University College of Design and led by Ronald L. Mace, offer a transformative perspective in this context. This approach influences various design fields, including the built environment, products, and communications. When applied to architecture, it fosters the creation of spaces that work for everyone, minimizing the need for adaptations or specialized design.
Landscape architecture is having a moment. The latest proof: last week, the US Department of Homeland Security decided to accredit the field with its prestigious STEM designation. As part of the science, technology, engineering, and mathematics (STEM) educational disciplines that fall under this category, landscape architecture students can now spend an additional 24 months seeking employment and training post-graduation in the United States after an initial period of a year granted to all graduates. The title also promises more prestige, higher entry salaries, and additional career flexibility. Torey Carter-Conneen, CEO of the American Society of Landscape Architects (ASLA), calls the development a significant advancement for 'landscape architecture education and practice, and that is great for America and the global community.'
The news corresponds to a growing emphasis on landscape architecture as a pivotal practice around the globe in recent years – one that is closely connected to notions of public health, environmental design, biophilia, sustainability, and re-wilding. It also underlines the intimate relationship between technology and the discipline. Landscape proposals increasingly rely on advanced science and technology to predict how ecological interventions might alter an existing terrain and determine what measures will yield the highest benefit for both humans and nature. The contemporary ideal of wild meadows and biodiverse forests may exist free from external influence, but the path to get there requires assistance.
June 8th was World Oceans Day 2023, which brought the theme 'Ocean Planet: Tides are Changing'. The purpose of the United Nations was to generate a "new wave of enthusiasm for caring and protecting the ocean and the entirety of our blue planet."
A new opportunity to reflect on the importance of preserving these vast aquatic ecosystems that cover more than 70% of the Earth's surface - and an opportunity to reflect on how architecture can contribute to their protection and conservation through the design of resilient coastal infrastructure, the development of marine energy technologies, sustainable design of coastal buildings, and regeneration of marine ecosystems.
Through shapes, colors, and the elements on their facades, many architects have sought to bring a sense of movement to works that are otherwise physically static. Santiago Calatrava, Jean Nouvel, and Frank Gehry are only a few of the masters who managed to provide a dynamic effect to motionless structures, highlighting the work in context using formal strategies borrowed from the plastic arts. In other cases, however, architects have also opted for physically kinetic structures that could bring a unique aesthetic or functional dimension to the work.
No city is like New York. As an amalgam of different cultures, it is one of the most diverse in the world. New York is also facing social and environmental challenges that range from the need for new housing and transportation demands, to rising sea levels and storm surges. As the global pandemic further underlined the importance of design in shaping public life, city officials and planners are looking at a range of approaches and models for urban development and renewed growth.
As the largest city in the United States, New York City is one of the most diverse and vibrant cities in the world, recognized by many as the center for global media, culture, fashion art, and finance. The city was founded in 1624 by settlers from the Dutch Republic and has since grown into “the city that never sleeps”.
While almost every style of architecture exists in New York City, the metropolis is most well known for its skyscrapers, both in historical styles such as Neoclassical and Art Deco and in their varied contemporary expressions. The first building to bring the world's tallest title to New York was the New York World Building, in 1890. Later, New York City was home to the world's tallest building for 75 continuous years, starting with the Park Row Building in 1899.
Following the Seoul Metropolitan Government's announcement of reviving and expanding the city's Olympic Jamsil Sports–MICE Complex, Heatherwick Studio has proposed a dynamic multi-leveled pier that promotes notions of "community spirit, activity, equality, play, and togetherness". Titled The Leaf, the project will feature plant-covered platforms built on the Han River, and will offer visitors recreational and cultural spaces across a floating platform.
More than 5000 new projects published throughout 2021 make ArchDaily the largest online architecture library in the world. ArchDaily Curatorial Team researches, contacts offices, prepares, and delivers the built projects in the world on a daily basis, with the objective of providing inspiration, knowledge, and tools to our users who take part in the creation of better built environments.
In this second edition of the ArchDaily Professionals Video Interviews, ArchDaily's Managing Editor, Christele Harrouk, met with Mat Cash, Group Leader of Heatherwick Studio, Signe Nielsen, MNLA's Founding Principal, and David Farnsworth, Arup Principal, to discuss their collaborative work on one of New York City's latest green areas, Little Island Park at Pier 55.
Between rising water levels and global migration to cities, architects and designers need to critically reimagine the relationship between coastal landscapes and public space. Cities are facing entirely new risks and environmental conditions. Resiliency, infrastructure, and ecology are increasingly common terms, reflecting the growing demand to address the spatial and formal challenges faced by cities worldwide. Rethinking boundaries and edges, designers have unique opportunities to help shape public understanding of these conditions through waterfront parks.
Architecture, by its very definition, involves the construction of structures. Structures that are meant to serve as spaces for work, living, religious devotion, amongst many other purposes. Architectural projects and interventions, however, need land – and it is this intrinsic relationship, between land and architecture, that has massive ramifications not only regarding reducing carbon emissions but more importantly in forming an equitable future rooted in climate justice.
Urban environments are in a constant process of social evolution, political and economic transformation. Attached to the idea of urban renewal is gentrification, a complex phenomenon circumscribing a variety of issues, from the improvement of the built environment and strengthening the local economy to displacement and demographic change. On the one hand, redevelopment means revitalizing neighbourhoods, improving the built environment and infrastructure and boosting the local economy, and on the other hand, gentrification drives up property prices and cost of living, forcing out low-income communities. Is the displacement of local communities a "collateral damage" of urban development? Does redevelopment intrinsically drive gentrification, and can urban environments be revitalized more ethically?
In this Editor's Talk edition, editors from Argentina, Lebanon, Brasil, Chile, Tanzania share their views on gentrification.
Pier 54 in New York has a history that dates back to the city's first inhabitants. After being severely damaged in 2012 with the passage of Hurricane Sandy, Barry Diller and the Hudson River Park Trust institution worked to create solutions to reactivate it and return the space to the public.
The final resulting project, Little Island Park, became an urban oasis of almost 10,000 square meters, which is structured on 132 pillars and houses amphitheaters, and several species of trees and other vegetation, in addition to other attributes. With the architecture developed by Heatherwick Studio and landscaping by MNLA, the work presented numerous difficulties, which required great innovation and collaboration between many professionals. Arup, a global company that develops consulting and engineering projects, was involved in the project from the beginning. We spoke with David Farnsworth, Principal at Arup’s New York office & Project Director of Little Island, about the challenges and learning involved in this process:
Columbia University’s Manhattanville Campus expansion has ushered in a crystalline district of glass-clad buildings amid the masonry vernacular architecture of Harlem. The latest additions to the 17-acre, $6.3 billion campus, which was master-planned by SOM, are two buildings designed by Diller Scofidio + Renfro (DS+R) in collaboration with FXCollaborative that provide a new home for the Columbia Business School. Set to open in early 2022, Henry R. Kravis Hall and the East Building rise 11 and 8 stories, respectively, and provide 492,000 square feet of classrooms, public space, and faculty offices.
